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This volume is the first tangible result of an international project initiated by the International Institute for Asian Studies (IIAS) with the aim of compiling a bibliographic database documenting publications on South and Southeast Asian art and archaeology. The bibliographic information, over 1,300 records extracted from the database, forms the principal part of this publication. It is preceded by a list of periodicals consulted and followed by three types of indexes which help users to find their way in the ABIA South and Southeast Asian Art and Archaeology Index (ABIA Index). The detailed bibliographic descriptions, controlled keywords and many elucidating annotations make this reference work into an indispensable guide to recent scholarly work on the prehistory and arts of South/Southeast Asia.
Exploring family stories reveals the rich history of a seventh-century Buddhist shrine. As a young girl in Bombay, Kirin Narayan was enthralled by her father’s stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Buddhist traditions. Cave of My Ancestors represents the perfect blend of Narayan’s skills as a researcher and writer. Her quest to trace her family’s stories took her to Ellora; through libraries, archives, and museums around the world; and across disciplinary borders. Equal parts scholarship, detective story, and memoir, Narayan’s book ably leads readers through centuries of history, offering a sensitive meditation on devotion, wonder, and all that connects us to place, family, the past, and the divine.
Have you ever thought about dependencies in Asian art and architecture? Most people would probably assume that the arts are free and that creativity and ingenuity function outside of such reliances. However, the 13 chapters provided by specialists in the fields of Asian art and architecture in this volume show, that those active in the visual arts and the built environment operate in an area of strict relations of often extreme dependences. Material artefacts and edifices are dependent on the climate in which they have been created, on the availability of resources for their production, on social and religious traditions, which may be oral or written down and on donors, patrons and the art market. Furthermore, gender and labour dependencies play a role in the creation of the arts as well. Despite these strong and in most instances asymmetrical dependencies, artists have at all times found freedoms in expressing their own imagination, vision and originality. This shows that dependencies and freedoms are not necessarily strictly separated binary opposites but that, at least in the area of the history of art and architecture in Asia, the two are interconnected in what are often complex and multifaceted layers.
The Essays Here, Challenging The Boundaries And Assumptions Of Mainstream Art History, Question Many Preconceived Notions About Meaning In Representations Artistic And Art Historical. Emphasizing On Specific Visual Cultures Within The Dynamics Of Historical Processes, They Raise Critical Issues Of Art Production, Circulation And Consumption And Attempt To Rescue Traditional Arts From A Past That Is Hermetically Sealed Off From The Present.
History & Historiography: From Ancient to Modern World is entitled to serve as a bundle of various research articles and research papers. The book concentrate mainly on the topics which, we think, will be valuable to apprehend the various research areas deeply and more profoundly. This book also includes such topics that are mainly related to our glorious history and the development of our ideas about the past. The present volume is the first in highlighting articles and essays written by young scholars. These young scholars are more way than a historians. They have written on the topics with respective to the fields of specialization, really agreed and sent in their contributions. This collection precisely focuses precisely on Indian and European History. Although there is a vast literature available on the subject but the need to put forth the mind-set of young historians has been long felt. Nevertheless, it incorporates a wide range of fascinating information, which will to a greater extend appeal to the general reader as well.
This is a comprehensive, iconographic, aesthetic and artistic study of the female figurine at the temples of Hadoti, Ellora and Khajuraho. It describes in detail the temple sculptures through a comparative analysis of their contents and techniques. It traces the development of symbolic imagery and the artistic tradition of that site, while at the same time highlighting those statues or panels which are the most authentic artworks of their style and the symbol of Shakti or female power. This book brings forward glimpses of India's rich cultural heritage and the manifestation of Shakti, the powerful Goddess.
Thakur Vijayam: Spectrum of History, Culture and Archaeological Studies is a Commemoration Volume presented to Prof. Vijay Kumar Thakur was a renowned Historian in India, on his Eighty second birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy, Archaeology, andCulture. There are more than 35 articles shedding light on History, Culture and Archaeological Studies. This prestigious volume contains a wide spectrum of research articles covering Archaeology, History, Art, Architecture, Epigraphy and Numismatics, Buddhism, Religion and Philosophy Tourism, Modern History and Economic history, Folklore, literature and culture, This volume was edited by Prof. Pedarapu Chenna Reddy who is already well-known for similar volumes in honour of Prof. B. Rama Raju, Dr. P. V. P. Sastry, Prof. R. Soma Reddy, Dr. I. K. Sarma, Dr. V. V. Krishna Sastry, Dr. Robert G. Bednarik, Prof. A. Sundara, Dr. Deme Raja Reddy, Dr. Annapareddy Venkateswara Reddy, Prof. K. V. Raman, Dr. Janumaddi Hanumath Sastry, Prof. K. Rajayyan, Prof. Alan Dundes, Prof. Bhakthavathsala Reddy, Prof. K. K. N. Kurup, Dr. A. K. V. S Reddy, Dr. Y. Gopala Reddy, Prof. M. L. K. Murty, Dr. M. D. Sampath, Prof. Katta Narasimha Reddy, Prof. Hampa Nagarajaiah etc.
Supplies annotated and indexed entries on publications in Asian and European languages relating to prehistory, (proto)historical archaeology, art history (including modern art), material culture, epigraphy, palaeography, numismatics and sigillography.