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El Pájaro y la Piedra es una canción para niños que convertimos en libro. Este libro capta la atención de los niños inmediatamente ya que es muy divertido. Además, está en inglés y español para que los niños comiencen a leer en los dos idiomas. Es la historia de un pajarito que se traga una piedra y su madre preocupada lo lleva al hospital de pájaros para que el doctor pájaro lo cure. Durante la operación la madre paloma comete un error que complica la situación, por suerte el doctor estaba allí para resolver el problema, gracias a él no tenemos nada que lamentar. Es un libro divertido, fácil de leer para niños que comienzan sus estudios y también educativo para toda la familia. The Bird and the Rock is a children's song that we turned into a book. This book captures the attention of children immediately because it is very funny. In addition, it is written in both English and Spanish so children can practice reading in both languages. It is the story of a little bird that swallows a rock and his worried mother takes him to the bird hospital for the bird doctor to cure him. During the operation, the mother pigeon makes a mistake that complicated situation, luckily the doctor was there to fix the problem immediately, therefore we have nothing to lament. This book is fun, easy for young kids to read, and also educational for all the family.
This book presents the first collection of essays on the philosophy of Ueda Shizuteru in a Western language. Ueda, the last living member of the Kyoto school, has fostered the East-West dialogue in all his works and has helped to open up the Western image of philosophy by engaging the Zen tradition. The book reflects this particular trait of Ueda’s philosophy, but it also covers all thematic fields of his writings. Contributions from both young and established scholars and experts from Japan, Europe and the U.S. make this a unique introduction to and reception of Ueda’s philosophy. Readers will discover discussions of mysticism in the East and West, and consideration of modern philosophy topics including self-awareness, nature and poetic language. The book also presents a focussed look at language and nothingness, considering silence and nihilism. Chapters allow the reader to understand the timeliness of a thinking that mediates and transcends the dichotomy of East and West. This volume will appeal not only to scholars of Nishida, Japanese philosophy, mysticism and religious experience in Japan, but also to scholars of Western philosophy, especially those interested in Meister Eckhart, Martin Heidegger and Martin Buber. It makes an ideal introduction to Zen philosophy and presents important contributions to scholarship on language and experience.
Drawing on the poetry of four major voices in the Spanish lyric of today, Judith Nantell explores the epistemic works of Luis Muñoz, Abraham Gragera, Josep M. Rodríguez, and Ada Salas, arguing that, for them, the poem is the fundamental means of exploring the nature of both knowledge and poetry. In this first interpretive analysis of the epistemic nature of their poetry, Nantell innovatively engages these poets, each of whom has contributed one of their own poems along with a previously unpublished explication of their chosen poem. Each also provides an original biographical sketch to support Nantell’s development of a poetics of epiphany. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Beyond his pivotal place in the history of scientific thought, Charles Darwin's writings and his theory of evolution by natural selection have also had a profound impact on art and culture and continue to do so to this day. The Literary and Cultural Reception of Charles Darwin in Europe is a comprehensive survey of this enduring cultural impact throughout the continent. With chapters written by leading international scholars that explore how literary writers and popular culture responded to Darwin's thought, the book also includes an extensive timeline of his cultural reception in Europe and bibliographies of major translations in each country.
El Pajaro de la Luz is a children's book that takes place in the Peruvian jungle, telling a magical story about two siblings and their journey to find the Bird of Light.
Birds, trills, wings and a boundless imagination is what one encounters in the bird of a thousand songs. This marvelous illustrated book carries you on the trail of a mysterious bird able to imitate all the other birds. This journey describes birds never before seen or registered by ornithology. But can you find the bird of thousand songs? Are you willing to try? You just need to tune your ear to the beat of your heart. (Interactive with iPhone or Android.)
In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between 1966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutiérrez, Alfredo Bryce Echenique, Carmen Ollé, Pilar Dughi, and Mario Bellatin, invented Japanese characters whose cultural differences fascinated and confounded their creators. She compares the outsider views of these Peruvian narrators with the insider perceptions of two Japanese Peruvian poets, José Watanabe and Doris Moromisato, who tap personal experiences and memories to create images that define their identities. The book begins with a brief sociohistorical overview of Japan and Peru, describing the conditions in both nations that resulted in Japanese immigration to Peru and concluding in contemporary times. Tsurumi traces the evolution of the terms "Orient" and "Japanese/Oriental" and the depiction of Asians in Modernista poetry and in later works by Octavio Paz and Jorge Luis Borges. She analyzes the images of the Japanese portrayed in individual works of modern Peruvian narrative, comparing them with those created in Japanese Peruvian poetry. The book concludes with an appendix containing excerpts from Tsurumi's interviews and correspondence in Spanish with writers and poets in Lima and Mexico City.
Bilingual Fable in Spanish, followed by English text, of a well known story, illustrated in full-color.