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This sword and sorcery epic follows the once cruel king, Elias, on a redemptive journey to reclaim his identity. The fallen king must restore his face that was stolen by the mighty malevolent sorcerer Melchior. Helped on his quest by an unlikely gang of misfits including a giant, a goblin-like creature and a female scientist, Elias The Cursed must battle both good and evil magic, and attempt to save his face, and perhaps even his soul.
A Sword and Sorcery story about the redemptive journey of a once cruel king to reclaim his identity. Fallen king Elias is on a quest to reclaim the face that was stolen from him by the mighty sorcerer Melchior. With the help of an unlikely gang, of all fantastical shapes and sizes, and amidst magic both good and evil, Elias The Cursed will attempt to save his face, and perhaps his soul.
The colorful and poetic journey of a little girl who discovers a parallel world at the heart of the industrial metropolis she lives in.
Condemned to hang after his raid on Harper’s Ferry, John Brown prophesied that the crimes of a slave-holding land would be purged away only with blood. A study of omens, maledictions, and inspired invocations, The Oracle and the Curse examines how utterances such as Brown’s shaped American literature between the Revolution and the Civil War. In nineteenth-century criminal trials, judges played the role of law’s living oracles, but offenders were also given an opportunity to address the public. When the accused began to turn the tables on their judges, they did so not through rational arguments but by calling down a divine retribution. Widely circulated in newspapers and pamphlets, these curses appeared to channel an otherworldly power, condemning an unjust legal system and summoning readers to the side of righteousness. Exploring the modes of address that communicated the authority of law and the dictates of conscience in antebellum America’s court of public opinion, Caleb Smith offers a new poetics of justice which assesses the nonrational influence that these printed confessions, trial reports, and martyr narratives exerted on their first audiences. Smith shows how writers portrayed struggles for justice as clashes between human law and higher authority, giving voice to a moral protest that transformed American literature.
“Whimsical, witty, and brimming over with charm” (India Holton), Olivia Atwater’s delightful debut will transport you to a magical version of Regency England, where the only thing more meddlesome than a fairy is a marriage-minded mother! It’s difficult to find a husband in Regency England when you’re a young lady with only half a soul. Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs. If her reputation can survive both her curse and her sudden connection with the least-liked man in all high society, then she and her family may yet reclaim their normal place in the world. But the longer Dora spends with Elias, the more she begins to suspect that one may indeed fall in love even with only half a soul. Praise for Half a Soul “Whimsical but never frivolous, sweet but not sugary. I loved it.” —Alix E. Harrow “Delightful. Half a Soul is the definition of a comfort read.” —Hannah Whitten “I wolfed this down with great pleasure.” —KJ Charles “This winsome, whimsical fantasy romance sweeps you off your feet.” —Megan Bannen “Smart and subversive, Half a Soul will ignite your heart—and your hope.” —Shelley Parker-Chan “A perfect historical fantasy romance: warm, sparkling with magic, dangerous, and delightful.” —Tasha Suri
Filipino national hero Jose Rizal wrote The Social Cancer in Berlin in 1887. Upon his return to his country, he was summoned to the palace by the Governor General because of the subversive ideas his book had inspired in the nation. Rizal wrote of his consequent persecution by the church: "My book made a lot of noise; everywhere, I am asked about it. They wanted to anathematize me ['to excommunicate me'] because of it ... I am considered a German spy, an agent of Bismarck, they say I am a Protestant, a freemason, a sorcerer, a damned soul and evil. It is whispered that I want to draw plans, that I have a foreign passport and that I wander through the streets by night ..."
"When Josie and her brother Fox discover the truth behind the legend of the Mothman, they must stop a disaster in order to break the curse that has been afflicting their town."--
Join Keres As She Fights For As head of the King's Guard, Keres oversees keeping the Kingdom's citizens in order. Bound by her loyalty to the King, she never questions her own path in life. Her FreedomThat's until a sexy werewolf, claiming to be her mate, holds her captive does she begin seeking answers. For once she craves the feelings that were taken from her. An encounter with a familiar Witch has Keres believing she may find the key to breaking her curse. Her PastWill the Keres find the answers she seeks, and can she sacrifice her life in the Guard to be with her destined mate? And Her Only Chance At Love.
Bestselling author of Odd Girl Out, Rachel Simmons exposes the myth of the Good Girl, freeing girls from its impossible standards and encouraging them to embrace their real selves In The Curse of the Good Girl, bestselling author Rachel Simmons argues that in lionizing the Good Girl we are teaching girls to embrace a version of selfhood that sharply curtails their power and potential. Unerringly nice, polite, modest, and selfless, the Good Girl is a paradigm so narrowly defined that it's unachievable. When girls inevitably fail to live up-experiencing conflicts with peers, making mistakes in the classroom or on the playing field-they are paralyzed by self-criticism, stunting the growth of vital skills and habits. Simmons traces the poisonous impact of Good Girl pressure on development and provides a strategy to reverse the tide. At once expository and prescriptive, The Curse of the Good Girl is a call to arms from a new front in female empowerment. Looking to the stories shared by the women and girls who attend her workshops, Simmons shows that Good Girl pressure from parents, teachers, coaches, media, and peers erects a psychological glass ceiling that begins to enforce its confines in girlhood and extends across the female lifespan. The curse of the Good Girl erodes girls' ability to know, express, and manage a complete range of feelings. It expects girls to be selfless, limiting the expression of their needs. It requires modesty, depriving the permission to articulate their strengths and goals. It diminishes assertive body language, quieting voices and weakening handshakes. It touches all areas of girls' lives and follows many into adulthood, limiting their personal and professional potential. Since the popularization of the Ophelia phenomenon, we have lamented the loss of self-esteem in adolescent girls, recognizing that while the doors of opportunity are open to twenty-first-century American girls, many lack the confidence to walk through them. In The Curse of the Good Girl, Simmons provides a catalog of tangible lessons in bolstering the self and silencing the curse of the Good Girl. At the core of Simmons's radical argument is her belief that the most critical freedom we can win for our daughters is the liberty not only to listen to their inner voice but also to act on it.
Chise may have stopped the dragon's rampage, but at a great cost: she has been cursed, and a dragon's curse is unbreakable! Chise and Elias are visited by Marielle the witch, whose fellow witches claim to know the secret to helping Chise. There's one catch--in exchange for their aid, Chise must join the witches' coven.