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Elena. A wife who will not question her loyalty to a husband she does not love nor her duty to a church whose tenets she does not fully accept. Peyton. A lesbian trapped in an arid relationship and a life that has brought her success but scant emotional sustenance. Their eyes first meet across the distance of a public park. One glance is all it takes for ignition. A slow-building sexual fire soon becomes a conflagration that engulfs both their lives. But no matter how compelling the attraction, no matter how intensely love may reach into the depths of either of their souls, reality is inflexible. Elena's husband is pastor of a church; her son is the center of her life; and she is haunted by a burden of grief and guilt that fixes her firmly in the conventional life she leads.
"A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Râealisme, and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing, or car parts, all remain as wonderfully idiosyncratic and culturally resonant today as when they were first made. Well known in Poland, where her work has been highly influential since early in her career, Szapocznikow's compelling book of work is ripe for art historical reexamination. Alina Szapocznikow: Sculpture Undone, 1955-1972 offers a comprehensive overview of this important artist's work at a moment when international interest is blossoming. Spanning one of the most rich and complex periods of the 20th century, Szapocznikow's oeuvre responds to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged. Featuring over 100 works, including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland. It is accompanied by a major publication, co published by The Museum of Modern Art and Mercatorfonds, that reflects new scholarship on Szapocznikow, contextualizing this little known artist's work for a wider audience."--Publisher's website.
What’s worse? Someone using your face for catfishing or realizing you actually do have a crush on the catfished girl? Harper “Band Geek” McKinley just wants to make it through her senior year of marching band—and her Republican father’s presidential campaign. That was a tall order to start, but everything was going well enough until someone made a fake gay dating profile posing as Harper. The real Harper can’t afford for anyone to find out about the Tinder profile for three very important reasons: 1. Her mom is the school dean and dating profiles for students are strictly forbidden. 2. Harper doesn't even know if she likes anyone like that—let alone if she likes other girls. 3. If this secret gets out, her father could lose the election, one she's not sure she even wants him to win. But upon meeting Margot Blanchard, the drumline leader who swiped right, Harper thinks it might be worth the trouble to let Margot get to know the real her. With her dad’s campaign on the line, Harper’s relationship with her family at stake, and no idea who made that fake dating profile, Harper has to decide what’s more important to her: living her truth or becoming the First Daughter of America.
Twenty-nine-year-old Rayann Germaine, betrayed by her lover, flees in grief and rage. She meets book store owner Louisa Thatcher, a woman many years her senior, who offers shelter and work... and soon, passion, and a loving place in her life. But Rayann encounters challenges to this new love—from friends who question its wisdom, from her mother who disapproves of this liaison with a woman her own contemporary, from Louisa's son who learns for the first time his mother's true sexuality. And there are profound differences between Rayann and Louisa themselves, two women who come from dramatically different places in the spectrum of age and life experience. Their only common ground seems to be the searing attraction that they both try to deny...
A captivating, emotionally taut novel about the complexities of a friendship between two women—and how it shapes, and reshapes, both of their lives "Filled with gorgeous prose and deep emotion . . . Explores what it means to be an artist, delves into the vicissitudes of life and death, and takes us on journey through the splendor (and sometimes ugliness) of the American West—with dollops of Flaubert, Faulkner, Chekhov, Collette, and Chandler along the way."—Lisa See, author of The Island of Sea Women Jolene and Verna share complicated ties that have crystallized over time. Beginning when they were girls discovering their needs and desires, their ongoing stories have been inextricably linked. But when Verna marries Vincent, Jolene’s ex-husband, their paths may have finally, permanently diverged. A successful and provocative feminist artist, Jolene travels the world, attracting attention wherever she goes. Verna, a writer, works from her home near MacArthur Park in Los Angeles, where she and Vincent plan to spend the rest of their lives in a contemplative, intimate routine. Then Jolene asks one more favor of Verna—to take a road trip with her to their small hometown in Utah. It’s a journey that will force them to confront both the truths and falsehoods of their memories of each other and of the very beginnings of their friendship, and to reckon with the meaning of love, of time itself, of the bonds that matter most to us, and with what we owe one another.
