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Chapters 911 of Romans remains one of the most contested biblical texts in scholarship today. Theological discussions often limit the focus of this passage to Gods sovereignty or to Pauls defense of Gods faithfulness, but less attention has been devoted to the form and style. Wallace demonstrates how Paul weaves two distinct Jewish literary forms togetherlament and midrashinto a logical narrative concerning Israels salvation. Attention is given to Pauls poetical structures, key literary terms, and use of Old Testament contexts.
Chapters 9–11 of Romans remains one of the most contested biblical texts in scholarship today. Theological discussions often limit the focus of this passage to God’s sovereignty or to Paul’s defense of God’s faithfulness, but less attention has been devoted to the form and style. Wallace demonstrates how Paul weaves two distinct Jewish literary forms together––lament and midrash—into a logical narrative concerning Israel’s salvation. Attention is given to Paul’s poetical structures, key literary terms, and use of Old Testament contexts.
Hardening hearts. Blinding eyes. Sending deceitful spirits. Crafting vessels of wrath. Few will deny that certain biblical passages make claims about God that are difficult to accept. But perhaps the most troubling are the verses that describe God as influencing individuals or groups towards wicked behavior for the purpose of condemning them. What are readers to do with these texts? In Vessels of Wrath, Richard M. Blaylock tackles the thorny subject of divine reprobating activity (DRA). Through an exhaustive, biblical-theological study of the Christian canon’s witness, Blaylock argues that the Bible does not present DRA as an insignificant or monolithic concept; instead, the biblical authors showcase both the significance and the complexity of DRA in a variety of ways. The book aims to help readers of the Bible to wrestle with the Scriptures so that they might come to better understand its testimony to this mysterious and awesome divine activity.
Less than a decade after the advent of democracy in South Africa, tabloid newspapers have taken the country by storm. One of these papers -- the Daily Sun -- is now the largest in the country, but it has generated controversy for its perceived lack of respect for privacy, brazen sexual content, and unrestrained truth-stretching. Herman Wasserman examines the success of tabloid journalism in South Africa at a time when global print media are in decline. He considers the social significance of the tabloids and how they play a role in integrating readers and their daily struggles with the political and social sphere of the new democracy. Wasserman shows how these papers have found an important niche in popular and civic culture largely ignored by the mainstream media and formal political channels.