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Elephant Rocks, Kay Ryan’s third book of verse, shows a virtuoso practitioner at the top of her form. Engaging and secretive, provocative and profound, Ryan’s poems have generated growing excitement with their appearances in The New Yorker and other leading periodicals. Sometimes gaudily ornamental, sometimes Shaker-plain, here is verse that is compact on the page and expansive in the mind.
Amazing rocks, found on a stretch of beach near the author's home, comprise this unique alphabet book. A is for Addition, and there are rocks in the shape of real numbers, too. B is for Bird, and there is a bird rock on a nest with an egg. G is for Ghosts, and there is a host of rocks that look like ghosts! Children and adults alike will pore over these fascinating rocks, and will be inspired collect their own.
This in-depth, native’s-eye view of this varied region, which sprawls from Missouri to Arkansas, gives travelers the best of the Ozarks. The Ozarks has become the destination of choice for music lovers seeking bluegrass jams or classical , foodies of all stripes looking for down-home rib shacks or 5-star cuisine, culture mavens searching out the gems of Branson, and outdoor enthusiasts gliding along lazy rivers snaking among the rolling hills which make this area so beautiful. This in-depth, native's-eye-guide to this varied region sprawling from Missouri to Arkansas will give travelers the best of the Ozarks, flavoring discriminating information with anecdotes and historical facts.
Having experienced God’s amazing provisions for more than 50 years, Gene sat down and wrote this book in less than five days. You will be both encouraged and challenged to trust God as you face your own needs for His provision, power, protection, and peace as you read how God has provided for Gene.
An ox gets himself into ridiculous situations made worse when he listens to the advice of his friend the fox.
In 'The Common Rocks and Minerals of Missouri' by W.D. Keller, readers are taken on a comprehensive journey through the various geological formations found in the state of Missouri. The book combines scientific explanations of different rocks and minerals with beautiful illustrations, making it accessible to both experts and beginners in geology. Keller's writing style is clear and concise, providing readers with a wealth of information without overwhelming them with technical jargon. This book serves as a valuable reference for anyone interested in understanding the geological landscape of Missouri and the natural resources it holds. Keller's attention to detail in describing each rock and mineral showcases his expertise in the field, further enhancing the educational value of the book. Overall, 'The Common Rocks and Minerals of Missouri' is a must-read for geology enthusiasts and students alike, offering a thorough exploration of the state's geological wonders.
With nearly 400 pages, Out of the Shadows of Angkor: Cambodian Poetry, Prose, and Performance through the Ages is an outstanding collection of classic and contemporary writing. The volume emerges from the thirty-year effort of a community to gather Cambodian literary and cultural works. In doing so, they not only translated rare works into English for the first time, but also helped to rescue writing lost during the Khmer Rouge regime (1975–1979). Readers will find the following and more: –Cambodian writing ranging over fourteen hundred years, from the seventh century to the present; –translations of classical texts;selections of modern Cambodian poetry, prose, and folk theater; –contemporary writings by Cambodian refugees and children of the diaspora living in countries from Australia to the United States, Canada, and Europe; –visual art, including oil paintings by Theanly Chov and excerpts from a graphic novel by Tian Veasna. “The work included in Out of the Shadows of Angkor is just a part of the vast, diverse repertoire of Cambodian literature created by those born in Cambodia, in the camps, and in new lands. Soth Polin once told me, ‘What we have lost is indescribable . . . what we have lost is not reconstructable. An epoch is finished. So when we have literature again, it will be a new literature.’ We hope this book brings out of the shadows some of the lost, hidden, and emerging gems of Cambodian literature—past, present, and moving into the future.” —From the overview essay by guest editor Sharon May