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Marcia Douglas, who was born in England and grew up in Jamaica, presents poems beginning with the image of the voicelessness of the country people who witness the coming of lights to Cocoa Bottom but have no one amongst them to record the event. Each poem has its own poignant individually, but there is also a powerful sense of architecture which runs through the collection.
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap. Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.
Caribbean poetry written in English has been attracting growing amounts of scholarly attention. The first substantial annotated bibliography of primary and secondary materials related to the topic, this reference chronicles the development of Anglophone Caribbean poetry from 1970 through 2001. Included are nearly 900 entries for anthologies, reference works, conference proceedings, critical studies, interviews, and recorded works. The volume also includes a chronology, an overview of the development and significance of Caribbean poetry in English, and extensive indexes. In 1971 the Association for Commonwealth Literature and Language Studies held a conference on West Indian literature at the University of the West Indies. This was the first assembly for the discussion of West Indian literature by West Indian people on West Indian soil. Since then, interest in Caribbean poetry written in English has grown dramatically. Caribbean poetry was influenced by the American Black Power movement during the 1970s, and women poets began to contribute their voices throughout the 1980s. Caribbean poets have, in turn, gained greater access to publishing outlets, resulting in a wider international readership and a corresponding increase in scholarly and critical studies. This book is the first substantial annotated bibliography of primary and secondary materials related to Caribbean poetry written in English. The volume begins with the rise of interest in Anglophone Caribbean poetry in the 1970s and continues through 2001. Included are entries for nearly 900 anthologies, reference works, conference proceedings, critical studies, interviews, and recordings. The entries are grouped in chapters devoted to particular types of works. In addition, the volume includes a chronology, a discussion of the history of Anglophone Caribbean poetry, and extensive indexes.
Jamaica is known widely for its beautiful beaches and the reggae music scene, but there is much more to this Caribbean country. Culture and Customs of Jamaica richly surveys the fuller wealth of the Caribbean nation, focusing on its people, history, religion, education, language, social customs, media and cinema, literature, music, and performing and visual arts. Jamaican Creole and the education system, which are not often discussed in volumes aimed at a general audience, are also examined here. Students and other interested readers will witness the unveiling of this complicated and unique country within this volume. Indispensable for the its insights on the making of modern Jamaica. Written by Jamaicans the island receives needed attention in this work. The history of Jamaica is well covered, from pre-Colombian times through slavery, to the impact of social activist Marcus Garvey, and the relatively new state of independence. Rastfarianism to Revivalism are covered as Jamaica's multitude of religious denominations is outlined. Various topics such as geography, demography, climate, cuisine, and the visual and performing arts are detailed. Accompanied by a chronology, this magical country comes to life in this wide-ranging volume. Anyone with an interest in Jamaica and its culture and customs will be indebted to the authors for their timely presentation. Students and general readers will find this volume indispensable.
Representing the best of contemporary voices, this multilingual anthology speaks of a unified aspiration to defy the colonial and paternalistic tradition and create strong new models which positively promote the black women's perspective
""Writing is a cover for necromancy", Carmen Innocencia accuses her creator, Flamingo Tongue, a young Jamaican writer. Carmen is not the only one of Flamingo's creations to confront her author, for her characters and their tragic, heartening story come vividly alive, perhaps too alive, and just to make sure she can control them, Flamingo makes doll figures of them, but even then... There is Alva Donovan, blinded in childhood, with one seeing eye, one dreaming eye, with whom Flamingo exchanges shoes and in whom she begins to fear she will lose herself. There are the other members of the Donovan family: Dahlia, Paul aka Made in China, and their parents Mama Milly and Daddy Clive the bee-keeper whose sudden, violent deaths set up the patterns of separation and eventual reconnection and healing that run through the novel. As Carmen's accusation suggests, this is a novel set at the cross-roads between the living and the dead - and the cemetery literally becomes the refuge of the orphaned children - between the harsh realities of the violence which spills over from an election campaign and a world where dreams, spirit possession and women who become snails are just as real."--BOOK JACKET.
A distinctive new voice in Caribbean poetry emerges in this collection of poems that explore the life-shattering loss of a father and a husband. The relationship between inner feelings and the physical environment figures prominently as the poems, written in standard English and traditional verse forms, incorporate intensely Jamaican details and metaphors. Poems set in England mourn, for instance, the absence of the subtleties of evening light in Jamaica and reveal the speaker's struggles with facing different kinds of loss.