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At the dawn of the nineteenth century, resourceful pioneers carved a small community out of the wilderness in far western New York State. An agent of the Holland Company opened the way by surveying a road from Big Tree Indian Reservation to Lake Erie in 1803. One mile section of that road today is Main Street, East Aurora. A year later, a man named Jabez Warren obtained a contract for 1,443 acres of land, which makes up a large part of the Town of Aurora. The earliest settlers arrived, cleared the forests, farmed the land, harnessed the waterpower, and built mills. Their efforts and the richness of the land formed the foundation of a town that in years to come provided food and materials for the the city of Buffalo and nearby areas. Town of Aurora: 1818-1930, presents more than a century of the history of this vibrant community. It includes some notable people and places. In the spring of 1823, young attorney Millard Fillmore opened the first law office in town--twenty-seven years before he became the nation's thirteenth president. In 1832, Aurora Academy, the most celebrated institution of learning in western New York, was incorporated. By the 1890s, Hamlin Village Farm, and Jewett's Stock Farm were world famous for the breeding of harness race horses. In 1895, Elbert Hubbard established the arts and crafts community of the Roycrofters, which flourished into the 1930s.
The history of the American Arts and Crafts movement is embodied in the Roycroft community. Founded by Elbert Green Hubbard, the Roycroft is more than just a National Historic Landmark in the charming village of East Aurora, New York. Roycroft's artisans and craftspersons ?ourished from 1898 to 1938, producing some of America's best and most important crafts, furniture, and books. This visual history through postcards and motto cards produced by the Roycrofters' presses shares the story and philosophy of their movement. Here, the 1898 postcards featuring "the Characters of the place" and the years of the "Roycroft Renaissance" show the growth and continuity.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1901 edition. Excerpt: ... HE so-called "disad-A MESSAGE vantages" in the life of To GARCIA a child are often its advantages. And on the other hand "advantages" are very often disadvantages of a most serious sort. To be born in the country, of poor parents, is no disadvantage. The strong men in every American city--the men who can do things; the men like James J. Hill, Charles E. Perkins, Philip G. Armour, Norton Finney, S. S. Merrill, or the late Tom Potter, who gloried in difficulties, waxed strong in overcoming obstacles & laughed at disaster--men who could build three miles of railroad a day, and cause prosperous cities to spring up where before were only swamps and jungle, barren plains or endless forest--these men were all country boys, nurtured in adversity ff And it is but the tritest truism to say that the early life of industry and unceasing economy of time and things, was the best possible preparation and education that these men could have had for doing a great work ff A Message I once heard George M. Pullman tell how To GARCIA at ten years of age he used to cut wood so his mother could cook, help her wash the dishes and sweep; carry water for her to do the washing, and assist her hanging out the clothes. In a year or two more he planted the garden, knew all kinds of vegetable seeds on sight, knew every forest tree that grew in Western New York and could distinguish between the qualities of the wood. At seventeen he helped his father move houses and barns and dig wells and construct church steeples. That is to say he was getting an education--learning to do things in the best way. He was developing physique and also building character and making soul-fibre. He was learning to make plans and execute them, think for himself and be strong and...
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Head, Heart and Hand is published to accompany the exhibition of the same name, the first major assemblage of objects produced at the Roycroft community in upstate New York under the leadership of the charismatic Elbert Hubbard. A consummate entrepreneur, Hubbard successfully married capitalism with basic tenets of the Arts and Crafts ideology. Although clearly influenced by the work of European designers, the Roycrofters sought to personify the best aspects of American character in their work, which is strong, spare, and often surprisingly refined.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Nestled along the banks of Cazenovia Creek, East Aurora is a cultural center of western New York State that has flourished because of the diverse talents of its people. Native Americans lived in East Aurora for thousands of years before the first settlers came to the area in 1804. One of the first pioneers, Martha Richardson Adams, carried her infant child on horseback all the way from Massachusetts. East Aurora grew rapidly after the War of 1812, evolving into an important business center south of Buffalo. By the 1880s, the village had become a horse-racing capital, where thousands came to Cicero Hamlin's farm to get a glimpse of his legendary horse, Mambrino King. As the century came to a close, hundreds of creative types were drawn to the Roycroft Campus, where Elbert Hubbard had established an arts and crafts colony. Despite modern developments, East Aurora remains a small village at heart, where the owners of the barbershop, bookstore, pharmacy, coffee shop, theater, and old-fashioned 5 & 10 still greet you at the door.