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This surprising portrait of the Tudor queen offers an “ambitious re-examination of the intersection of gender and monarchy” (The New York Times Book Review). Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “‘weak and feeble’ woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft. Elizabeth depicts a sovereign less constrained by her femininity than most accounts claim, challenging readers to reassess Elizabeth’s reign and the colorful drama and intrigue to which it is always linked. It’s a fascinating journey that shows how a marginalized newly crowned monarch, whose European contemporaries considered her to be the illegitimate ruler of a pariah nation, ultimately adapted to become England’s first recognizably modern head of state.
A new portrait that casts the queen as she saw herself: not as an exceptional woman, but as an exceptional ruler Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her "weak and feeble woman's body" to do so for political gain. But in "Elizabeth," historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton's fresh interpretation is of a queen who saw herself primarily as a Renaissance prince and used Machiavellian statecraft to secure that position. A decade since the last major biography, this "Elizabeth "breaks new ground and depicts a queen who was much less constrained by her femininity than most treatments claim. For readers of David Starkey and Alison Weir, it will provide a new, complex perspective on Elizabeth's emotional and sexual life. It's a fascinating journey that shows how a marginalized newly crowned queen, whose European contemporaries considered her to be the illegitimate ruler of a pariah nation, ultimately adapted to become England's first recognizably modern head of state.
A definitive portrait of one of the most compelling monarchs England has ever had: Elizabeth I. 'We are a prince from a line of princes.' Lisa Hilton's majestic biography of Elizabeth I, 'The Virgin Queen', provides vibrant new insights on a monarch who continues to compel and enthral readers. It is a book that challenges readers to reassess Elizabeth's reign, and the colourful drama, scandal and intrigue to which it is always linked. Lisa Hilton uses new research in France, Italy, Russia and Turkey to present a fresh interpretation of Elizabeth as a queen who saw herself primarily as a Renaissance prince, delivering a very different perspective on Elizabeth's emotional and sexual life, and upon her attempts to mould England into a European state. Elizabeth was not an exceptional woman but an exceptional ruler, and Hilton redraws English history with this animated portrait of an astounding life. Her biography maps Elizabeth's dramatic journey from timid, newly crowned queen to one of the most powerful and vivid monarchs ever to rule England.
She gives the general reader fresh access to Elizabeth's mind and ideas, her wit, verve, eloquence, circumlocution, and formidable learning. OBSERVER A new approach to historical biography - she has studied both the original sources and recent works of scholarship and has a thorough understanding of the period. SUNDAY TIMES Until Maria Perry began her exploration of Elizabeth's papers, this vivid raw material had only been partially studied. From it, a fresh portrait of Elizabeth emerges, one which is often more cohesive and less baffling than some offered by her biographers. The dangers and insecurities of her early life, her sense of divine protection, her formidable education, all stand out as crucial elements in the formation of her character; but behind the acquired circumspection lies a personality of great warmth and spirit. On the teasing questions of love, marriage and virginity, the letters and speeches offer oblique comment; it seems certain that Robert Dudley was her one true love, and that she felt his second marriage to Lettice Knollys as a bitter betrayal. MARIA PERRY is a graduate of Somerville College, Oxford, where she read history.
Did Richard, Duke of York, the younger of the Princes on the Tower, survive his imprisonment? In this revealing new book medieval historian David Baldwin presents an original and intriguing scenario. On 27 December 1550 an old man named Richard Plantagenet was buried at Eastwell in Kent. He had spent much of his life working as a bricklayer at St John's Abbey, Colchester, but, unusually for a bricklayer, he could read Latin. Reluctant to give any account of his background, he eventually told his employer that he was a natural son of Richard III. Yet, if this was true, why was he not publicly acknowledged by the king? Richard III made provision for his other bastards, John of Gloucester and Katherine. The fact that he was called Richard Plantagenet is also revealing. Had he simply been Richard III's bastard, he would have been styled 'of Gloucester' or given the name of his birthplace. And, most tellingly of all, where is the evidence that Prince Richard actually died? David Baldwin opens up an entirely new line of investigation and offers a startling solution to one of the most enduring mysteries in English history and a final exoneration for Richard III.
Defining the proper female body, seeking elective surgery for beauty, enjoying lavish spa treatments, and combating impotence might seem like today’s celebrity infatuations. However, these preoccupations were very much alive in the early modern period. Valeria Finucci recounts the story of a well-known patron of arts and music in Renaissance Italy, Duke Vincenzo Gonzaga of Mantua (1562–1612), to examine the culture, fears, and captivations of his times. Using four notorious moments in Vincenzo’s life, Finucci explores changing concepts of sexuality, reproduction, beauty, and aging. The first was Vincenzo’s inability to consummate his earliest marriage and subsequent medical inquiry, which elucidates new concepts of female anatomy. Second, Vincenzo’s interactions with Bolognese doctor Gaspare Tagliacozzi, the “father of plastic surgery,” illuminate contemporary fascinations with elective procedures. Vincenzo’s use of thermal spas explores the proliferation of holistic, noninvasive therapies to manage pain, detoxify, and rehabilitate what the medicine of the time could not address. And finally, Vincenzo’s search for a cure for impotence later in life analyzes masculinity and aging. By examining letters, doctors’ advice, reports, receipts, and travelogues, together with (and against) medical, herbal, theological, even legal publications of the period, Finucci describes an early modern cultural history of the pathology of human reproduction, the physiology of aging, and the science of rejuvenation as they affected a prince with a large ego and an even larger purse. In doing so, she deftly marries salacious tales with historical analysis to tell a broader story of Italian Renaissance cultural adjustments and obsessions.
This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well. "This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly "An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times "Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books "In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal "This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman "Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History "In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic
The Correspondence of Elizabeth Stuart is the first complete edition of Elizabeth Stuart's letters ever published. Volume II covers the years between 1632 and 1642: Elizabeth's life as a widow controlling the regency during her eldest son's minority and imprisonment.
The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of their ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects, Matthew Lewis examines the motives and opportunities afresh, as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York, survived their uncle's reign and even that of their brother-in-law Henry VII? In this new and updated edition, compelling evidence is presented to suggest the Princes survived, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.