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The essays in this book analyze electioneering activities in nine Asian countries in terms of popular cultural practices, ranging from updated traditional cultures to mimicry and caricatures of present day television dramas.
This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. It addresses the shift in official thinking toward the role of popular culture in the political life of states brought about by the massive circulation of cultural commodities and the possibilities for attaining "soft power". In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. It is the first major attempt to look at these issues comparatively and to provide an important corrective to the limitations of existing scholarship on popular culture in Asia that have usually neglected its political aspects. As part of this move, the essays in this volume suggest a widening of disciplinary perspectives. Hitherto, the preponderance of relevant studies has been in cultural and media fields, anthropology or history. Here the contributors explicitly draw on other disciplinary perspectives – political science and international relations, political economy, law, and policy studies – to explore the complex interrelationships between the state, politics and economics, and popular culture. This book will be of interest to students and scholars of Asian culture, society and politics, the sociology of culture, political science and media studies.
Conventional political science depicts legitimate elections as rational affairs in which informed voters select candidates for office according to how their coherently presented aims, ideologies and policies appeal to the self-interest of the electorate. In reality elections, whether in first world democracies, or in the various governmental systems present in Asia, can more realistically be seen as cultural events in which candidates’ campaigns are shaped, consciously or unconsciously, to appeal to the cultural understanding and practices of the electorate. The election campaign period is one in which the masses are mobilized to participate in a range of cultural activities, from flying the party colours in noisy motorcycle parades to attending political rallies for or against, or simply to be entertained by the performances on the political stage, and to gambling on the outcome of the contest. The essays in this book analyse electioneering activities in nine Asian countries in terms of popular cultural practices in each location, ranging from updated traditional cultures to mimicry and caricatures of present day television dramas. In presenting political election as an expression of popular culture this book portrays electoral behaviour as a meaningful cultural practice. As such this book will appeal to student and scholars of political science and cultural studies alike, as well as those with a more general interest in Asian studies.
This book aims to provide comprehensive empirical and theoretical studies of expanding fandom communities in East Asia through the commodification of Japanese, Korean and Chinese popular cultures in the digital era. Using a multidisciplinary approach including political economy, East Asian studies, political science, international relations concepts and history, this book focuses on a few research objectives. In terms of methodology, it is an area studies approach based on interpretative work, observation studies, policy and textual analysis. First, it aims to examine the closely intertwined relationship between the three major stakeholders in the iron triangle of production companies, consumers and states (i.e., role of government in policy promotion). Second, it studies the interpenetration, adaptation, innovation and hybridization of exogenous Western culture with traditional popular cultures in (North) East Asia. Third, it studies the influence of popular cultures and how cultural products resonate with a regional audience through collective consumption, contents reflective of normative values, the emotive and cognitive appeal of familiar images and social learning as well as peer effect found in fan communities. It then examines how consumption contributes to soft cultural influence and how governments leverage on its comparative advantages and cultural assets for commercial success and in the process augment national (cultural) influence. These questions will be discussed and analyzed and contextualized through the case studies of J-pop (Japanese popular culture), K-pop (Korean popular culture or Hallyu) and Chinese popular culture (including Mando-pop and Taiwanese popular culture).
Assessing the trajectory of democratization in East Asia, this volume offers a systematic and tightly integrated analysis of party-system development in countries across the region. The authors utilize unprecedented cross-national survey data to examine the institutional structure of party systems, the range of choices these systems represent, and their connection to voting preferences. They also investigate the consequences of partisanship for citizen support of the democratic process. While revealing that party development in the region is still incomplete, the book highlights areas of progress as it explores the potential for enhanced representation.
The study shows how election monitoring groups are involved in activities far wider than simple election law enforcement. They are part of grassroots action via social movements and the construction of "alternative political cultures" as well. This book thus will have a wide appeal to scholars and students interested in good governance, corruption, social movements and democratic change, as well as Asian studies."--Jacket.
The Internet's explosive growth over the past decade is nowhere more visible than in Asia. This book provides an in-depth look at the impact of social media on political engagement among young citizens in this rapidly changing region of the world.
Asian Popular Culture explores the evolution and intersection of popular forms (gaming, manga, anime, film, music, YouTube videos) and explicates these media's changing cultural meanings in historical and contemporary contexts. At its core is the issue of the roles popular culture plays in the construction of national and regional identity.
This book examines the history and role of election posters as one of the most crucial forms of political communication, especially in electoral campaigns, in a number of countries around the globe. The contributing authors present comparative research on electoral posters from countries from all five continents, summarizing international similarities and national differences. The book also discusses theoretical aspects and different methodological approaches that are used for studying the design, content and reception of election posters as a means of political communication.
This book provides a comprehensive empirical and theoretical analysis of the development of parties and party systems in Asia. The studies included advance a unique perspective in the literature by focusing on the concept of institutionalization and by analyzing parties in democratic settings as well as in authoritarian settings. The countries covered in the book range from East Asia to Southeast Asia to South Asia.