An analysis of emerging LGBTQ+ media, queer spaces in urban areas, and sexual identity. The explosion of cable networks, cinema distributors, and mobile media companies explicitly designed for sexual minorities in the contemporary moment has made media culture a major factor in what it feels like to be a queer person. F. Hollis Griffin demonstrates how cities offer a way of thinking about that phenomenon. By examining urban centers in tandem with advertiser-supported newspapers, New Queer Cinema and B-movies, queer-targeted television, and mobile apps, Griffin illustrates how new forms of LGBTQ+ media are less “new” than we often believe. He connects cities and LGBTQ+ media through the experiences they can make available to people, which Griffin articulates as feelings, emotions, and affects. He illuminates how the limitations of these experiences—while not universally accessible, nor necessarily empowering—are often the very reasons why people find them compelling and desirable. “As a guide to emerging queer media of our new century, Hollis Griffin is funny, generous, passionate, and lucid. Whether he’s explaining Grindr’s memes or the gayborhoods of Chicago, cable travel programs or online networks, Griffin discovers how it feels to be queer in the digital age.” —Amy Villarejo, author of Ethereal Queer: Television, Historicity, Desire “Offers a piercing examination of modern identity politics focused on relationships among new forms of media consumption and marketplaces, urban centers, and the experiences of sexual minorities. . . . Feeling Normal is a must-read for scholars and students in queer studies and communication, media studies, film studies, and sociology.” —Choice
From writer-director Nicole Conn, creator of the film which has captured lesbian hearts everywhere...the whole story. Every detail of the beautifully erotic, haunting tale of one woman's journey to herself. And of another woman's journey through fear to intimacy. Claire Jabrowski, weary of wandering through a maze of one-night stands...Dr. Noel Benedict, the therapist who cannot heal her own loss and despair...Two women who have paid a great price for their place in the world meet at a writer's colony on the brooding coast of Oregon. Follow their journey through strife and denial to heated courtship...to self-discovery...to intimacy... to love.
On the long drive to her family's summer cottage Liz Hardy was dreading the cobwebs, dust, and memories that surely awaited her after five uninhabited years. She knew there was no reason to put it off any longer now that both of her parents were gone. It was time to sell the rustic old place and nothing would ever be the same for her again. Nora Tillot gazed out the window at her thriving garden and then across the kitchen to her failing parents. Today. Yesterday. Tomorrow. All the same she thought. But looking at her mother, Nora smiled radiantly, took a deep breath, squared her shoulders, and went to help her father with his lunch. One Journey . . . When her rental car has a flat tire Liz reluctantly stops at the old Tillot farm to borrow a jack. Walking out to the barn together the two women unknowingly take the first steps on a path that will change both of their lives forever. But when their tender friendship turns passionate, Nora and Liz’ s happiness is shattered by accusations and rumors. Trying desperately to rise above the tumult, they silently wonder if their love can survive . . .
Dani and Shannon are blushing brides-to-be. Shannon's niece Amanda, along with bridal friends Claire and Jordan, will soon be witnesses to the forthcoming nuptials. Together, they're a party of five intent on having an unforgettable week in Las Vegas. Though far from home, none of them can outrun the pasts that have shaped their lives. Dani and Shannon each harbor a secret that could bankrupt their wedding dreams. Jordan, the self-avowed eternal bachelor, finds herself in an unexpected high stakes game of love. Claire, a doctor still grieving the loss of her long-time partner, hits a jackpot she isn't sure she wants. And Amanda, carrying a secret of her own, decides to gamble it all on love. It's a dizzying, exhilarating week of discovery, passion and surprises, and no one knows where the spinning wheel of love will stop. The stakes are high, the risks life changing and the pay offs beyond measure in this latest romantic tour de force from Tracey Richardson, author of The Candidate and No Rules of Engagement.
When realtor Ari Adams discovers the body of a prominent businessman during a luncheon, the case fortunately falls in the lap of her girlfriend Detective Molly Adams. But when the death is ruled a suicide and Molly is pulled from the case, Ari is suspicious. And she begins to wonder if her current client isn’t involved. While her professional life veers onto a dangerous road, her personal life could explode at any time. Her absent father suddenly reappears, a woman from her past proves to be a great temptation and Molly seems ready to crumble from the new case she inherits and her continued quest to uncover corruption in the police department. Everyone has questions, but many of the answers turn out to be lies. Nobody but Ari wonders if business greed, familial revenge, dirty cops and shady investments might all intersect—with deadly consequences. An Ari Adams Mystery Series Book 3.