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A bold, humorous rendition of "The Three Blind Men and the Elephant" maginificently illustrated by an award-winning artist! When the villagers hear of a huge and mysterious creature that has come all the way from India, they steal into the dark barn to find out what it is."It's like a snake!" says one. "It's like a tree trunk," says another. "No, it's like a fan!" argues the third. Who is right? Which of them knows the creature's true shape?Mina Javaherbin's charming and witty retelling combined with Eugene Yelchin's refreshingly brilliant illustrations bring this enlightened classic, inspired by Rumi's poem, vividly to life.
As our world continues to shrink, we are being brought headlong into often explosive contact with other cultures and religions. Islam continues to be for many a mysterious and misunderstood force, alien to our own cultural values. Yet, in more ways than expected, Christianity and Islam share common ground. For centuries, Sufi thinkers have been linked to both religions in certain important ideas. But, like the elephant in the dark in Jalaludin Rumi's classic fable, these ideas are not grasped in full by seizing parts of the whole and arguing for or against their supposed Christian or Islamic derivation. From a series of lectures given by Idries Shah at Geneva University, The Elephant in the Dark shifts focus to more fruitful ground, tracing documented episodes of cooperation and understanding between Christians and Moslems over the past 1,400 years.
A Seminary Co-op Notable Book A BBC Sky at Night Best Book “An impressively comprehensive bird’s-eye view of a research topic that is both many decades established and yet still at the very cutting edge of astronomy and physics.” —Katie Mack, Wall Street Journal “Schilling has craftily combined his lucid and accessible descriptions of science with the personal story of those unlocking the finer details of the missing mass mystery. The result is enthralling...A captivating scientific thriller.” —BBC Sky at Night “Fascinating...A thorough and sometimes troubling account of the hunt for dark matter...You will come away with a very good understanding of how the universe works. Well, our universe, anyway.” —Michael Brooks, New Scientist When you train a telescope on outer space, you can see luminous galaxies, nebulae, stars, and planets. But if you add all that together, it constitutes only 15 percent of the matter in the universe. Despite decades of research, the nature of the remaining 85 percent is unknown. We call it dark matter. Physicists have devised huge, sensitive instruments to search for dark matter, which may be unlike anything else in the cosmos—some unknown elementary particle. Yet so far dark matter has escaped every experiment. It is so elusive that some scientists are beginning to suspect there might be something wrong with our theories about gravity or with the current paradigms of cosmology. Govert Schilling interviews believers and heretics and paints a colorful picture of the history and current status of dark matter research. The Elephant in the Universe is a vivid tale of scientists puzzling their way toward the true nature of the universe.
Elephant wants to play hide and seek. See if you can help the others find him--he's very good at hiding This tale of absurdity is perfect for sharing with children who will love finding Elephant (and being faster at it than the boy in the book ). Watch out for the dog and the tortoise, too . . .
In the tales that make up The Elephant Vanishes, the imaginative genius that has made Haruki Murakami an international superstar is on full display. In these stories, a man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald’s in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard. By turns haunting and hilarious, in The Elephant Vanishes Murakami crosses the border between separate realities—and comes back bearing remarkable treasures. Includes the story "Barn Burning," which is the basis for the major motion picture Burning.
THE INTERNATIONAL BESTSELLER "Malby-Anthony offers a book of great inspiration and wide appeal to nature-loving readers." —Publishers Weekly A heart-warming sequel to the international bestseller The Elephant Whisperer, by Lawrence Anthony's wife Françoise Malby-Anthony. A chic Parisienne, Françoise never expected to find herself living on a South African game reserve. But then she fell in love with conservationist Lawrence Anthony and everything changed. After Lawrence’s death, Françoise faced the daunting responsibility of running Thula Thula without him. Poachers attacked their rhinos, their security team wouldn’t take orders from a woman and the authorities were threatening to cull their beloved elephant family. On top of that, the herd’s feisty new matriarch Frankie didn’t like her. In this heart-warming and moving book, Françoise describes how she fought to protect the herd and to make her dream of building a wildlife rescue center a reality. She found herself caring for a lost baby elephant who turned up at her house, and offering refuge to traumatized orphaned rhinos, and a hippo called Charlie who was scared of water. As she learned to trust herself, she discovered she’d had Frankie wrong all along. Filled with extraordinary animals and the humans who dedicate their lives to saving them, An Elephant in My Kitchen is a captivating and gripping read.
From Africa to Asia, the elephant makes its home. Light on their feet, despite their great weight, these magnificent creatures appear light and graceful because they're always walking on their tip-toes. They have excellent hearing and can detect the rumblings of other elephants from six miles away. And, just like humans being right handed or left handed, elephants can be right tusked or left tusked!
Based on a true story, the tale of a nine-year-old with mental illness, and a mother who strives to find balance between her work and family.
'Madame...Sir...May we come in?' This was the prelude to some dreadful news in the Germonprez household. No parent should ever have to bury a child, especially not after a suicide. The chalk outline on the pavement is a constant reminder - even when it is no longer there. Linthout draws an almost tangible pain with his immediate, rudimentary art and strong script - combined with his own personal experience.