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ELAINE THE FAIR is set against the authentic historical background of King Richard Lionheart's court. The Countess Elaine is horrified by the Christian massacres of the Third Crusade, imperiled by rapacious Viking raiders, & falsely accused of witchcraft by those jealous of her beauty. In the maelstrom of violence Elaine finds her own strength & courage: she breaks her false marriage to Richard's tax collector, & she finds a champion; a tenant farmer's son named Robin Hood. As Elaine finds love, so Robin finds his destiny.
This gripping addition to the Camelot canon -- written in beautiful verse -- has received glowing praise, and is an empowering story of rebellion and courage. Since the days of King Arthur, there have been poems and paintings created in her name. She is Elaine of Ascolat, the Lady of Shalott, and now there is a book all her own. The year is 490 A.D. and 16-year-old Elaine has a temperament to match her fiery red hair. Living on a military base with her father, brothers, and the rest of Arthur's army, Elaine pines for the handsome Lancelot, and longs for a female companion. But when the cruel, beautiful Gwynivere arrives, Elaine is confronted with startling emotions of jealousy and rivalry. Can Elaine find the strength to survive the birth of a kingdom?
Follows Sir Launcelot of the Round Table as he rescues Queen Guinevere, fights in the tournament at Astolat and pursues other adventures.
King Arthur was a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians.[2] The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.[3] Arthur is a central figure in the legends making up the Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain).[4] In some Welsh and Breton tales and poems that date from before this work, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh otherworld Annwn.[5] How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.
The Australian self-image of a perfectly egalitarian society has always been fraught with paradox. We are all equal, yet racism, sexism and xenophobia have all flourished. We are a classless society, yet the cultural cringe exists. In this penetrating book, Dr. Elaine Thompson tackles many of the issues surrounding Australian egalitarianism: Did our egalitarian drive create a nation in which 'sameness' was so important that we did not see and cherish diversity? What of the accusation that egalitarianism cuts down tall poppies and undermines progress? In particular, this book explores the origins of political egalitarianism - the transformation from a culture which defined itself by white Britishness to one which cherishes multicultural diversity. Special emphasis is also placed on the economic, social and cultural positions of women, non-Anglo immigrants and indigenous people.
Publishers Weekly Best Book of 2017 Washington Post Best Book of 2017 Amazon Editors' Top 100 Pick of the Year Amazon Best Humor and Entertainment Pick of the Year Booklist Top Ten Arts Book Queen of Bebop brilliantly chronicles the life of jazz singer Sarah Vaughan, one of the most influential and innovative musicians of the twentieth century and a pioneer of women’s and civil rights Sarah Vaughan, a pivotal figure in the formation of bebop, influenced a broad array of singers who followed in her wake, yet the breadth and depth of her impact—not just as an artist, but also as an African-American woman—remain overlooked. Drawing from a wealth of sources as well as on exclusive interviews with Vaughan’s friends and former colleagues, Queen of Bebop unravels the many myths and misunderstandings that have surrounded Vaughan while offering insights into this notoriously private woman, her creative process, and, ultimately, her genius. Hayes deftly traces the influence that Vaughan’s singing had on the perception and appreciation of vocalists—not to mention women—in jazz. She reveals how, in the late 1940s and early 1950s, Vaughan helped desegregate American airwaves, opening doors for future African-American artists seeking mainstream success, while also setting the stage for the civil rights activism of the 1960s and 1970s. She follows Vaughan from her hometown of Newark, New Jersey, and her first performances at the Apollo, to the Waldorf Astoria and on to the world stage, breathing life into a thrilling time in American music nearly lost to us today. Equal parts biography, criticism, and good old-fashioned American success story, Queen of Bebop is the definitive biography of a hugely influential artist. This absorbing and sensitive treatment of a singular personality updates and corrects the historical record on Vaughan and elevates her status as a jazz great.
An American Library in Paris "Coups de Coeur" Selection A Los Angeles Times Bestseller "Elaine Sciolino is a graceful, companionable writer.… [She] has laid one more beautiful and amusing wreath on the altar of the City of Light.” —Edmund White, New York Times Blending memoir, travelogue, and history, The Seine is a love letter to Paris and the river that determined its destiny. Master storyteller and longtime New York Times foreign correspondent Elaine Sciolino explores the Seine through its lively characters—a bargewoman, a riverbank bookseller, a houseboat dweller, a famous cinematographer—and follows it from the remote plateaus of Burgundy through Paris and to the sea. The Seine is a vivid, enchanting portrait of the world’s most irresistible river.
'The funniest, most poignant novel of the year' - Vogue For fans of Yellowface by Rebecca F Kuang, Disorientation is an uproarious and big-hearted satire – alive with sharp edges, immense warmth, and a cast of unforgettable characters – that asks: who gets to tell our stories? Ingrid Yang is desperate to finish her PhD dissertation on the much-lauded poet Xiao-Wen Chou and never read about ‘Chinese-y’ things again, when she accidentally stumbles upon a strange note in the Chou archives that she thinks may be her ticket out of academic hell. But Ingrid has no idea that the note will lead to an explosive secret, upending her entire life and the lives of those around her. Her clumsy exploits to discover the truth set off a rollercoaster of mishaps and misadventures, from campus protests and over-the-counter drug hallucinations, to book burnings and a movement that stinks of Yellow Peril propaganda. In the aftermath, she’ll have to question everything, from her relationship with her fiancé to the kind of person she dares to be. 'The funniest novel I’ve read all year' - Aravind Adiga, author of The White Tiger 'Fearless' - Observer 'Elaine Hsieh Chou's pen is a scalpel' - Raven Leilani, author of Luster
Chronicles the life of Elaine Bartlett, a woman who spent sixteen years in prison for selling cocaine, tracing her steps as she is released from prison and tries to reconstruct her life.