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Elizabeth I was born into a world of women.As a child, she was served by a predominantly female household of servants and governesses, with occasional visits from her mother, Anne Bolyen, and the wives who later took her place.As Queen, Elizabeth was cons
Examines Queen Elizabeth I through the eyes of the women who shaped her life--from her bewitching mother, Anne Boleyn, to her dangerously obsessive sister, Mary Tudor, and from the rivals to her throne such as Mary, Queen of Scots to her rivals in love, like Lettice Knollys, who stole her closest male favorite.
Elizabeth Conway's greatest ambition is to discover a comet. Unfortunately, she is the eldest of eight daughters of an earl, so her relative expect her to take her rightful place in Society. The heavenly bodies she views through her telescope hold far more fascination for Elizabeth than any mere male, although her perpetual beau, dashing Lord Bevis, would change that if he could.When Tom Conroy, a distant cousin and the new Earl of Clanross, appears after a year's delay, Elizabeth offers him a cool welcome. He is a dull stick and ill-mannered to boot. Yet he is the only man who has shown respect for her astronomical work, and his concern for her younger sisters' welfare reveals a different side to him. Then his heir, Elizabeth's cousin Willoughby, appears with the obvious intent of making a match between his lovely but silly sister and Clanross--and with making as much mischief as he can. Lord Bevis presses his suit with Lady Elizabeth, until she agrees, at long last, to marry him. She resists making an announcement, though, until he tells his somewhat traditional father that he will not only be marrying an heiress but her telescope.Elizabeth discovers a comet. Clanross proclaims his pride in her accomplishment, but Lord Bevis's reaction is far more traditional. Willoughby introduces a beautiful woman into the mix and the twins further complicate it. Distraught, confused, perhaps even heartbroken, Elizabeth faces the question of what to do with the rest of her life. And what to do about Clanross, whom she just might love.
"Originally published in 2013 by Bloomsbury Publishing, Great Britain, as Elizabeth's Bedfellows: An Intimate History of the Queen's Court"--T.p. verso.
Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth's private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge. For such was the significance of the queen's body: it represented the very state itself. This riveting, revealing history of the politics of intimacy uncovers the feminized world of the Elizabethan court. Between the scandal and intrigue the women who attended the queen were the guardians of the truth about her health, chastity and fertility. Their stories offer extraordinary insight into the daily life of the Elizabethans, the fragility of royal favour and the price of disloyalty.
The names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is: a black high school girl, dressed in white, walking stoically in front of Little Rock Central High School, and a white girl standing directly behind her, face twisted in hate, screaming racial epithets. This famous photograph captures the full anguish of desegregation--in Little Rock and throughout the South--and an epic moment in the civil rights movement.In this gripping book, David Margolick tells the remarkable story of two separate lives unexpectedly braided together. He explores how the haunting picture of Elizabeth and Hazel came to be taken, its significance in the wider world, and why, for the next half-century, neither woman has ever escaped from its long shadow. He recounts Elizabeth's struggle to overcome the trauma of her hate-filled school experience, and Hazel's long efforts to atone for a fateful, horrible mistake. The book follows the painful journey of the two as they progress from apology to forgiveness to reconciliation and, amazingly, to friendship. This friendship foundered, then collapsed--perhaps inevitably--over the same fissures and misunderstandings that continue to permeate American race relations more than half a century after the unforgettable photograph at Little Rock. And yet, as Margolick explains, a bond between Elizabeth and Hazel, silent but complex, endures.
From Anne Barnhill, the author of At the Mercy of the Queen, comes the gripping tale of Mary Shelton, Elizabeth I's young cousin and ward, set against the glittering backdrop of the Elizabethan court Mistress Mary Shelton is Queen Elizabeth's favorite ward, enjoying every privilege the position affords. The British queen loves Mary like a daughter, and, like any good mother, she wants her to make a powerful match. The most likely prospect: Edward de Vere, Earl of Oxford. But while Oxford seems to be everything the queen admires: clever, polished and wealthy, Mary knows him to be lecherous, cruel, and full of treachery. No matter how hard the queen tries to push her into his arms, Mary refuses. Instead, Mary falls in love with a man who is completely unsuitable. Sir John Skydemore is a minor knight with little money, a widower with five children. Worst of all, he's a Catholic at a time when Catholic plots against Elizabeth are rampant in England. The queen forbids Mary to wed the man she loves. When the young woman, who is the queen's own flesh and blood, defies her, the couple finds their very lives in danger as Elizabeth's wrath knows no bounds.
The first biography of Lettice Knollys, one of the most prominent women of the Elizabethan era, also examines the relationship between Elizabeth and Lettice's husband, Robert Dudley, 1st Earl of Leicester, within the context of his third marriage.
Maureen Quilligan explores the remarkable presence in the Renaissance of what she calls "incest schemes" in the books of a small number of influential women who claimed an active female authority by writing in high canonical genres and who, even more transgressively for the time, sought publication in print. It is no accident for Quilligan that the first printed work of Elizabeth I was a translation done at age eleven of a poem by Marguerite de Navarre, in which the notion of "holy" incest is the prevailing trope. Nor is it coincidental that Mary Wroth, author of the first sonnet cycle and prose romance by a woman printed in English, described in these an endogamous, if not legally incestuous, illegitimate relationship with her first cousin. Sir Philip Sidney and his sister, the Countess of Pembroke, translated the psalms together, and after his death she finished his work by revising it for publication; the two were the subject of rumors of incest. Isabella Whitney cast one of her most important long poems as a fictive legacy to her brother, arguably because such a relationship resonated with the power of endogamous female agency. Elizabeth Carey's closet drama about Mariam, the wife of Herod, spends important energy on the tie between sister and brother. Quilligan also reads male-authored meditations on the relationship between incest and female agency and sees a far different Cordelia, Britomart, and Eve from what traditional scholarship has heretofore envisioned. Incest and Agency in Elizabeth's England makes a signal contribution to the conversation about female agency in the early modern period. While contemporary anthropological theory deeply informs her understanding of why some Renaissance women writers wrote as they did, Quilligan offers an important corrective to modern theorizing that is grounded in the historical texts themselves.
In this remarkable reconstruction of an eighteenth-century woman's extraordinary and turbulent life, historian Linda Colley not only tells the story of Elizabeth Marsh, one of the most distinctive travelers of her time, but also opens a window onto a radically transforming world.Marsh was conceived in Jamaica, lived in London, Gibraltar, and Menorca, visited the Cape of Africa and Rio de Janeiro, explored eastern and southern India, and was held captive at the court of the sultan of Morocco. She was involved in land speculation in Florida and in international smuggling, and was caught up in three different slave systems. She was also a part of far larger histories. Marsh's lifetime saw new connections being forged across nations, continents, and oceans by war, empire, trade, navies, slavery, and print, and these developments shaped and distorted her own progress and the lives of those close to her. Colley brilliantly weaves together the personal and the epic in this compelling story of a woman in world history.