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A complete manual on how to install an electric kiln, how to use it properly, and how to maintain and repair it.
Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world.Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for any artist wishing to expand their practice.
Demonstrating four different clay-firing techniques, this book illustrates the diverse results that each can produce.
Gas Fired Kilns is for people who want to take their pottery firing to the next level with their own kiln. Whether you have made a kiln before or not, or if you need to learn how to fire an existing kiln, this book will help you reach your objectives. Live flames bring the magic of reduction firing, raku, saggar and soda firing within reach. A clean firing gas kiln is a cost effective alternative to buying an electric kiln, and it has much more to offer the ceramicist. Gas can also be used in urban areas where wood firing is prohibited. With the emphasis on practical innovation and clear explanation, this book gives step by step guidance for making three types of gas fired kiln, including an electric kiln to gas conversion, each with a detailed description of how it is fired. In addition to kiln plans and information on the types of burners to use, there are chapters on how to get the best from your gas firings. Finally there are glaze recipes to try, that exploit the capabilities of live flame firing. The book has numerous technical drawings and photographs to illustrate the kiln builds. With Gas Fired Kilns providing conceptual insight and suggesting practical approaches, the reader will have the confidence to take the next step on their journey into ceramics. Chris Barnes is a selected member of the Craft Potters Association UK and a teacher of pottery to adults and children.
The purpose of this book is to explain the conversion of a typical 23" or 28" electric kiln to a TDI propane gas fueled downdraft kiln. The book provides a detailed description of the theory, construction process, parts required with sources, and the basic tools needed. The idea is to promote at-home or small studio reduction firings that can produce very reliable and repeatable results. For those who want to continue exploring and learning in an environment of less certainty, reduction firing can be a fun path. Reduction firing requires gaining experience with firing schedules, reduction techniques, and glazes - commercially available or your own mixing.
According to Ceramics Monthly, most potters glaze their pieces at mid-range temperatures--and this complete studio guide eliminates the guesswork from the popular process. Along with hundreds of recipes, it explores mixing, application, specific firing and cooling cycles, and much more. See how to boost colors, achieve results that equal high-fire glazing, and stretch your boundaries with new techniques.
Learn the key techniques, tips, and tricks for pit, barrel, raku, and wood firing. Fall in love with flames, wood, and the effect that unique firing methods have on pottery. Move beyond the electric kiln and explore the dramatic surfaces of raku, the flashes of salt firing, and the rustic look of ash rivulets. In this book, Lindsay Oesterritter provides a crash course in the most accessible methods of alternative firing. Raku firing requires minimal equipment and can easily be fueled with a standard propane tank. Likewise, pit and barrel firing do not require much in the way of initial investment. Yet all these techniques provide an immediate glimpse into the magic of firing. Bright reds and blues, dramatic black and white crackle, even metallic luster are instantly possible. For more experienced potters and studios looking to offer more, Oesterritter also explores wood-fired kilns. Drawing on years of experience and extensive interviews with fellow wood-fire potters, there is no comparable resource on the market. Features on top potters working today get to the heart of specialty techniques and asides show firing variations and traditional kilns in different cultures around the world. A gallery of showstopping work from a diverse group of artists round out the package and inspire you to get started.
Master potters John Hesselberth and Ron Roy present this practical guide to making and using cone 6 glazes. Artists will be able to quickly learn the basics of glaze chemistry and firing, and even formulate their own appealing glazes. Mastering Cone 6 Glazes is an invaluable resource for do-it-yourself potters of all ages and experience levels.
The Kiln Book is the definitive guide to pottery kiln construction. Since this breakthrough book was first published more than thirty years ago, it has shown generations of ceramicists how to build safe, economical, and fully functional kilns that meet their specific creative needs. The revised fourth edition continues to cover all aspects of kiln construction through step-by-step instructions and detailed diagrams, with new information on alternative fuels and the latest designs. In The Kiln Book, master potter and kiln builder Frederick L. Olsen thoroughly describes fundamental kiln construction methods and design principles in clear, straightforward language. No one has made more custom kilns in more countries than Olsen. His kiln bible explains the inner workings of crossdraft, downdraft, updraft, and multidirectional draft kilns. It discusses the importance of proper masonry work and gives insights into the variety of refractory materials and their applications. The book also offers expert guidance on firing techniques and optimal firing schedules for various kiln styles. In addition to providing building guidance for the three major types of fuel-fired kilns, The Kiln Book includes information on electric kilns and other specialty designs. The practical instructions and illustrations are supplemented with tables, technical specifications, and other practical data. Richly illustrated with color photographs, building plans, and diagrams, The Kiln Book is an essential text for professional potters who want the freedom and control of firing works in their own kiln and for ceramics educators who wish to share the kiln-building experience with their students.