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Marcia Douglas, who was born in England and grew up in Jamaica, presents poems beginning with the image of the voicelessness of the country people who witness the coming of lights to Cocoa Bottom but have no one amongst them to record the event. Each poem has its own poignant individually, but there is also a powerful sense of architecture which runs through the collection.
Caribbean poetry written in English has been attracting growing amounts of scholarly attention. The first substantial annotated bibliography of primary and secondary materials related to the topic, this reference chronicles the development of Anglophone Caribbean poetry from 1970 through 2001. Included are nearly 900 entries for anthologies, reference works, conference proceedings, critical studies, interviews, and recorded works. The volume also includes a chronology, an overview of the development and significance of Caribbean poetry in English, and extensive indexes. In 1971 the Association for Commonwealth Literature and Language Studies held a conference on West Indian literature at the University of the West Indies. This was the first assembly for the discussion of West Indian literature by West Indian people on West Indian soil. Since then, interest in Caribbean poetry written in English has grown dramatically. Caribbean poetry was influenced by the American Black Power movement during the 1970s, and women poets began to contribute their voices throughout the 1980s. Caribbean poets have, in turn, gained greater access to publishing outlets, resulting in a wider international readership and a corresponding increase in scholarly and critical studies. This book is the first substantial annotated bibliography of primary and secondary materials related to Caribbean poetry written in English. The volume begins with the rise of interest in Anglophone Caribbean poetry in the 1970s and continues through 2001. Included are entries for nearly 900 anthologies, reference works, conference proceedings, critical studies, interviews, and recordings. The entries are grouped in chapters devoted to particular types of works. In addition, the volume includes a chronology, a discussion of the history of Anglophone Caribbean poetry, and extensive indexes.
""Writing is a cover for necromancy", Carmen Innocencia accuses her creator, Flamingo Tongue, a young Jamaican writer. Carmen is not the only one of Flamingo's creations to confront her author, for her characters and their tragic, heartening story come vividly alive, perhaps too alive, and just to make sure she can control them, Flamingo makes doll figures of them, but even then... There is Alva Donovan, blinded in childhood, with one seeing eye, one dreaming eye, with whom Flamingo exchanges shoes and in whom she begins to fear she will lose herself. There are the other members of the Donovan family: Dahlia, Paul aka Made in China, and their parents Mama Milly and Daddy Clive the bee-keeper whose sudden, violent deaths set up the patterns of separation and eventual reconnection and healing that run through the novel. As Carmen's accusation suggests, this is a novel set at the cross-roads between the living and the dead - and the cemetery literally becomes the refuge of the orphaned children - between the harsh realities of the violence which spills over from an election campaign and a world where dreams, spirit possession and women who become snails are just as real."--BOOK JACKET.
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap. Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.
"A marvelous book of generous, giving poems." —Yusef Komunyakaa, author of Everyday Mojo Songs of Earth Far District, the transporting debut by the author of House of Lords and Commons, charts the spiritual path of a poet-speaker caught between two spheres: the culture of bush people and a luminous, dangerous sea of myth. Crafting an impressionistic portrait of his youth in Jamaica, Ishion Hutchinson explores the West Indian distrust of European literature and mythology. The speaker fears the land of myth because he is loyal to the bush people, but he also desires to transcend his physical and intellectual poverty. Little by little, the two cultures come together as the speaker begins grafting childhood memories onto the realm of imagination, shaped by art, music, literature, and new glimpses of the world. Written in both traditional and formless verse, as well as in English and Jamaican patois, Far District is an indelible, urgent collection. As the PEN/Joyce Osterweil Award committee said of its 2011 winner, “Far District is a classic, which is to say a rare and exemplary first book.”
“Next time some kid shows up at my door asking for a code review, this is the book that I am going to throw at him.” –Aaron Hillegass, founder of Big Nerd Ranch, Inc., and author of Cocoa Programming for Mac OS X Unlocking the Secrets of Cocoa and Its Object-Oriented Frameworks Mac and iPhone developers are often overwhelmed by the breadth and sophistication of the Cocoa frameworks. Although Cocoa is indeed huge, once you understand the object-oriented patterns it uses, you’ll find it remarkably elegant, consistent, and simple. Cocoa Design Patterns begins with the mother of all patterns: the Model-View-Controller (MVC) pattern, which is central to all Mac and iPhone development. Encouraged, and in some cases enforced by Apple’s tools, it’s important to have a firm grasp of MVC right from the start. The book’s midsection is a catalog of the essential design patterns you’ll encounter in Cocoa, including Fundamental patterns, such as enumerators, accessors, and two-stage creation Patterns that empower, such as singleton, delegates, and the responder chain Patterns that hide complexity, including bundles, class clusters, proxies and forwarding, and controllers And that’s not all of them! Cocoa Design Patterns painstakingly isolates 28 design patterns, accompanied with real-world examples and sample code you can apply to your applications today. The book wraps up with coverage of Core Data models, AppKit views, and a chapter on Bindings and Controllers. Cocoa Design Patterns clearly defines the problems each pattern solves with a foundation in Objective-C and the Cocoa frameworks and can be used by any Mac or iPhone developer.
Longlisted: 2017 OCM Bocas Prize for Caribbean Literature Bob Marley is dead. The Emperor Haile Selassie has been brutally murdered. The armed gangs of Kingston are at war and the murder rate soars. The people have lost all trust in self-serving politicians. It is hard to imagine worse times. The Marvellous Equations of the Dread tells the twin stories of Jamaica's nihilistic violence and its wondrously creative humanity and does truthful justice to both. It takes place in the worlds of the living and in the vivid afterlife of the dead, spanning the Kingston ghettoes, the Emperor's palace in Addis Ababa and Zion. There is even a fallen angel. At its heart are the human stories of the deaf Leenah who with her mother and daughter writes a powerful woman version of events; the relationship between Fall-down (the street madman and fallen angel) and Delroy the orphaned street-boy, and the meetings in the clock tower at Half Way Tree between Bob Marley, Marcus Garvey and the island's dead. There is also the enslaved boy who was hung from the silk cotton tree in 1766. The novel sets out to retrieve the word at the tip of his tongue. Not least of the novel's marvellous equations are the dread revenants who encourage the living to take responsibility for the future of the nation.
Jamaica is known widely for its beautiful beaches and the reggae music scene, but there is much more to this Caribbean country. Culture and Customs of Jamaica richly surveys the fuller wealth of the Caribbean nation, focusing on its people, history, religion, education, language, social customs, media and cinema, literature, music, and performing and visual arts. Jamaican Creole and the education system, which are not often discussed in volumes aimed at a general audience, are also examined here. Students and other interested readers will witness the unveiling of this complicated and unique country within this volume. Indispensable for the its insights on the making of modern Jamaica. Written by Jamaicans the island receives needed attention in this work. The history of Jamaica is well covered, from pre-Colombian times through slavery, to the impact of social activist Marcus Garvey, and the relatively new state of independence. Rastfarianism to Revivalism are covered as Jamaica's multitude of religious denominations is outlined. Various topics such as geography, demography, climate, cuisine, and the visual and performing arts are detailed. Accompanied by a chronology, this magical country comes to life in this wide-ranging volume. Anyone with an interest in Jamaica and its culture and customs will be indebted to the authors for their timely presentation. Students and general readers will find this volume indispensable.
Representing the best of contemporary voices, this multilingual anthology speaks of a unified aspiration to defy the colonial and paternalistic tradition and create strong new models which positively promote the black women's perspective