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Poetry. Here is a calendar full of long shadows, a guidebook of unlikely bursts of music, and we couldn't ask for a better guide than this keenly perceptive, wry, plucky poet. In Laurie Filipelli's ELSEPLACE, as in Keats, we may not know if we wake or dream but that uncertain state blurs nothing, rather it clarifies the mysteries that are our befuddlements and salvations.--Dean Young In Laurie Filipelli's debut collection, lyrical prose poems that evoke the sorrows of the calendar year are juxtaposed with feisty odes that soar and float and sing and refuse to be tethered. Elsewhere could be anywhere, but ELSEPLACE is brilliant and magical. It's where the cat's been when it reappears, it's a place you have to squint to see, it's a town that exists only when you name it, it's the wig shop in Tyler, Texas, it's Poem City (the wonderful book in your hand!), and Paris, Las Vegas, where the way to win is to forget what you want.--Maura Stanton Part oracle, part anchor, the poems in ELSEPLACE hover like the recurrent image of a balloon caught between imminences. Filipelli's poems are driven less by containment than bafflement, by the ferocious tenderness of invention. For ultimately, these are love songs to maybe, to the 'crooked O, ' to 'wind's eye beginning to open.'--Elyse Fenton
This book constitutes the refereed proceedings of the 11th International Conference on Networked Systems, NETYS 2023, held in Benguerir, Morocco, during May 22–24, 2023. The 9 full papers and 3 short papers presented were carefully reviewed and selected from 31 submissions. The scope of the conference covers all aspects related to the design and the development of these systems, including, e.g., cloud systems, formal verification, concurrent and distributed algorithms, data management, data science, parallel/concurrent/distributed programming, machine learning, multi-core architectures, networks, and security.
This is one of the first books to introduce students to the key concepts and debates surrounding the relationship between bodily boundaries, abject materiality and spaces. The text includes original interview and focus group data informed by feminist theory on the body and uses case studies to illustrate the social construction of bodies. It will critically engage students in topical questions around sexuality, cultural differences and women's sub-ordination to men.
The Artist's Torah is an uplifting and down-to-earth guide to the creative process, wide open to longtime artists and first-time dabblers, to people of every religious background--or none--and to every creative medium. In this book, you'll find a yearlong cycle of weekly meditations on a life lived artistically, grounded in ancient Jewish wisdom and the wisdom of artists, composers, writers, and choreographers from the past and present. You'll explore the nature of the creative process--how it begins, what it's for, what it asks of you, how you work your way to truth and meaning, what you do when you get blocked, what you do when you're done--and encounter questions that will help you apply the meditations to your own life and work. Above all, The Artist's Torah teaches us that creativity is a natural and important part of the human spirit, a bright spark that, week after week, this book will brighten.
Else poisoned her husband as a token of her love for Erika. Alone in her prison cell Else relives who and what had brought her there – Erika and their secret language, Erika’s enabling mother, Else’s jealous mother-in-law, her abusive husband and his appalling secret, the words of oppression. “Elsechickgorgeousyou you are like a blank white sheet of paper on which I am the Word. You are like the nothingness that I first efface because I have Words to put into the emptiness. Because I am the Word so-to-say.”
This major collection explores the contested nature of love and eroticism, examining the ways in which erotic bodily pleasures have become central to contemporary consumer culture. It investigates the spatial dimension of erotic life through considerations of Bohemian love, the gay city and the ways in which the urban landscape and everyday life have become sexualized - issues which have become central to the emergence of `queer′ as a new form of gender politics and more general questions of sexual citizenship. Drawing on the work of feminists, sociologists and cultural theorists, this book contains a wide-ranging and accessible set of contributions to contemporary debates on sexuality, love and eroticism. Love & Eroticism is simultaneously published as volume 15, issue 3-4 of Theory, Culture & Society.
Recommends that language teachers incorporate discourse and pragmatics in their teaching if they wish to implement a communicative approach in their classrooms. The authors show how a discourse perspective can enhance the teaching of traditional areas of linguistic knowledge and language skills.
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.