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This book examines the history and role of election posters as one of the most crucial forms of political communication, especially in electoral campaigns, in a number of countries around the globe. The contributing authors present comparative research on electoral posters from countries from all five continents, summarizing international similarities and national differences. The book also discusses theoretical aspects and different methodological approaches that are used for studying the design, content and reception of election posters as a means of political communication.
How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries. The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world. This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design.
An oversized collection of the most striking and thought-providing presidential campaign posters throughout American history—perfect for political junkies and history buffs alike Shepard Fairey’s instant-classic “Hope” poster for Barack Obama elevated the age-old art of the campaign poster back into the forefront of American awareness. Now, dig through the Library of Congress archives and discover the amazing, kickass posters that are every bit as cool 200 years later! See Andrew Jackson go classy, elegant, and minimalist—while his opponent offers a coffin-laden accounting of all the dead bodies Jackson left behind. Watch as Grover Cleveland decks out his poster with a portrait of his new 21-year-old First Lady; Adlai Stevenson tries really hard to convince everyone not to vote for Dwight Eisenhower; and Richard Nixon grins at us like a favorite TV-sitcom dad. Every poster is backed with colorful historical commentary and additional artwork. Presidential Campaign Posters is the perfect gift for political junkies of all ages.
An oversized collection of the most striking and thought-providing presidential campaign posters throughout American history—perfect for political junkies and history buffs alike Shepard Fairey’s instant-classic “Hope” poster for Barack Obama elevated the age-old art of the campaign poster back into the forefront of American awareness. Now, dig through the Library of Congress archives and discover the amazing, kickass posters that are every bit as cool 200 years later! See Andrew Jackson go classy, elegant, and minimalist—while his opponent offers a coffin-laden accounting of all the dead bodies Jackson left behind. Watch as Grover Cleveland decks out his poster with a portrait of his new 21-year-old First Lady; Adlai Stevenson tries really hard to convince everyone not to vote for Dwight Eisenhower; and Richard Nixon grins at us like a favorite TV-sitcom dad. Every poster is backed with colorful historical commentary and additional artwork. Presidential Campaign Posters is the perfect gift for political junkies of all ages.
The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
Reflecting the remarkable changes in the world of propaganda due to the increasing use of social media, this updated Seventh Edition provides a systematic introduction to the increasingly complex world of propaganda. Viewing propaganda as a form of communication, the authors help you understand information and persuasion so you can understand the characteristics of propaganda and how it works as a communication process. Providing provocative case studies and fascinating examples of the use of propaganda from ancient times up through the present day, Propaganda and Persuasion provides an original model that helps you analyze the instances of propaganda and persuasion you encounter in everyday life. New to the Seventh Edition: New coverage of social media as a disseminator of propaganda offers you an up-to-date perspective. The book’s four case studies have been updated and strengthened to demonstrate their relevance not only to past and contemporary culture, but also to the study of propaganda campaigns. New coverage of how a propaganda case study can be structured to reveal the components of a campaign allows you to compare strengths and weaknesses across different types of campaigns and evaluate the relative success of various propaganda strategies. Updated research on persuasion and expanded coverage of collective memory as it appears in new memorials and monuments enhances the presentation. Current examples of propaganda, especially the ways it is disseminated via the Internet, deepen your understanding. New illustrations and photos add a unique visual dimension that helps you conceptualize methods of persuasion and propaganda.
The definitive history of the covert struggle between Russia and America to influence elections, why the threat to American democracy is greater than ever, and what we can do about it. This is "the first book to put the story of Russian interference into a broader context.... Extraordinary and gripping" (The New York Times Book Review). Russia's interference in the 2016 elections marked only the latest chapter of a hidden and revelatory history. In Rigged, David Shimer tells the sweeping story of covert electoral interference past and present. He exposes decades of secret operations—by the KGB, the CIA, and Vladimir Putin's Russia—to shape electoral outcomes, melding deep historical research with groundbreaking interviews with more than 130 key players, from leading officials in both the Trump and Obama administrations to CIA and NSA directors to a former KGB general. Throughout history and in 2016, both Russian and American operations achieved their greatest success by influencing the way voters think, rather than tampering with actual vote tallies. Understanding 2016 as one battle in a much longer war is essential to comprehending the critical threat currently posed to America's electoral sovereignty and how to defend against it. Illuminating how the lessons of the past can be used to protect our democracy in the future, Rigged is an essential book for readers of every political persuasion.
Abstract: QUESTION: In an era so heavily dominated by the high-tech electioneering, why do parties and candidates spend as much as 20% and more of their campaign budgets on election posters? So far, this question has been all but ignored in the campaign communication literature, despite abundant evidence of posters extensive use in many countries. FINDINGS: By examining this campaign phenomenon in France and francophone Belgium, I show that, due to their spatial visual characteristics, posters' primary role is to signal a political actor's electoral competitiveness to all other actors involved in the election. Their informational function, i.e. their function of familiarizing voters with a candidate's name, party affiliation or ideology, is only secondary. Moreover, by means of a large survey of party officials, analysis of campaign expenditures and visual analysis of hundreds of candidate posters, I provide persuasive evidence that major parties and their candidates are significantly more likely than minor ones to attach more importance to posters, and to use them as signals of their electoral competitiveness. Minor political actors are in return more likely to use this type of campaign to provide voters with additional campaign information. RELEVANCE: The findings in this dissertation are relevant for our general understanding of the messages that political actors try to convey in elections, of the channels and means through which these messages are conveyed, and of the interaction between political competitors at campaign time.