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Elsie's experiences changes from girlhood to womanhood, her family is also undergoing change. In this third volume Elsie matures into a young woman as her father falls in love, marries, and provides her with a brother and sister: Horace Jr. and Rosebud. Elsie experiences a bittersweet agony in her first love and her first heartbreak, only to discover that true love has been with her almost as long as she can remember.
A pious young girl has difficulty establishing a relationship with her wordly father who seems indifferent to her religious principles.
The Elsie Dinsmore Novels, Martha Finley, in our opinion is the author of the best Series of novels that we have seen in our forty-three years of reviewing. Written by Martha Finley, an unmarried teacher of the last century, these novels proved to be a means of conveying her deep love for Christ Jesus. She loved her Lord, she loved His Word, and this love was passed on to His sheep through the writing of by far the best and most Biblical novels you will ever read or see. Altogether there are 28 of these novels, all built around Elsie Dinsmore, her immediate family, her extended family, and her neighbors.
Elsie felt in better spirits in the morning; her sleep had refreshed her, and she arose with a stronger confidence in the love of both her earthly and her heavenly Father. She found her papa ready, and waiting for her. He took her in his arms and kiss
A guide to building a good character, offering teenage girls practical wisdom on the classic issues that every teenager faces from a biblical perspective.
It is 1943, and 11-year-old Dewey Kerrigan is traveling west on a train to live with her scientist father—but no one, not her father nor the military guardians who accompany her, will tell her exactly where he is. When she reaches Los Alamos, New Mexico, she learns why: he's working on a top secret government program. Over the next few years, Dewey gets to know eminent scientists, starts tinkering with her own mechanical projects, becomes friends with a budding artist who is as much of a misfit as she is—and, all the while, has no idea how the Manhattan Project is about to change the world. This book's fresh prose and fascinating subject are like nothing you've read before. Everyone who deals with middle-grade kids — parents, teacher, librarians — is busy answering questions about a movie they have heard so much about, but are too young to see. Green Glass Sea will answer their questions and more.
This collection is the first of its kind to interrogate both literal and metaphorical transatlantic exchanges of culture and ideas in nineteenth-century girls’ fiction. As such, it initiates conversations about how the motif of travel in literature taught nineteenth-century girl audiences to reexamine their own cultural biases by offering a fresh perspective on literature that is often studied primarily within a national context. Women and children in nineteenth-century America are often described as being tied to the home and the domestic sphere, but this collection challenges this categorization and shows that girls in particular were often expected to go abroad and to learn new cultural frames in order to enter the realm of adulthood; those who could not afford to go abroad literally could do so through the stories that traveled to them from other lands or the stories they read of others’ travels. Via transatlantic exchange, then, authors, readers, and the characters in the texts covered in this collection confront the idea of what constitutes the self. Books examined in this volume include Adeline Trafton’s An American Girl Abroad (1872), Johanna Spyri’s Heidi (1881), and Elizabeth W. Champney’s eleven-book Vassar Girl Series (1883-92), among others.