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Eliza's enthusiasm (literally "being in the spirit") is its own assurance and leads to the production of literary offspring.".
This facsimile edition reproduces the work titled Eliza's Babes which was first published in 1652. The volume comprises devotional and political verse and prose meditations. The poems cover a wide range of forms from verse epistles to poetic petitions, religious love lyrics to poems on earthly marriage, exultant poetic prayers to stern spiritual admonitions. The meditations are fine examples of the Puritan believer's plain-style response to various biblical texts, theological issues and political events. The text is historically and aesthetically unique. It reveals its anonymous author to be perhaps the first woman to publish substantial creative imitations of poems printed in George Herbert's The Temple (1633) and to rely upon and respond to Robert Herrick's Hesperides (1648). Eliza's Babes is a literary work of great originality. The narrator lives out her estate of salvation as an almost literally experienced marriage of election to Christ her Saviour. In a series of poems, 'Eliza' overcomes her initial shock and disappointment that her heavenly spouse has chosen an earthly partner for her, though this partner's prerogative is noticeably confined to the subservient role of facilitating his wife's heavenly marriage. The copy reproduced in this edition is the British Library text.
This study challenges critical assumptions about the role of religion in shaping women's experiences of authorship. Feminist critics have frequently been uncomfortable with the fact that conservative religious beliefs created opportunities for women to write with independent agency. The seventeenth-century Protestant women discussed in this book range across the religio-political and social spectrums and yet all display an affinity with modern feminist theologians. Rather than being victims of a patriarchal gender ideology, Lady Anne Southwell, Anna Trapnel and Lucy Hutchinson, among others, were both active negotiators of gender and active participants in wider theological debates. By placing women's religious writing in a broad theological and socio-political context, Erica Longfellow challenges traditional critical assumptions about the role of gender in shaping religion and politics and the role of women in defining gender and thus influencing religion and politics.
This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare s time that the idea of privacy went from a marginal notion to a desirable quality."
This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on--and challenges--the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.
Since the 1980s, Roger D. Sell’s literary criticism has striven to take account of the (often conflicting) approaches available without compromising the human importance of the literary work: either in terms of its creation or its reception. Sell’s theory of literature draws strength from the interface between literary studies and linguistics and is grounded on the argument that literary making is a primary communicational act between human beings. Other critics have found Sell’s work inspirational. This book both responds to Sell’s ideas and demonstrates the multifaceted potential of his work. Aware of his trajectory through Literary-Pragmatic, ‘Humanizing’ and ‘Mediating’ criticism, Humane Readings offers a series of original and focused studies which demonstrate the power, provenance and importance of Sell’s approach. Ranging in subject matter from the Early Modern Period to the present, a reconfiguration of literary criticism by contemporary readers and practitioners is urged here. Case studies are presented on a range of poetic, novelistic, dramatic and children’s works. Each illuminates different aspects of Sell’s critical thought./div
An important contribution to recent critical discussions about gender, sexuality, and material culture in Renaissance England, this study analyzes female- and male-authored lyrics to illuminate how gender and sexuality inflected sixteenth- and seventeenth-century poets' conceptualization of relations among people and things, human and non-human subjects and objects. Pamela S. Hammons examines lyrics from both manuscript and print collections”including the verse of authors ranging from Robert Herrick, John Donne, and Ben Jonson to Margaret Cavendish, Lucy Hutchinson, and Aemilia Lanyer”and situates them in relation to legal theories, autobiographies, biographies, plays, and epics. Her approach fills a crucial gap in the conversation, which has focused upon drama and male-authored works, by foregrounding the significance of the lyric and women's writing. Hammons exposes the poetic strategies sixteenth- and seventeenth-century English women used to assert themselves as subjects of property and economic agents”in relation to material items ranging from personal property to real estate”despite the dominant patriarchal ideology insisting they were ideally temporary, passive vehicles for men's wealth. The study details how women imagined their multiple, complex interactions with the material world:the author shows that how a woman poet represents herself in relation to material objects is a flexible fiction she can mobilize for diverse purposes. Because this book analyzes men's and women's poems together, it isolates important gendered differences in how the poets envision human subjects' use, control, possession, and ownership of things and the influences, effects, and power of things over humans. It also adds to the increasing evidence for the pervasiveness of patriarchal anxieties associated with female economic agency in a culture in which women were often treated as objects.
This anthology makes accessible to readers ten little-known and under-studied works by seventeenth-century women (edited from manuscript and print) that explore the relationship between spiritual and physical health in the period. Providing a detailed and engaging introduction to the issues confronted when studying women’s writing from this era, the anthology also examines female interpretations of illness, exploring beliefs that toothache and miscarriage could be God’s punishments, but also, paradoxically, that such terrible suffering could be understood as proof that a believer was eternally beloved. The extracts in the anthology explore how illness was an important part of women’s religious conversion, often confirming religious belief, but also how women could advise others about their physical and spiritual health in manuscript and print. The anthology includes a thorough introduction to the period’s medical and religious beliefs, as well as an introduction to contemporary ideas about women’s physical and spiritual make up. Each of the ten extracts also has its own preface, highlighting relevant contexts and further reading, and is fully annotated.