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Contains 541 biographical entries to prize winners from 1901 through 1985. Basic arrangement is under chemistry, economics, literature, medicine and physiology, peace, and physics. Each entry gives personal, educational, and professional information; selected publications; references to further information; and commentary. Indexes: name, education, nationality or citizenship, and religion.
Cultural Writing. Essays. ITALIAN CULTURAL STUDIES is a compilation of selected essays written by participants of the 3rd Annual Interdisciplinary Symposium of the Italian Cultural Studies Association. It examines the notion of cultural studies, both Italian and other. What is cultural studies? Why should we study it? How should we teach it? What is its relation to traditional language studies? Contributors to the volume include: Simone Bregni, Peter Carravetta, Melissa Anne Coburn, Thomas Cragin, Sante Matteo, Tullio Pagano, Gabriella Romani, Maria Galli Stampino, Michael Syrimis, Patrizia La Trecchia, Cesare Vespignani, and Robert Viscusi.
Contains over six hundred entries that provide biographical and bibliographical information about each of the world's Nobel Prize winners from 1901 through 1995; grouped in the categories of chemistry, medicine and physiology, economics, physics, literature, and peace, with name, education, nationality, and religion indexes.
Includes Nobel prize winners in chemistry, economics, literature, medicine and physiology, peace and physics.
Winner of the 1926 Novel Prize for Literature After serving time in mainland Italy for a minor theft, Elias Portolu returns home to Nuoro, in rural Sardinia. Lonely and vulnerable after his prison exile, he falls in love with his brother's fiancée. But he finds himself trapped by social and religious strictures, his passion and guilt winding into a spiral of anguish and paralyzing indecision. For guidance he turns first to the village priest, who advises him to resist temptation; then he turns to the pagan "father of the woods," who recognizes the weakness of human will and urges him to declare his love before it is too late.
"Cosima" tells the story of an aspiring writer growing up in Nuoro, Sardinia during the last decades of the nineteenth century when formal education for women was rare and literary careers unheard-of. Based on Deledda's own life, the work describes a young woman's struggle against the dismay and disapproval of her family and friends at her creative ambitions. Yet it also reads like a charming fable with details of family life, rural traditions and wild bandits, and it is as much a novel of memory as of character or action. Deledda's characters are poor country folk driven by some predetermined force. Their loves are tragic, their lives as hard and as rigidly controlled as nature itself in the hills of Sardinia. Deledda creates memorable figures who play out their lives against this backdrop of mountains and bare plains, sheepfolds and vineyards. Shimmering in the distance is the sea and escape - for a few - to the Continent or America. In 1926 Grazia Deledda became the second woman and the second Italian to receive the Nobel Prize for Literature. She wrote thirty-three novels, including "Reeds in the Wind," and many books of short stories, almost all set on Sardinia. Her work has become well known to English-speaking readers through Martha King's translations for Italica Press.
Essays on Italian writers of prose discusses the rise of the middle class and the increase in literacy that fostered the growth and production of popular fiction, the emergence of the novel as a genre reflecting the diversity of Italian society, the impact of positivism, the founding of Futurism in 1909 and its challenge of established genres and the poetics of fragmentism. Discusses the impact various social and political changes had on writers during this period.
The rugged landscape of Baronia on Sardinia sets the scene for this novel of crime, guilt and retribution. This novel presents the story of the Pintor sisters - from a family of noble landowners now in decline - their nephew Giacinto, and their servant Efix, who is trying to make up for a mysterious sin committed many years before. Around, below, and inside them the raging Mediterranean storms, the jagged mountains, the murmuring forests, and the gushing springs form a Greek chorus of witness to the tragic drama of this unforgiving land. Deledda tells her story with her characteristic love of the natural landscape and fascination with the folk culture of the island, with details about the famous religious festivals held in mountain encampments and the lore of the "dark beings who populate the Sardinian night, the fairies who live in rocks and caves, and the sprites with seven red caps who bother sleep." Introduction by the Sardinian ethnographer, Dolores Turchi.