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Paolo Santarcangeli propone en este libro un recorrido historico novedoso y completo por todos los laberintos imaginables, trazando su genesis y evolucion en todos los ambitos y en todas las epocas en los que ha encontrado forma de expresion. Porque el laberinto, segun nos cuenta Santarcangeli, es un arquetipo universal de vocacion tanto esoterica como exoterica, de tragedia y de juego, que se elabora en representaciones que varian y se parecen tanto como pueden variar y parecerse todas las culturas del orbe.
This book, Paz’s first book-length essay, is the most famous of his works and a modern classic. Published in Spanish in 1950, it is undoubtedly the most influential work that exists on problems of Mexican cultural identity. In this critical edition, Stanton introduces the work, explores the historical circumstances in which it was written, its textual genesis, sequels and its influence. He analyzes key elements of the essay, such as the structure, methodology, use of Freud, Jung, Marx, Nietzsche and the way it relates culture to history. This book contains questions and themes for discussion and a select bibliography.
This book is specially designed for adults or teenagers who enjoy puzzles. The book begins with a series of very simple mazes, and ends with extremely complex mazes on various levels. Will you have enough patience to solve all the puzzles?
Spain, 1936. Pedro is a 12-year-old boy with normal problems. At school there is a bad kid who bullies him, his parents don't like his best friend, and his little town is politically divided. As the political division in Spain turns into a violent civil war, Pedro and his best friend Miguel find a secret labyrinth in the forest. Now the only question that remains is whether the labyrinth is good or evil ...The Secret Labyrinth is a novel for students that are learning English. Based on true historical events and written mostly in the present tense, it is the perfect easy reader for students of English in level A2 on the CEFR scale, or Intermediate-Low on the ACTFL scale. The Secret Labyrinth can be used in English classes with the support of a teacher, or students can read independently to develop reading fluency. Includes a vocabulary list of all the words used in the novel.
'A really first-rate detective story' T. S. Eliot When twin brothers Roger and Neville Shandon are murdered by poisoned darts in Whistlefield's famous hedge maze, Sir Clinton Driffield arrives to restore order. He finds two terrified witnesses - visitors to the estate - and clues aplenty in this brilliantly conceived and meticulously realized country-house mystery.
A “mesmerizing” novel of a love triangle and a mysterious disappearance in South Korea (Booklist). In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same beguiling drifter, Se-yeon, who gives herself freely to both of them. Then, just as they are trying desperately to forge a connection in an alienated world, Se-yeon suddenly disappears. All the while, a spectral, calculating narrator haunts the edges of their lives, working to help the lost and hurting find escape through suicide. When Se-yeon reemerges, it is as the narrator’s new client. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself is a dreamlike “literary exploration of truth, death, desire and identity” (Publishers Weekly). Cinematic in its urgency, the novel offers “an atmosphere of menacing ennui [set] to a soundtrack of Leonard Cohen tunes” (Newark Star-Ledger). “Kim’s novel is art built upon art. His style is reminiscent of Kafka’s and also relies on images of paintings (Jacques-Louis David’s ‘The Death of Marat,’ Gustav Klimt’s ‘Judith’) and film (Jim Jarmusch’s ‘Stranger Than Paradise’). The philosophy—life is worthless and small—reminds us of Camus and Sartre, risky territory for a young writer. . . . But Kim has the advantage of the urban South Korean landscape. Fast cars, sex with lollipops and weather fronts from Siberia lend a unique flavor to good old-fashioned nihilism. Think of it as Korean noir.” —Los Angeles Times “Like Georges Simenon, [Kim’s] keen engagement with human perversity yields an abundance of thrills as well as chills (and, for good measure, a couple of memorable laughs). This is a real find.” —Han Ong, author of Fixer Chao