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When Elliot Stone, a nine-year-old boy, overhears a grown-up telephone conversation, he mixes up the information and his imagination runs wild.
Having to leave his friends and miss a popular fourth-grade graduation party, Elliot is not looking forward to spending the summer in Vermont until he spots an unusual animal in Lake Bomoseen.
"This Is Not A Love Scene rings brilliantly true from the first page to the last." —David Baldacci, #1 New York Times bestselling author Funny, emotional, and refreshingly honest, S.C. Megale’s This is Not a Love Scene is for anyone who can relate to feeling different while navigating the terrifying and thrilling waters of first love. Lights, camera—all Maeve needs is action. But at eighteen, a rare form of muscular dystrophy usually stands in the way of romance. She's got her friends, her humor, and a passion for filmmaking to keep her focus off consistent rejection...and the hot older guy starring in her senior film project. Tall, bearded, and always swaying, Cole Stone is everything Maeve can't be. And she likes it. Between takes, their chemistry is shockingly electric. Suddenly, Maeve gets a taste of typical teenage dating life, but girls in wheelchairs don’t get the hot guy—right? Cole’s attention challenges everything she once believed about her self-image and hopes for love. But figuring this out, both emotionally and physically, won't be easy for either of them. Maeve must choose between what she needs and what she wants, while Cole has a tendency to avoid decisions altogether. And the future might not wait for either.
Silas Marner -- The Lifted Veil -- Brother Jacob -- Middlemarch.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
The most complete reference book about writers of motion pictures and movies-of-the-week. Includes credits and contact information as well as a cross-referenced index by film title/writer. Over 7000 screen-writers containing over 28,000 film listings; releasing information (date & studio), Academy Awards listings, index of literary agencies. Also includes listings of to-be-produced screenplays.
A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.