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Sono presentate le tematiche relative alle Tecnologie dell’Informazione per i Beni Culturali: sistemi multimediali, archivi, protezione dei dati, accesso ai contenuti digitali, gallerie virtuali. Particolare rilievo è riservato alle immagini digitali (Electronic Imaging & the Visual Arts), che riguardano le istituzioni culturali (musei, biblioteche, palazzi – monumenti, siti archeologici). La conferenza internazionale è articolata nelle seguenti sessioni: Attività di interesse generale strategico; Nuove Tecnologie e Applicazioni; Nuovi Sviluppi Tecnologici 2D-3D e Applicazioni; Gallerie Virtuali – Musei Digitali e relative Iniziative; Accesso alle Informazioni relative ai Beni Culturali. Due Workshops riguardano: la Collaborazione Internazionale; l’Innovazione e l’Impresa.
The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments & Applications; Cultural Activities - Real and Virtual Galleries and Related Initiatives, Access to the Culture Information. One Workshop regards Innovation and Enterprise. The more recent results of the Researches at national and international level are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
This volume brings together all the successful peer-reviewed papers submitted for the proceedings of the 43rd conference on Computer Applications and Quantitative Methods in Archaeology that took place in Siena (Italy) from March 31st to April 2nd 2015.
A selection of 50 papers presented at CAA2016. Papers are grouped under the following headings: Ontologies and Standards; Field and Laboratory Data Recording and Analysis; Archaeological Information Systems; GIS and Spatial Analysis; 3D and Visualisation; Complex Systems Simulation; Teaching Archaeology in the Digital Age.
Containing the proceedings of the 14th Conference on Studies, Repairs and Maintenance of Heritage Architecture (STREMAH 2015), this book provides the necessary scientific knowledge required to formulate regulatory policies and to ensure effective ways of preserving the architectural heritage. First held in 1989, the STREMAH conference attracts an extensive range of quality contributions from scientists, architects, engineers and restoration experts from all over the world dealing with various aspects of heritage buildings. The conference proceedings cover a wide range of topics related to the historical aspects and the reuse of heritage buildings, as well as technical issues on the structural integrity of different types of buildings, such as those constructed with materials as varied as iron and steel, concrete, masonry, wood or earth. Material characterisation techniques are also addressed, including non-destructive tests via computer simulation. Other topics include: Surveying and monitoring; Performance and maintenance; Modern (19th/20th century) heritage; Maritime heritage; Simulation and modelling; Material characterisation; New technologies or materials; Corrosion and material decay; Seismic vulnerability; Assessment and re-use of heritage buildings; Heritage and tourism; Social and economic aspects in heritage; Guidelines, codes and regulations for heritage; Heritage management; Defence heritage; Industrial heritage; Transportation heritage.
What if we could foretell the future through art? "More than any other activity, art will help to convince us of the urgency. This is its greatness and will be its responsibility, as art lies at the forefront of boldness" (Jacques Attali). The meeting of an essay, A Brief History of the Future by Jacques Attali, and the world of contemporary art on the occasion of the exhibition organized by the Royal Museums of Fine Arts of Belgium (11.09.2015 – 24.01.2016). This book explores the major social issues studied by Jacques Attali and points out how visual artists go beyond simple observation to take an active part in the debate and develop projects fired by a form of utopian creativity. Making museums the mirror of a world in change EXCERPT The first wave is the decline of the American empire, which is no longer omnipotent. It represents a declining share of global GDP and will even be overtaken by China, Europe and others, even if it long remains the world’s leading military power. This decline will also correspond to a lack of the cutting-edge collaborative technologies that lead to new discoveries, in particular the information technologies, biotechnologies, and so on, which will change a lot of things. There will be changes in customs, but these will probably contribute to the permanent triumph of the United States’ ideology as the dominant one in the world. The second wave is produced by the US gradually sharing its dominance with other powers. This process has already begun through the establishment of the G20. The joint government of the world is a response to the fragmentation that is taking place. No doubt we shall see conflicts between China and Japan, tension between Europe and the United States, times when the whole lot will be at loggerheads. We may well be experiencing the last period in history in which conflicts between great nations still take place. ABOUT JACQUES ATTALI Economist, writer, member of the Council of State, special adviser to François Mitterrand from 1981 to 1991, Jacques Attali was born in 1943 in Alger. Over his career he has published more than 50 books and written many articles on current events. He is also the editorial writer of L'Express.
A survey of feminist art from suffrage posters to The Dinner Party and beyond: “Lavishly produced images . . . indispensable to scholars, critics and artists.” —Art Monthly Once again, women are on the march. And since its inception in the nineteenth century, the women’s movement has harnessed the power of images to transmit messages of social change and equality to the world. From highlighting the posters of the Suffrage Atelier, through the radical art of Judy Chicago and Carrie Mae Weems, to the cutting-edge work of Sethembile Msezane and Andrea Bowers, this comprehensive international survey traces the way feminists have shaped visual arts and media throughout history. Featuring more than 350 works of art, illustration, photography, performance, and graphic design—along with essays examining the legacy of the radical canon—this rich volume showcases the vibrancy of the feminist aesthetic over the past century and a half.