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This book is an extensive monographic study of Elizabeth Jennings (1926-2001), one of the most remarkable poetic voices in England in the second half of the twentieth century. Briefly linked with the poets of "The Movement" in the 1950s, Jennings soon gained her poetic independence and high esteem on the English literary scene. Primarily a prolific lyricist and religious poet, she also published critical prose bespeaking her fascination with the potential of poetry and its capacity to reach out toward transcendence. The monograph takes into consideration a substantial body of Jennings's poems in the attempt to relate them to the poet's Christian beliefs and her profound spiritual experience. It shows how in Jennings's life and creative output the credo of her faith is interwoven with the ars poetica of her craft. The analysis calls attention to Jennings's emphasis on the intrinsic link between poetry and mysticism and her deep-seated conviction of the unique power of poetic language. The book discusses religious inspiration in Jennings's poems and explores her perception of the words of poetry as inextricably linked with the divine word and viewed in the perspective of the Roman Catholic notion of sacrament. Sacramental awareness is not only seen as a conspicuous property of Elizabeth Jennings's religious profile and an attribute of her thinking, but it is also adopted as the principal and indispensable frame of reference for the analytical and critical discourse presented in the book.
Elizabeth Jennings was one of the most popular, prolific, and widely anthologized lyric poets in the second half of the twentieth century. This first biography, based on extensive archival research and interviews with Jennings's contemporaries, integrates her life and work and explores the 'inward war' the poet experienced as a result of her gender, religion, and mental fragility. Originally associated with the Movement, Jennings was sui generis, believing poetry was 'communication' and 'communion.' She wrote of nature, friendship, childhood, religion, love, and art, endearing her to a wide audience. Yet lifelong depression, unbearable loneliness, unrelenting fears, poverty, and physical illness plagued her. These were exacerbated by her gender in a male-dominated literary world and an inherited Catholic worldview which initially inculcated guilt and shame. However, a tenacious drive to be a poet made her, 'the most unconditionally loved writer of her generation.' Although her claim was that the poem is not the poet, her life is tracked in her voluminous published and unpublished poetry and prose. The themes of mental illness, the importance of place, the problems associated with being an unmarried woman artist, her relationship with literary mentors and younger poets, her non-feminist feminism, and her marginality and sympathy for the outcast are all explored. It was poetry which saved her; it helped her push back darkness and discover order in the midst of chaos. Poetry was her raison d'etre. It was her life.
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
In this thought-provoking anthology of poetry and prose, many of the premier writers of British and American literature offer their thoughts and personal experiences on the seven sacraments, nature, and people. Contibutors include 1995 Nobel Prize winner Seamus Heaney, Emily Dickinson, Walt Whitman, and others.
Between Human and Divine is the first collection of scholarly essays published on a wide variety of contemporary (post 1980) Catholic literary works and artists. Its aim is to introduce readers to recent and emerging writers and texts in the tradition.
Represents the poet's own distillation of the two decades of her writing - the poems which established her as one of the passionate and precise of our writers, a woman of human values, religious vision and natural sympathy.
This book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.
This illustrated and fully updated Third Edition of The Cambridge Guide to Literature in English is the most authoritative and international survey of world literature in English available. The Guide covers everything from Old English to contemporary writing from all over the English-speaking world. There are entries on writers from Britain and Ireland, the USA, Canada, India, Africa, South Africa, New Zealand, the South Pacific and Australia, as well as on many important poems, novels, literary journals and plays. This new edition has been brought completely up to date with more than 280 new author entries, most of them for living authors. The general reader will find it fascinating to browse and to discover many new writers and works, while students will find it an invaluable resource for daily use. This is a unique work of reference for the twenty-first century that no reader or library should be without.
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
Through a study of the writings and intellectual development of Gerard Manley Hopkins, Dr. Philip Ballinger demonstrates why poetry is, as Hans Urs von Balthasar stated, the absolutely appropriate theological language. While circling Hopkins' visions of the nature of sensual experience, intuitive cognition, and the function of language, Ballinger focuses upon the sacramental intention of the Victorian Jesuit's poetry. Underlying Hopkins' poetry is a vision of reality as divinely revelatory or 'self-expressive'. For Hopkins, this revelatory character of creation is determined by the incarnation, and beauty, in fact, is a word for 'Christic self-expressiveness'.