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The Myth of Quetzalcoatl is a translation of Alfredo López Austin’s 1973 book Hombre-Dios: Religión y politica en el mundo náhuatl. Despite its pervasive and lasting influence on the study of Mesoamerican history, religion in general, and the Quetzalcoatl myth in particular, this work has not been available in English until now. The importance of Hombre-Dios and its status as a classic arise from its interdisciplinary approach, creative use of a wide range of source material, and unsurpassed treatment of its subject—the nature and content of religious beliefs and rituals among the native populations of Mesoamerica and the manner in which they fused with and helped sanctify political authority and rulership in both the pre- and post-conquest periods. Working from a wide variety of previously neglected documentary sources, incorporating myth, archaeology, and the ethnography of contemporary Native Americans including non-Nahua peoples, López Austin traces the figure of Quetzalcoatl as a “Man-God” from pre-conquest times, while Russ Davidson’s translator’s note, Davíd Carrasco's foreword, and López Austin’s introduction place the work within the context of modern scholarship. López Austin’s original work on Quetzalcoatl is a pivotal work in the field of anthropology, and this long-overdue English translation will be of significance to historians, anthropologists, linguists, and serious readers interested in Mesoamerica.
¿Qué pasaría si algunos de nuestros más grandes teólogos no fueran considerados como tales, en absoluto? Kat Armas es una cubanoamericana de segunda generación que creció en las cercanías del famoso vecindario La Pequeña Habana de Miami. Su temprana formación teológica provino de su abuela, que huyó de Cuba durante el apogeo de los disturbios políticos y crio a sus tres hijos sola tras la muerte de su esposo. Combinando la narración personal con la reflexión bíblica, Armas nos muestra el modo en que las voces marginadas --las que a menudo son rechazadas, aisladas y oprimidas debido a su género, estatus socioeconómico o falta de educación--, tienen más que enseñarnos en cuanto a seguir a Dios que lo que nos damos cuenta. Abuelita fe cuenta la historia de teólogas anónimas e ignoradas en la sociedad y en la Biblia --madres, abuelas, hermanas e hijas-- cuya supervivencia, fuerza, resistencia y perseverancia nos enseñan el verdadero poder de la fe y el amor. La exploración de la autora en cuanto a la teología de abuelita ayudará a personas de todos los orígenes culturales y étnicos a reflexionar sobre las abuelitas en sus vidas y sus ministerios, y sobre las formas en que pueden vivir la fe de abuelita cada día. Kat Armas (magíster en Divinidades y en Teología del Seminario Teológico Fuller) es una escritora y oradora cubanoamericana, que presenta el podcast The Protagonistas, en el que destaca historias de mujeres de color comunes y corrientes, incluidas escritoras, pastoras, lideresas de iglesias y teólogas. Ha escrito para Christianity Today, Sojourners, Relevant, Christians for Biblical Equality, Fuller Youth Institute, la revista Fathom y Missio Alliance. Armas también trabaja en el proyecto Living a Better Story en el Fuller Youth Institute y habla periódicamente en conferencias sobre asuntos raciales y de justicia. Vive en Nashville, Tennessee.
Want to know God better? This study of some 250 names and titles of God the Father, Jesus the Son, and the Holy Spirit will help! By veteran Bible reference writer George W. Knight, The Names of God is now available in Spanish, and shows you the meaning behind each name—from Abba, Advocate, and Amen to Wall of Fire, Way, and the Word. Lavishly illustrated in full color, The Names of God is a Bible reference book with a devotional flavor, now presented in a handy, go-anywhere size. ¿Quieres conocer mejor a Dios? ¡Este estudio de unos 250 nombres y títulos de Dios el Padre, Jesús el Hijo y el Espíritu Santo te ayudará! Del veterano autor de referencias, George W. Knight, Los nombres de Dios proporcionan un detalle fascinante sobre veintenas de nombres bíblicos, desde Abba, Abogado y Amén a Muro de fuego, Camino y el Verbo. Lujosamente ilustrado a todo color, Los nombres de Dios es un libro de referencias bíblicas con sabor devocional que ahora se presenta en un tamaño manual para llevarlo a todas partes.
This volume offers an account from a legal, theological and philosophical point of view of the historical and conceptual intricacies of the debates about the imperial expansion of the early modern Spanish monarchy.
The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
This book focuses on polemical religious texts of Iberia's long fifteenth century, a period characterized by both social violence and cultural exchange. It highlights how polemical texts often reveal the interconnected nature of social and cultural intimacy, promoting dialogue and cultural transfer.
In early modern times, the city of Seville was the most important entrept̥ between the Old and the New World, attracting numerous merchants from all of Europe. They provided the American market with European merchandise, especially with textiles and metalware from Flanders and France. This book investigates the networks of Flemish and French merchants in Seville, displaying overall structures of trade as well as collective strategies of both merchant colonies.