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Elionor of Sicily, 1325-1375: A Mediterranean Queen's Life of Family, Administration, Diplomacy, and War follows Elionor of Sicily, the third wife of the important Aragonese king, Pere III. Despite the limited amount of personal information about Elionor, the large number of Sicilian, Catalan, and Aragonese chronicles as well as the massive amount of notarial evidence drawn from eastern Spanish archives has allowed Donald Kagay to trace Elionor's extremely active life roles as a wife and mother, a queen, a frustrated sovereign, a successful administrator, a supporter of royal war, a diplomat, a feudal lord, a fervent backer of several religious orders, and an energetic builder of royal sites. Drawing from the correspondence between the queen and her husband, official papers and communiques, and a vast array of notarial documents, the book casts light on the many phases of the queen's life. .
Elionor of Sicily, 1325–1375: A Mediterranean Queen’s Life of Family, Administration, Diplomacy, and War follows Elionor of Sicily, the third wife of the important Aragonese king, Pere III. Despite the limited amount of personal information about Elionor, the large number of Sicilian, Catalan, and Aragonese chronicles as well as the massive amount of notarial evidence drawn from eastern Spanish archives has allowed Donald Kagay to trace Elionor’s extremely active life roles as a wife and mother, a queen, a frustrated sovereign, a successful administrator, a supporter of royal war, a diplomat, a feudal lord, a fervent backer of several religious orders, and an energetic builder of royal sites. Drawing from the correspondence between the queen and her husband, official papers and communiques, and a vast array of notarial documents, the book casts light on the many phases of the queen’s life.
In Conflict in Fourteenth-Century Iberia Donald Kagay and Andrew Villalon explore the background, administrative, diplomatic, economic, and military results, and the aftermath of the War of the Two Pedros between Castile and the Crown of Aragon (1356-1366) and the Castilian Civil War (1366-1369).
The leading academic vehicle for scholarly publication in the field of medieval warfare. Medieval Warfare
"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval WarfareThe twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.ingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
Lo Somni (The Dream) is a dream allegory divided into four chapters or books. It was written ca. 1399 and is considered Bernat Metge’s best work. It is extremely innovative within the context of Catalan (and Iberian Peninsular) literature of the 1300’s. It consists of a dialogue between Metge-the-character and several participants (in fact the book is a dialogue between Metge and the Classical and Biblical tradition) on the topics of the immortality of the soul, the essence of religion and the dignity and moral essence of the human being. In addition to using many Classical and medieval literary sources, Lo Somni can be considered one of the first (if not the first) Humanist books to be ever written in the Iberian Peninsula. Metge wrote Lo Somni supposedly while in prison (house arrest?) following a dubious accusation about his involvement in the death of King Joan I. Metge wrote this work as a personal defense to exonerate himself and as an attempt to gain the confidence of the new King Martí l’Humà and his wife Queen María de Luna. Lo Somni ends when Metge-the-character is awaken from his dream. This foundational work also touches upon political themes pertaining to the Crown of Aragon, literary fashion and reception of Italian humanist works at the court, as well as on matters of fashion, cultural customs, taste and style.
Eighteen women. Eighteen stories. Each one unique. Some never told before. They are the semi-forgotten women of European medieval history. This is the first compendium of detailed scholarly biographies of the countesses and queens of the Kingdom of Sicily during the Hauteville and Hohenstaufen reigns, based on original research in medieval charters, chronicles and letters, augmented by extensive on-site research at castles, cathedrals and towns across Europe. The multicultural Kingdom of Sicily described here encompassed the island and nearly half of the Italian peninsula. It was one of the most powerful kingdoms of Europe and the Mediterranean. Its queens came from Italy, England, France, Spain, Portugal, Germany, Greece and elsewhere, constituting a cosmopolitan sisterhood. The book includes eighteen biographies of varying length and such details as original translations from medieval records (in Latin and Sicilian). It contains twenty pages of maps, two dozen genealogical tables, photos of royal charters and other manuscripts, pictures of places the author visited while researching this work, a detailed timeline, over seven hundred endnotes and a lengthy index. Reflecting research in several countries, this is a peer-reviewed monograph in the Sicilian Medieval Studies series. The volume is printed on off-white, acid-free paper. It is a useful, informative reference for scholars yet highly readable for armchair historians. Any chapter of this volume would be suitable as an academic paper were it published as an article in a scholarly journal. Particularly lengthy and interesting are the chapters on Judith of Evreux, Joanna of England and Constance of Sicily. The longest, most detailed chapter is the one dedicated to Margaret of Navarre, drawn largely from the author's biography of that queen published in 2016. An insightful introduction considers Sicily's queens in the context of Italian history and the larger field of women's studies. This book is pure, traditional biography, always fascinating in itself. A consideration of queenship, though present, is kept to a minimum, and the feminism speaks for itself. This is not a tiresome tome but the erudite treatment of a subject that is entrancing in its own right, without the need for endless, often circular, commentary and analysis. The lives of these women were anything but boring. As regent, and the most powerful woman in Europe, Margaret jailed her suspected enemies without so much as a second thought. Joanna went on crusade, oversaw a siege, and ordered the torture of the archer who killed her brother, Richard the Lionhearted. Living in Palermo, the former kingdom's royal capital, affords the author a closer, more personal view of the experience of these women than one gets from a historian writing thousands of miles away. While most scholars writing in English about Sicilian history undertake brief research trips to the island, Jackie Alio's intimate familiarity with the place and its culture benefits the work and the reader at every step. It is rare indeed to read a book about Sicily written in English by somebody fluent not only in English, Italian, French and Spanish but also Sicilian. Among the wealth of material included is an original translation of the poem of Ciullo of Alcamo, the longest surviving example of the romantic court poetry of the Sicilian School, accompanied by the Medieval Sicilian text. Included with the 'extra' features is information on the crown of Queen Constance (shown on the cover) and the reliquary pendant worn by Queen Margaret. This is a landmark work. Until now, most of what has been published about most of these women, even in Italian, has been superficial. It cannot be overemphasized that this book is an epic in its field. Until now, anybody seeking to read about these women had to consult numerous books and hard-to-find articles to get this information. Has anybody in living memory met a Queen of Sicily outside the pages of a book? An unusual feature of this volume is a previously-unpublished interview of a royal princess who knew Queen Maria Sophia of the Two Sicilies, Sicily's last queen consort, who died in 1925, a detail that reminds the reader that the kingdom described in these pages survived in some form into the nineteenth century. This book is a unique, long-awaited contribution to the field of royal medieval biography. It fills a gaping void in the subfield of reginal studies and the study of southern Italy, and indeed medieval Europe generally. No other work ever published has presented such accurate, informative biographies of all of the queens of Sicily during Norman and Swabian rule. Many studies are informative. This one is an enlightening journey with some very special women.