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Have you ever wondered who are the Elementals or Nature Spirits? Why do these beings exist and what, if anything, do they have to do with our world? Are there really such things as Devas and who or what exactly is that legendary figure known as "Pan"? Read along as they explain to you in their own words, who they are, what they do and why they exist. You will come to understand that each plant and tree, each flower and bush has a certain job to do; a job that each of them has chosen to benefit everyone in our world. You will soon discover that each Nature Spirit has their own talents and opinions, often having to do with such current issues as genetically modified foods or the Earths energy grid. They will explain the beauty in growing old and the wonder of rebirth all with an intelligence and beauty that we in our world could never imagine. Yes, the Elemental Kingdom does exist and they ask you to enter their world as they personally explain it all to youÉ Elementally Speaking, of course.
John Sallis's thought is oriented to two overarching tasks: to bring to light the elemental in nature and to show how the imagination operates at the very center of human experience. He undertakes these tasks by analyzing a broad range of phenomena, including perception, the body, the natural world, art, space, and the cosmos. In every case, Sallis develops an original form of discourse attuned to the specific phenomenon and enacts a thorough reflection on discourse itself in its relation to voice, dialogue, poetry, and translation. Sallis's systematic investigations are complemented by his extensive interpretations of canonical figures in the history of philosophy such as Plato, Aristotle, Kant, Schelling, and Hegel and by his engagement with the most original thinkers in the areas of phenomenology, hermeneutics, and deconstruction.
A collection of essays that outline the recent work on ecology, political theology, religion, and philosophy by one of the leading theologians of our age As we face relentless ecological destruction spiraling around a planet of unconstrained capitalism and democratic failure, what matters most? How do we get our bearings and direct our priorities in such a terrestrial scenario? Species, race, sex, politics, and economics will increasingly come tangled in the catastrophic trajectory of climate change. With a sense of urgency and of possibility, Catherine Keller’s No Matter What reflects multiple trajectories of planetary crisis. They converge from a point of view formed of the political ecologies of a transdisciplinary theological pluralism. In its work an ancient symbolism of apocalypse deconstructs end-of-the-world narratives, Christian and secular, even as any notion of an all-controlling and good God collapses under the force of internal contradiction. In the place of a once-for-all incarnation, the materiality of unbounded intercarnation, of fragile yet animating relations of mattering earth-bodies, comes into focus. The essays of No Matter What share the preoccupation with matter characteristic of the so-called new materialism. They also root in an older ecotheological tradition, one that has long struggled against the undead legacy of an earth-betraying theology that, with the aid of its white Christian right wing, invests the denigration of matter, its spirit of “no matter,” in limitless commodification. The fragile alternative Keller outlines here embraces—no matter what—the mattering of the life of the Earth and of all its spirited bodies. These essays, struggling against Christian and secular betrayals of the spirited matter of Earth, work to materialize the still possible planetary healing.
Continuing the pioneering work in the field laid bare by the uncovering the Creative Condition of the human being in literature and fine arts, the elemental passion of place leads us through the creative imagination into the labyrinths of the ontopoiesis of life itself (Tymieniecka, in her inaugural study). Essays by A-T. Tymieniecka, Mary Catanzaro, W. Smith, Jadwiga Smith, L. Dunton-Downer, Jorge García Gomez, Ch. Eykmann, Marlies Kronegger, Eldon N. van Liere, Hans Rudnik make this collection a unique contribution to literary studies as well as to the metaphysics of life and of the human condition.
Being in tech time-out totally sucks. Hector Gonzales knew the danger when he hacked the magic grid to marry it with human technology. He’d never imagined this system crash: A total tech suspension while the tradition-bound supe council reviews his case. He’s reduced to running errands for his friends, and seriously? How had people survived before GPS? Then several wrong turns—thank you so much, stupid paper map—lead him to a remote burger joint. And when he spots the cute guy behind the counter? His wolf wakes up and howls You have arrived at your destination. Getting fired—again—totally sucks. Rafi Abbas tries to give customers what they want, he really does. However, when he gets distracted by the lovely man with the gorgeous brown skin, he screws up another customer’s order and his boss fires him on the spot. With no money, no job, and soon nowhere to live, Rafi has no business saying yes when the lovely man asks him out. But something about Hector whispers home. Obeying the Secrecy Pact totally sucks. To keep the supe community safe, werewolves cannot partner romantically with humans. That rule has been programmed into Hector since he was a pup. But as the day slides from bad to worse to are-you-freaking-kidding-me, Hector sees the moratorium for what it is: ridiculous and outdated. For Rafi, he’s willing to challenge the status quo. After all, things can’t very well get worse than worst. Right? The Skinny on Djinni is a M/M paranormal romance set in E.J. Russell’s popular Mythmatched story universe. While it features instinctual attraction, fated mates are not a thing. You’ll recognize some familiar faces from other Mythmatched tales, and although the romance—complete with HEA—stands alone, the story answers a couple of long-standing questions!
From one of Mexico’s premier poets, the award-winning Tedi López Mills, a hybrid, genre-defying book of essays following the unusual and surprising complexities of everyday life. Through thirteen essays, Tedi López Mills explores the minutiae that at first glance go unnoticed. In “Improper Nouns,” she explores the history and destiny of an uncomfortable name, asking whether the way we name what surrounds us affects the fabric of its essence. In “How Time Passes, In Consciousness and Outside,” one’s individual experience of time splits from how it passes outside us. The following essays allude to conscience, pain, private histories, dreams, wisdom, and the most difficult of memories that build one’s own identity. Throughout, López Mills traces the trail of her own history, journeying into her own conscience and the mysteries of existence.
Christoph Laucht offers the first investigation into the roles played by two German-born emigre atomic scientists, Klaus Fuchs and Rudolf Peierls, in the development of British nuclear culture, especially the practice of nuclear science and the political implications of the atomic scientists' work, from the start of the Second World War until 1959.