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In the past thirty years biodiversity has become one of the central organizing principles through which we understand the nonhuman environment. Its deceptively simple definition as the variation among living organisms masks its status as a hotly contested term both within the sciences and more broadly. In Eden’s Endemics, Elizabeth Callaway looks to cultural objects—novels, memoirs, databases, visualizations, and poetry— that depict many species at once to consider the question of how we narrate organisms in their multiplicity. Touching on topics ranging from seed banks to science fiction to bird-watching, Callaway argues that there is no set, generally accepted way to measure biodiversity. Westerners tend to conceptualize it according to one or more of an array of tropes rooted in colonial history such as the Lost Eden, Noah’s Ark, and Tree-of-Life imagery. These conceptualizations affect what kinds of biodiversities are prioritized for protection. While using biodiversity as a way to talk about the world aims to highlight what is most valued in nature, it can produce narratives that reinforce certain power differentials—with real-life consequences for conservation projects. Thus the choices made when portraying biodiversity impact what is visible, what is visceral, and what is unquestioned common sense about the patterns of life on Earth.
Paradise calls to Chase Wilcox. A man of science, escaping the destruction of his own personal world, he is drawn to the lush beauty of the island of Hawaii and the secrets it holds. Here he intends to immerse himself in his work . . . and somehow heal and forget. A research assistant, an artist, and a dancer, Nicole Ballard also hides a secret pain. Together on an important scientific project in the moist, verdant heart of a tropical wonderland, both she and Chase will be forced to confront their own lingering inner darkness. But in the shadows of Mount Kilauea, a passion that burns like fire will erupt, as unpredictable and dangerous as the living volcano, transforming the very landscape of their lives. A classic story of desire, hope, and dangerous destiny from the incomparable New York Times and USA Today bestselling author Elizabeth Lowell
From the author of White Trash and The Problem of Democracy, a controversial challenge to the views of the Founding Fathers offered by Ron Chernow and David McCullough Lin-Manuel Miranda's play "Hamilton" has reignited interest in the founding fathers; and it features Aaron Burr among its vibrant cast of characters. With Fallen Founder, Nancy Isenberg plumbs rare and obscure sources to shed new light on everyone's favorite founding villain. The Aaron Burr whom we meet through Isenberg's eye-opening biography is a feminist, an Enlightenment figure on par with Jefferson, a patriot, and—most importantly—a man with powerful enemies in an age of vitriolic political fighting. Revealing the gritty reality of eighteenth-century America, Fallen Founder is the authoritative restoration of a figure who ran afoul of history and a much-needed antidote to the hagiography of the revolutionary era.
The Devil's Eden by Elizabeth Power released on Dec 25, 1990 is available now for purchase.
Reprint of the original, first published in 1877.