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Los mejores días para encenderlas, qué color le corresponde a cada signo, cuál es el principio básico de ciertos tipos de rituales... El poder secreto de las velas lo ayudará a meditar, a soñar, a consagrar amuletos, y a conocer el futuro.
La llama de las velas encierra las energías más propicias para la adivinación, la meditación y para exorcizar las fuerzas del mal.Fuego y luz son dos de los elementos que conforman las velas, un instrumento creado por el hombre en su búsqueda del sentido de su propio ser. La acción de encender una vela es un ritual mágico, es invocar a unas fuerzas superiores a las que se puede recurrir en caso de necesidad. A través de esta obra podrá conocer todo sobre el significado y las diferentes finalidades de cada color y tonalidad de velas. Asimismo, comprenderá la fuerza y el misterio que rodea el lenguaje de éstas, analizado con claridad para entender la magia que hay en ellas. La presente obra está pensada y escrita para que el lector entienda en profundidad el lenguaje y la magia de las velas, para aplicar esta a los avatares de la vida cotidiana. Un libro que le enseñará a utilizar estos elementos como medio para alcanzar nuevas metas de espiritualidad y realización personal.
Here is a thoughtful, accessible, hands-on guide to the increasingly popular practice of candle magic. Author Phillip Cooper offers techniques for training your mind and working with the energy of candles. The Power of Candle Magic shows how the magical use of candle energy can brighten your attitude, help focus your attention, create abundance, help you with healing, and draw more love into your life. “The Power of Candle Magic contains practical information that can be put to excellent use by anyone. Transcending just burning candles, Cooper presents an entire system of magic with candle burning as its centerpiece. For those new to magical practice, Cooper’s system is effective, and you may find it a good place to begin. For adepts or those already on their paths, pan for the gold within these pages: take what works for you and integrate it into your magic.” —Judika Illes The book explains: how to choose candles for magic the basics of creating candle rituals how to make and work with incense and anointing oils the importance of color correspondences how to use the planetary correspondences so you can harness the right energy for any endeavor Previously published as Candle Magic, this new edition includes an extensive new foreword by Judika Illes, author of Encyclopedia of 5,000 Spells and Pure Magic.
Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta
"A considerable tour de force by any standard." ?New York Times Book Review"
Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.' O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in. He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent. Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Céline, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.