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Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.
An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.
An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.
A colourful figure of the late eighteenth century, Elizabeth Inchbald ran away as a teenager to become an actress on the London stage. In spite of numerous obstacles and dangers in her path, she persevered in her profession, establishing an exemplary professional reputation. She enjoyed great success as a playwright, producing original farces and hilarious comedies. She also wrote two successful prose romances, A ‘Simple Story’ (1791) and ‘Nature and Art’ (1796), which serve as early examples of the novel of passion, having an impact on the development of the novel in English literature. For the first time in publishing history, this eBook presents Inchbald’s complete works, with numerous illustrations, many rare plays, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Inchbald’s life and works * Concise introductions to the novels and other texts * All the novels, with individual contents tables * Includes the two apocryphal novels ‘Appearance is against Them’ and ‘Emily Herbert’, originally ascribed to Inchbald, though now generally believed to be by another author * Features many plays appearing for the first time in digital publishing * Excellent formatting of the play texts * Rare non-fiction essays on the works of other playwrights * Includes a bonus biography– discover Inchbald’s intriguing life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels Appearance is against Them (1786) Emily Herbert (1786) A Simple Story (1791) Nature and Art (1796) The Plays The Mogul Tale (1784) I’ll Tell You What (1785) Appearance is Against Them (1785) The Widow’s Vow (1786) The Midnight Hour (1787) Such Things Are (1787) Animal Magnetism (1788) The Child of Nature (1788) The Married Man (1789) Next Door Neighbours (1791) Everyone Has His Fault (1793) To Marry, or Not to Marry (1793) The Wedding Day (1794) Wives as They Were and Maids as They Are (1797) Lovers’ Vows (1798) The Wise Man of the East (1799) The Massacre (1833) A Case of Conscience (1833) The Non-Fiction Remarks on Plays The Biography Elizabeth Inchbald by John Joseph Knight Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
An Introvert in an Extrovert World: Essays on the Quiet Ones is a multi-disciplinary anthology about introversion in the world of extroversion. Susan Cain’s book, Quiet, recently addressed the complexities of an issue that was initially raised by Carl Jung, and this anthology expands the analysis of the challenges faced by those who are considered to be introverts – those who prefer reading to partying, listening to speaking – living in a world of people who cannot understand their quieter ways. Introverts are innovative and make significant contributions, but dislike self-promotion. They derive their energy from quiet rejuvenation, as opposed to acquiring renewed energy from being surrounded by, and interacting with, multitudes of people. That they are typically labeled “quiet” often suggests negative connotations. However, from Van Gogh’s Sunflowers to the invention of the personal computer, the contributions of the “quiet ones” have made an immeasurable and invaluable impact on our society. An Introvert in an Extrovert World contains analyses of popular culture, literature, television, film, and social media, as well as poignant personal narrative examples of the lives of these two contrasting personality types. Examples of the pain, conflict, repression, and even humor related to introversion in everyday life are manifested in this collection of articles that span the spectrum of human nature. The volume looks at the unlikely professions that the populace would attribute to the introvert: from teacher/professor and actor to politician and even gladiator. The reader is given an understanding of different characters in literary works and their connection to introversion, visits the spectrum of social media and the pluses and minuses therein, and is provided with examples of how to promote one’s writing for publication whilst being an introvert. Within the pages of this book, there are many and varied topics and intuitive insights traversing several situations that relate to the “quiet” world of introversion.
This collection includes essays on the literary, theatrical and cultural conditions in Britain during the long eighteenth century, centered on the life, work, and world of the writer/actor Elizabeth Inchbald (1753-1821).