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Elemental Elementalism is the holy scripture of the religion of the new age of the world. In this time of great transition, many old religious ideas are dying. The truths that underpin all genuine spiritual traditions, however, still exist. Elemental Elementalism details the tenets and associated beliefs of Elementalism, the religion of the Age of Aquarius. Beginning with the astonishing assertion that consciousness is the prima materia and, therefore, the ground of all being, Elemental Elementalism updates the perennial spiritual wisdom for the digital age. Across 60 chapters, arranged in three parts, Elemental Elementalism is a nuclear artillery barrage against the twin falsehoods of nihilistic, atheistic materialism and the Adharmic religions such as the Abrahamic cults. The first part of the book, Elemental Foundations, explains the foundational ideas and dogma of Elementalism. These include the Four Tenets, the Great Fractal, the Quadrijitu, the Masculine Elements, the Feminine Elements, the Great Axes, the Fundamental Attitudes and the Good News of Elementalism. The second part of the book, Elemental Conceptions, describes the Elementalist position on a range of timeless philosophical issues. Elementalist ideas about the creation of God and the physical world, good and evil, free will, the meaning of life, Heaven and Hell, pleasure and pain, death, justice and virtue are all covered. The third part of the book, Elemental Prescriptions, details a complete moral code and a guide to how to behave in our ever-changing, massively confusing modern world. This moral code includes the Major and Minor Aspirations, new sets of angels and demons for a new age, how to deal with various groups of people and moral hierarchies of beings, worlds and classes. Elemental Elementalism is an essential read for anyone who has seen beyond the material illusion but is wary of mainstream religion, especially as it is practiced in the West.
A disgraced pilot saved by elemental magic. A jaded spy haunted by his past. Occult forces threatening to ruin them both. All Voi wants is to fly her plane and live a decent life, but something stands in her way: emelesia, a rare condition likely to land her in a mental asylum. Forever. Then comes Mr. Callahan, the mysterious agent who convinces Voi to spy for a cure. The catch? She has untapped elemental powers, and the enemy is psychic. Desperate for a remedy, the aviatrix trains for a dangerous mission, wary of the person she's being molded into. The threat of coercion hovers constantly: become an elemental agent, or face the asylum. Meanwhile, Voi struggles with unusual side effects—from overwhelming urges to unintentional manifestations of her powers, due to unchecked emotions. Between learning how to control her abilities, Mr. Callahan's growing reluctance towards her potential, and dealing with psychic revolutionaries... becoming an elementalist seems less and less appealing. Can Voi and her handler learn to trust one another, or will the machinations of paranormal politics lead to their undoing? The Man in the High Castle meets Avatar: The Last Airbender in a dark epic of espionage and elemental magic. The Elementalist: Rise of Hara is T. M. White's debut novel and the first in the Elemental Spies series.
In the 18th century, David Hume suggested that the "science of man" (psychology) was the foundation for all other sciences (philosophy). Now a latter-day Hume offers a model of mentality that sets psychology and philosophy on common footings, eliminating the breach between the sciences and the humanities. From this backdrop, the author offers solutions to some of the great questions: the nature of reality, value, certainty, validity, free will, morality, and justice.
Bachelard called them "the hormones of the imagination." Hegel observed that, "through the four elements we have the elevation of sensuous ideas into thought." Earth, air, fire, and water are explored as both philosophical ideas and environmental issues associated with their classical and perennial conceptions. David Macauley embarks upon a wide-ranging discussion of their initial appearance in ancient Greek thought as mythic forces or scientific principles to their recent reemergence within contemporary continental philosophy as a means for understanding landscape and language, poetry and place, the body and the body politic. In so doing, he shows the importance of elemental thinking for comprehending and responding to ecological problems. In tracing changing views of the four elements through the history of ideas, Macauley generates a new vocabulary for and a fresh vision of the environment while engaging the elemental world directly with reflections on their various manifestations.
