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He blends in just like you and me. He could be the guy in the cubicle next to you, or it could be your boss, garbage man, husband, or even your neighbor. Through the eyes of an insatiable, sadistically motivated sociopath, he tells the story of the last six years of his life and the chilling lessons he teaches his victims in his subbasement chamber. Eluded Confession takes readers into the twisted mind of a killer. It will shock the foundation of anyone who thinks he is safe. A schizophrenic sociopath commits horrifying acts to pursue his own sadistic pleasures in the scary thriller Eluded Confession. When a drifter arrives at a cops’ bar situated in a small town, he begins telling a story in graphic detail about a man who murdered thirteen families, not counting a sixteen-year-old Spanish Gothic girl, and their very own local lieutenant. Is he telling the truth? The drifter embellishes the heinous acts committed while leaving no evidence behind, except for a confusing symbol carved in the back of the victims’ necks. He keeps his latest in shackles. She’s a perfect seventeen-year-old Gothic girl whom he’s teaching his own special brand of lessons and desires over a period of ten years. Satisfying his own sadistic pleasures through depravity and pain, changing her as he is, adding tokens to what has become their victims’ death box. Meanwhile, he’s framing a small town sergeant for all the murders.
Eluded Confession; takes the readers into the mind and world of a sadistic killer from his perspective, letting you the reader see, feel, and experience what he does, through his eye's. Teaching you Technic in the pleasures of torture and masochistic pleasures. Come experience the purity of taking an innocent life.
Phil Cresta was no run-of-the-mill thief. Mastermind of the legendary Brink's armored truck robbery and a string of countless other high-stakes heists, he stole more than ten million dollars in escapades that often were breathtakingly daring and at times marvelously inventive. The robberies baffled both police and fellow outlaws for decades, and most of the crimes remain unsolved today. Now the open case files of these memorable thefts can be closed as Cresta himself provides the true story on how they were planned and carried out. Born in Boston's North End in 1928, Cresta was raised in an abusive household. He was sent to Concord Reformatory as a teenager, where he learned the craft of picking locks, a skill later honed during stays at the Charlestown and Walpole prisons in Massachusetts. Following the Brinks robbery in 1968, he was put on the FBI's Ten Most Wanted List, but eluded the law for five years, living in Chicago under an assumed name. After serving time at Walpole for the Brinks job, Cresta died penniless in Chicago in 1995. Yet shortly before his death, he revealed the full extent of his astonishing capers to coauthor Bill Crowley, a retired Boston police detective. Drawing from their extensive conversations, this riveting page-turner chronicles how Cresta, along with partners "Angelo" and "Tony," pulled off robberies of jewelers, rare coin dealers, furriers, and armored trucks, detailing the meticulous planning that marked his criminal career. Cresta's final accounting is brimming with vivid tales of betrayal, murder, and intrigue as well as a colorful cast of characters, including mob bosses, wise guys, informants, paid "ears," corrupt judges, a Hollywood starlet, and even the Mayor of Chicago. Filled with drama, tension, and humor, this absorbing saga takes the reader inside the dangerous yet exhilarating world of a life dedicated to crime.
Probably the most intriguing and consoling book ever written about the Sacrament of Confession. This little gem contains a host of true stories about Confession, plus quotes from the Bible and the Saints of the early Church. Shows how even Protestants admire Confession, how it comes from Our Lord Himself, and gives renewed courage and youthfulness of spirit to the heart and soul. Says that by means of weekly Confession any sin can be conquered! Filled with warmth and love.
Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives brings together a wide range of current work on literary, cultural and linguistic censorship by a team of fifteen contributors working in Italy, Britain and continental Europe. Censorship can take hold of a written text before or after its public appearance; it can strike the cultural item, as well as the very individual/s who created it; it can also catch in its net the agents responsible for its publication and diffusion (in the case of a printed text, authors, editors, printers, publishers, librarians and booksellers). It can be directed against a single person or against a group, an organization, a political party, or a religious confession. The different “ways of censorship” – how it was enforced or eluded in the Italian or Anglo-American worlds, and often in their mutual relations – are the topic of this volume, whose contents are divided into two main sections. The first, entitled “Discourse Regulation”, discusses instances of institutionalized and regulatory censorship and, conversely, forms of reaction against pressure and control. The second section, entitled “Textual and Ideological Manipulations”, debates some of the ways in which cultural products can be used to exert censorial influence upon society; among these, it shows how language and descriptions of language may provide a biased view of reality. All in all, the chapters in this volume highlight a notion of censorship that defies strict boundaries and definitions, thus challenging received ideas on cultural practices.
Inevitably separated from the woman who brought hope back to his life, Rudy leaves for France to seek seasonal employment. This simple journey, however, soon becomes a quest for self-discovery, which takes him through France, Italy, and Austria before he is able to return to Spain. Battling his inner demons as the lies he invented in order to survive close in on him, Rudy's sanity is tested in ways he would never imagine. This is a story of human spirit. This is a story of perseverance, and the power of love to transcend cultures, borders, and one's own past. It is a story of reconciliation.
Luckily for human diversity, we are perfectly capable of desiring impossible things. Failing Desire explores a particular set of these impossibilities, those connected to humiliation. These include the failure of autonomy in submission, of inward privacy in confession, of visual modesty in exhibition, and of dignity in playing various roles. Historically, those who find pleasure in these failures range from ancient Cynics through early Christian monks to those now drawn by queer or perverse eroticism. As Judith Halberstam pointed out in The Queer Art of Failure, failure can actually be a mode of resistance to demands for what a culture defines as success. Karmen MacKendrick draws on this interest in queer refusals. To value, desire, or seek humiliation undercuts any striving for success, but it draws our attention particularly to the failures of knowledge as a form of power, whether that knowledge is of one body or of a population. How can we understand will that seeks not to govern itself, psychology that constructs inwardness by telling all, blushing shame that delights in exposure, or dignity that refuses its lofty position? Failing Desire suggests that the power of these desires and pleasures comes out of the very realization that this question can never quite be answered.