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The Book Studies The Theme Of Quest In T.S. Eliot S Drama, Showing How Religious And Symbolic Implications, Both Oriental And Occidental, Have A Direct Bearing On His Personal Life.Eliot Used Various Symbols In His Quest Because He Believed In The Idea Of The Objective Correlative, About Which He Speaks In His Essay Hamlet And His Problems. In Order To Express His Theme, Eliot Used Christian Symbols Like The Quest Of The Holy Grail And The Idea Of The Incarnation On The One Hand, And Non-Christian Elements Like The Teachings And Life Of The Buddha, Along With References To The Gita And The Upanishad On The Other. In His Quest For Form And Articulation Eliot Was Influenced By French Symbolist Poetry, The Metaphysical Poets, The Plays Of Shakespeare And His Contemporaries, The Poems Of John Davidson, Conrad S Fiction, Music-Hall Performances And Jazz Music To Name Only A Few.Eliot Wanted To Project Dramatization As The Ideal Form Of Poetic Articulation On Various Levels Of Significance Drama As A Diversified Multifarious Intensified Medium Of Audio-Visual-Intellectual Expression. His Search Seems To Have Led Him To A Kind Of Consummation As An Experimenter, In His Plays, In Communication Through Diverse Verse Forms, Themes, Characters And Situations, Exposing A Multiplicity Of Experiences Both Physical And Spiritual. In All His Plays There Is A Distinct Development Towards More Precise Articulation Of The Innermost Feelings And Emotions Of Modern Urban Man. But, More Important, The Book Traces Eliot S Personal Quest For Understanding The Meaning Of Existence His Own Life And Its Meaning Of Which His Poetry And Plays Are A Sort Of Autobiography.
An Established Literary Giant Of All Times, T.S. Eliot Has Attracted Immense Amount Of Critical Attention. This Book Discusses The Plays Of T.S. Eliot In General And The Role Of Chorus In Them In Particular. The Plays Discussed Herein Include Sweeney Agonistes, The Rock, Murder In The Cathedral, The Family Reunion, The Cocktail Party, The Confidential Clerk And The Elder Statesman. Each Play Has Been Taken Separately And Its Salient Features And The Role Of Chorus In It Have Been Methodically Studied. Written In Lucid Language And With A Straightforward Approach, The Book Is Expected To Be Of Special Value To Students And Researchers Of English Literature And To Particularly Those Interested In T.S. Eliot.
The Genius Of T.S. Eliot Contributed Immensely In Ushering Modernism In Poetry, Play And Literary Criticism. Therefore, Our Knowledge Of Modernism Will Remain Incomplete Should We Fail To Understand Eliot. This Book May Serve As An Introduction To Eliot, The Man, The Poet, The Playwright And The Critic. For The Benefit Of Readers, It Quotes In Full, While Introducing And Explaining, The Poet S Master-Pieces, The Waste Land And Four Quartets, And Also Some Of His Other Great Poems. Further, It Discusses About All Of His Five Major Plays, And Nine Important Essays, At Some Length.
Mahesh Dattani, b. 1958, an Indian English playwright.
G.B. Shaw Is A Literary Mohican Who Bestrode Modern Thought Like A Colossus, But He Was Not A Historian In A Popular Sense. He Wrote Many Plays On Historical Themes, And The Success Of His Historical Plays Shows What He Could Have Achieved If He Had Devoted Himself To Historical Drama.The Present Book Major History Plays Of Shaw: A Fresh Look Presents A Close Study Of Shaw S Select History Plays, Especially The Shavian Notion Of Historical Truth. Shaw, Perhaps, Does Not Believe That History Is Only A Storehouse Of Past Records. He Views The Past Critically As A Step Towards Changing The Present. For Shaw, Historical Truth Is Intensely Related To The Growth Of His Mind, His Firm Faith In The Creed Of Creative Evolution.It Is A Well Conceived And Lucidly Written Book And Commends Itself For Academic Respectability. In This Scholarly Endeavour, Readers Interested In Shaw S Works Will Find Much To Engage Their Attention. It Is Particularly Useful For The Students, Researchers And Teachers Of English Literature.
Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.
Mulk Raj Anand, 1905-2004, Indo-English novelist; contributed articles; some previously published.
British Romantic Poets Critical Assessments Is A Selection Of Some Of Best Critical Writings Available On The British Romantic Period Of English Literary History. It Includes Such Eminent Critics As Cleanth Brooks, Douglas Bush, L.D. Salinger, C.M. Bowra And Humphry House. Two Essays, Each By Morse Peckham And Shiv K. Kumar, Have Been Written Specially For This Book.It Is Hoped That This Book Will Be Of Great Interest To All Students Of Advanced English Literature.
The Book, Through Critical Analysis And Assessment, Tries To Establish Seth As A Powerful And Serious Writer, Who Deserves To Be Taken Seriously, Both By The General Reader And The Discerning Scholar And Researcher. The Analyses Concentrate On His Individual Books And Attempt To Trace The Continuity Of Seth S Thought-Process, Motivation And Attitudes, As Well As The Dimensions Of His Structural Control Over The Medium. It Is A Comprehensive Account Of Seth S Poetry And Fiction Contained Within A Singular Volume. An Attempt Has Also Been Made To Briefly Place Seth As An Indian Writer Of English, In The Context Of The Development Of Indian English Literature, Particularly In The Post-Independence Period.On The Whole, Seth In His Poetry And Fiction, Puts Continuous Emphasis On Love And Relationship, And Explores Their Many Dimensions In A Shifting, Changing And Corroding Background. At The Same Time He Incorporates Together The Complementary Segments Of Life As Available In The Modern World Into A Meaningful Form. His Creative Insight And Creative Achievement Could Be Considered As One Of The Finest In The Post-1980 Indian English Literature. This Book Reflects All These And Much More. It Is Hoped That Students And Teachers Of Indian English Literature Will Find This Book An Extremely Useful Reference Source While The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.