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The author offers an accessible overview of the vibrant personal and intellectual developments in the medieval court and monasteries during Eleanor of Aquitaine's lifetime. Primary documents, biographical material and thematic chapters bring this unique period to life. Eleanor of Aquitaine lived in a remarkable age. The 12th century saw significant advances in both the intellectual and emotional spheres. Scholars explored new areas of philosophy and science and also began to reflect on relationships and what it meant to be human and an individual. For the troubadours and the writers of the new romances, who composed in vernacular language, the focus of their works was the expression of personal feelings and the image of the feminine. Women had had more significant parts to play in the first millennium than in the second, because with the militarization of Europe and the emergence of universities, from which women were excluded, they lost much of their influence. This created an imbalance in society and it is within this context that Eleanor's life should be reviewed. The period is sometimes called the Twelfth Century Awakening due to the outpouring of extraordinary intellectual inquiry and discovery. Cathedral schools and universities, Islamic influence on European thought, the classical revival, vernacular literature, and Gothic architecture all exerted powerful pulls on the era's culture and politics. Accounts of Eleanor of Aquitaine's life provides a rare glimpse into women's lives during the medieval period, and though an admittedly extraordinary figure, we are able to draw some general conclusions about marriage and motherhood. Troubadours and courtly love, which revolved around declarations of service, devotion, and passion, and an emerging sense of the self. Thematic chapters hit the major topics, laying them out in clear and easy-to-follow writing. Nineteen biographical sketches bring to life the topics, and 15 primary documents, including songs, letters, and poems provide a close-up glimpse of how the people of the time saw their own world. Genealogical tables, maps, chronology, and a timeline provide useful and information quickly. The book concludes with an annotated bibliography and an index.
The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."
An account of Queen Eleanor which describes her dramatic life as a queen, her marriages, and her contributions to that period.
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
The De Amore of Andreas Capellanus (André the Chaplain), composed in France in the 1180s, is celebrated as the first comprehensive discussion of theory of courtly love. The book is believed to have been intended to portray conditions at Queen Eleanor of Aquitaine's court at Poitiers between 1170 and 1174, and written the request of her daughter, Countess Marie of Troyes. As such, it is important for its connections to themes of contemporary Latin lyric, in troubadour poetry and in the French romances of Chrétien de Troyes. Thereafter its influence spread throughout Western Europe, so that the treatise is of fundamental importance for students of medieval and renaissance English, French, Italian and Spanish. In this comprehensive edition, P.G. Walsh includes Trojel's Latin text with his own facing English translation with explanatory notes, commentary and indexes, along with introduction which sets the treatise in its contemporary context and assesses its purpose and importance.
Eleanor of Aquitaine was the wife of two kings, Louis VII of France and Henry II Plantagenet of England, and the mother of two others, Richard the Lionhearted and John Lackland. In her eventful, often stormy life, she not only influenced the course of events in the twelfth century but also encouraged remarkable advances in the literary and fine arts. In this book, experts in five disciplines—history, art history, music, French and English literature—evaluate the influence of Eleanor and her court on history and the arts. Elizabeth A. R. Brown views Eleanor as having played a significant role as parent and politician, but not as patron. Rebecca A. Baltzer takes a new look at the music of the period that was written by and for Eleanor, her court, and her family. Moshé Lazar reexamines her relationship to the courtly-love literature of the period. Eleanor S. Greenhill and Larry M. Ayres reassess her influence in the realm of art history. Rossell Hope Robbins traces the lines extending from the French courtly literature of Eleanor's period down into fourteenth-century Chaucerian England. The essays reflect divergent but generally complementary assessments of this remarkable woman's influence on her own era and on future times as well. This volume is the result of a symposium held at the University of Texas in 1973.
What have a deaf nun, the mother of the first baby born to Europeans in North America, and a condemned heretic to do with one another? They are among the virtuous virgins, marvelous maidens, and fierce feminists of the Middle Ages who trail-blazed paths for women today. Without those first courageous souls who worked in fields dominated by men, women might not have the presence they currently do in professions such as education, the law, and literature. Focusing on women from Western Europe between c. 300 and 1500 CE in the medieval period and richly carpeted with detail, A Medieval Woman’s Companion offers a wealth of information about real medieval women who are now considered vital for understanding the Middle Ages in a full and nuanced way. Short biographies of 20 medieval women illustrate how they have anticipated and shaped current concerns, including access to education; creative emotional outlets such as art, theater, romantic fiction, and music; marriage and marital rights; fertility, pregnancy, childbirth, contraception and gynecology; sex trafficking and sexual violence; the balance of work and family; faith; and disability. Their legacy abides until today in attitudes to contemporary women that have their roots in the medieval period. The final chapter suggests how 20th and 21st century feminist and gender theories can be applied to and complicated by medieval women's lives and writings. Doubly marginalized due to gender and the remoteness of the time period, medieval women’s accomplishments are acknowledged and presented in a way that readers can appreciate and find inspiring. Ideal for high school and college classroom use in courses ranging from history and literature to women's and gender studies, an accompanying website with educational links, images, downloadable curriculum guide, and interactive blog will be made available at the time of publication.
When I look back over my long and tempestuous life, I can see that much of what happened to me—my triumphs and most of my misfortunes—was due to my passionate relationships with men. I was a woman who considered herself their equal—and in many ways their superior—but it seemed that I depended on them, while seeking to be the dominant partner—an attitude which could hardly be expected to bring about a harmonious existence. Eleanor of Aquitaine was revered for her superior intellect, extraordinary courage, and fierce loyalty. She was equally famous for her turbulent relationships, which included marriages to the kings of both France and England. As a child, Eleanor reveled in her beloved grandfather’s Courts of Love, where troubadours sang of romantic devotion and passion filled the air. In 1137, at the age of fifteen, Eleanor became Duchess of Aquitaine, the richest province in Europe. A union with Louis VII allowed her to ascend the French throne, yet he was a tepid and possessive man and no match for a young woman raised in the Courts of Love. When Eleanor met the magnetic Henry II, the first Plantagenet King of England, their stormy pairing set great change in motion—and produced many sons and daughters, two of whom would one day reign in their own right. In this majestic and sweeping story, set against a backdrop of medieval politics, intrigue, and strife, Jean Plaidy weaves a tapestry of love, passion, betrayal, and heartbreak—and reveals the life of a most remarkable woman whose iron will and political savvy enabled her to hold her own against the most powerful men of her time.
Eleanor of Aquitaine (1124-1204), queen of France and England and mother of two kings, has often been described as one of the most remarkable women of the Middle Ages. Yet her real achievements have been embellished--and even obscured--by myths that have grown up over eight centuries. This process began in her own lifetime, as chroniclers reported rumours of her scandalous conduct on crusade, and has continued ever since. She has been variously viewed as an adulterous queen, a monstrous mother and a jealous murderess, but also as a patron of literature, champion of courtly love and proto-feminist defender of women's rights. Inventing Eleanor interrogates the myths that have grown up around the figure of Eleanor of Aquitaine and investigates how and why historians and artists have invented an Eleanor who is very different from the 12th-century queen. The book first considers the medieval primary sources and then proceeds to trace the post-medieval development of the image of Eleanor, from demonic queen to feminist icon, in historiography and the broader culture.