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Reflecting theologically on the 50-year history of ecclesial base communities in El Salvador, this book argues that the church of the poor is a decolonial sacrament of the reign of God. The authors challenge Christians to unlearn colonial expressions of faith, concluding with a retrieval of solidarity in the Catholic social tradition.
Es un compendio pluricultural artístico musical literario, que cuenta con pensamientos, poesías, canciones y cinco historias que cuento, en este trabajo literario, haciendo una recopilación de canciones escritas y difundidas en el trascurrir de mi vida, como músico, cantante, compositor, educador, abogado y defensor de los derechos humanos; Trabajo literario que pretendo difundir entre la población que de una u otra forma este vinculada con las artes y con la intención de desarrollar habilidades que alejen a nuestro adultos mayores del mal de Alzheimer ya que en este mismo trabajo literario trato de instar a realizar diferentes actividades que inducirían a un proceso de estimulación cognitiva; Aprendizaje este adquirido en mi desempeño como director de la fundación Alzheimer de Venezuela capitulo Zulia, desde donde estamos trabajando para llevar la información necesaria y conocer mas de esta enfermedad para difundir entre el mayor numero de personas posible; Quiero dejar en este apreciado trabajo la intención de compartir algunos saberes adquiridos y difundirlos en cualquier parte del mundo por intermedio del taller de estimulación cognitiva Alzheimer y familia el cual he estado difundiendo desde el 2010. que no es otra cosa que instar al colectivo a realizar estas actividades, agradeciendo con humildad el que se puedan convertir en multiplicador de esta noble intención de llevar luces y conocimientos al que las necesite, mil gracias. Si desea establecer un contacto directo: [email protected] 02617332671, 04140709524, 04166626343. Maracaibo, Estado Zulia, Venezuela.
Many archaeologists and ethnohistorians use historic documents to help interpret prehistoric archaeological sequences. A sixteenth-century Spanish document called Justicia 413 has been instrumental in helping researchers understand conflict among the prehistoric polities of coastal Peru. Volume 4 of the subseries Studies in Latin American Ethnohistory & Archaeology.
Music of Latin America and the Caribbean, Second Edition is a comprehensive textbook for undergraduate students, which covers all major facets of Latin American music, finding a balance between important themes and illustrative examples. This book is about enjoying the music itself and provides a lively, challenging discussion complemented by stimulating musical examples couched in an appropriate cultural and historical context—the music is a specific response to the era from which it emerges, evolving from common roots to a wide variety of musical traditions. Music of Latin America and the Caribbean aims to develop an understanding of Latin American civilization and its relation to other cultures. NEW to this edition A new chapter overviewing all seven Central American countries An expansion of the chapter on the English- and French-speaking Caribbean An added chapter on transnational genres An end-of-book glossary featuring bolded terms within the text A companion website with over 50 streamed or linked audio tracks keyed to Listening Examples found in the text, in addition to other student and instructors’ resources Bibliographic suggestions at the end of each chapter, highlighting resources for further reading, listening, and viewing Organized along thematic, historical, and geographical lines, Music of Latin America and the Caribbean implores students to appreciate the unique and varied contributions of other cultures while realizing the ways non-Western cultures have influenced Western musical heritage. With focused discussions on genres and styles, musical instruments, important rituals, and the composers and performers responsible for its evolution, the author employs a broad view of Latin American music: every country in Latin America and the Caribbean shares a common history, and thus, a similar musical tradition.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.