The Omnidoxy is the founding treatise of the Astronist religion and was solely authored by the philosopher and religious founder, Cometan. Partitioned into twelve disquisitions, each of which are further divided into hundreds of discourses, which are themselves titled by those which are known as rubrals, The Omnidoxy has been codified according to a unique writing structure known as insentence. The Omnidoxy not only forms the foundations of Astronism, but it remains the primary modern contributor and the book that ignited the establishment of the Astronic tradition of religion which encompasses the philosophy of Astronism. Introducing brand new philosophical concepts such as cosmocentricity, reascensionism, transcensionism, and sentientism amongst many others, The Omnidoxy remains the principal signifier of a new era in philosophy. The Omnidoxy births hundreds of new belief orientations, schools of thought, neologisms, disciplines of study, theories, and concepts which, when combined and considered collectively, have formed the basis of Astronism. The authorship of The Omnidoxy rests with the single individual philosopher, Cometan who began writing The Omnidoxy at the age of seventeen driven by what he terms as personal inspiration. The historical origination of The Omnidoxy rests in its authorship by Brandon Taylorian during early 21st century England, specifically in the northern county of Lancashire. Like in all textual criticism, the timing and location of the codification of The Omnidoxy is integral to understanding why and how it was written, especially by considering the influential factors impacting Taylorian during his construction of the text, particularly the cultural, political, religious, and social contexts of Taylorian's personal life and of wider society at the time. This forms an important branch of study within omnidoxicology known as omnidoxical criticism, or omnidoxical exegesis in which scholars study and investigate The Omnidoxy in order to discern conclusive judgements inspired by how, where, why, by whom, for whom, and in what circumstances The Omnidoxy was written.
This book provides a multi-scale reading of the spatial “elements” in which the extensive urbanity in Yangtze River Delta is constructed, and from there an imagination of a new paradigm of urbanization. The urbanization in Yangtze River Delta today is in need of a new interpretation and paradigm. The delta is a territory with city cores but it also has vast dispersed urbanization where the agricultural and non-agricultural activities and spaces are mixed and interlinked, a desakota (McGee, 1991). This book attempts to answer a basic question: what is the desakota in the Yangtze River Delta made of? The research Horizontal Metropolis led by Prof. Paola Viganò at EPFL, Switzerland focuses on the form of the contemporary city – the fragmentary spatial condition and dispersed urbanity all over the world. The study on Yangtze River delta is part of its research frame.
Ancient alchemy : the elements through the ages - Inner alchemy : elemental symbols and the psyche - Somatic alchemy - Elemental movement - Embodying the elements.
This collection of essays by renowned literary scholars offers a sustained and comprehensive account of the relation of British and Irish literary modernism to colonialism. Bringing postcolonial studies into dialogue with modernist studies, the contributors move beyond depoliticized appreciations of modernist aesthetics as well as the dismissal of literary modernism as irredeemably complicit in the evils of colonialism. They demonstrate that the modernists were not unapologetic supporters of empire. Many were avowedly and vociferously opposed to colonialism, and all of the writers considered in this volume were concerned with the political and cultural significance of colonialism, including its negative consequences for both the colonizer and the colonized. Ranging over poetry, fiction, and criticism, the essays provide fresh appraisals of Joseph Conrad, T. S. Eliot, Ezra Pound, Virginia Woolf, D. H. Lawrence, Wyndham Lewis, E. M. Forster, W. B. Yeats, James Joyce, Elizabeth Bowen, Hugh MacDiarmid, and Evelyn Waugh, as well as Robert Louis Stevenson and H. Rider Haggard. The essays that bookend the collection connect the modernists to their Victorian precursors, to postwar literary critics, and to postcolonial poets. The rest treat major works written or published between 1899 and 1939, the boom years of literary modernism and the period during which the British empire reached its greatest geographic expanse. Among the essays are explorations of how primitivism figured in the fiction of Lawrence and Lewis; how, in Ulysses, Joyce used modernist techniques toward anticolonial ends; and how British imperialism inspired Conrad, Woolf, and Eliot to seek new aesthetic forms appropriate to the sense of dislocation they associated with empire. Contributors. Nicholas Allen, Rita Barnard, Richard Begam, Nicholas Daly, Maria DiBattista, Ian Duncan, Jed Esty, Andrzej Gąsiorek, Declan Kiberd, Brian May, Michael Valdez Moses, Jahan Ramazani, Vincent Sherry