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Por primera vez, Rudy Pérez, leyenda de música, comparte su extraordinario proceso desde un pobre niño refugiado en Miami hasta la composición de las mejores canciones de éxito en el escenario mundial. Nombrado el compositor latino más exitoso de la historia, Rudy Pérez es el creador de algunos de los discos más vendidos de Beyoncé, Julio Iglesias, Christina Aguilera e Il Divo. En sus exclusivas memorias, Rudy cuenta sobre su infancia en Cuba y las apasionantes visitas a su padre en la cárcel durante el apogeo de la revolución comunista. Al mirar atrás al peligroso escape de su familia en uno de los últimos vuelos de la libertad a los Estados Unidos, Rudy nos cuenta sobre los años de pobreza y lo que es crecer en un vecindario asolado por el crimen. Estos recuerdos contrastan con los tiernos momentos de baile con sus hermanos junto la banda de música, escuchando los clásicos favoritos de su madre y balanceándose con melodías de blues junto a su padre. A una temprana edad, Rudy intentó recrear la música que amaba, y su talento lo llevó a una carrera sin precedentes con más de trescientas canciones exitosas. Con años de arduo trabajo, creatividad incesante y una fuerte fe, Rudy fue el primer artista de música latina en ganar el Premio Billboard Producer of the Decade. Repasando su legado ganador de cinco Premios Grammy, él comparte historias de fe poco conocidas y anécdotas de su trabajo con estrellas como Fergie, Jaci Velasquez, Michael Bolton, Simon Cowell y Sam Moore. El Latin Hit Maker es una lectura obligada para todos los amantes de la música, una historia genuina del paso de la pobreza a la riqueza, llena de inspiración, detalles fascinantes y un poderoso recordatorio de la gracia de Dios y la creatividad transformadora.
For the first time, music legend Rudy Pérez shares his remarkable journey from a poor refugee kid in Miami to composing the greatest hit songs on the world stage. Named the most successful Latin songwriter in history, Rudy Pérez is the creator behind some of the bestselling records of Beyoncé, Julio Iglesias, Christina Aguilera, and IL Divo. In his one-of-a-kind memoir, Rudy tells about his childhood in Cuba and the heart-gripping visits to his father in prison during the height of the communist revolution. Tracing his family's perilous escape on one of the last Freedom Flights to America, Rudy opens up about the years of poverty and growing up in a crime-ridden neighborhood. These memories contrast with tender moments of dancing to the stereo with his siblings, nodding along to his mother's classical favorites, and swaying to blues melodies with his father. At a young age, Rudy tried his hand at recreating the music he loved, and his talent led him to an unprecedented career with over 300 hit songs. With years of hard work, ceaseless creativity, and a strong faith, Rudy was the first Latin music artist to win Billboard Producer of the Decade. Looking back over his five-time Grammy winning legacy, Rudy shares little-known stories of faith and behind-the-scenes details of working with stars like Fergie, Jaci Velasquez, Michael Bolton, Simon Cowell, and Sam Moore. A must-read for every music lover, The Latin Hit Maker is a genuine rags-to-riches story filled with inspiration, fascinating details, and a powerful reminder of God's grace and transforming creativity.
Shows how Lefebvre's theory of space developed out of direct engagement with architecture, urbanism, and urban sociology.
Berlin Free University is an imagination of what a building might be - a building designed to function as a piece of the city, adapting to the needs of its users while generating opportunities for social interaction. The university offers a window onto the politicized and optimistic discourse of the Sixties and Seventies, but at the same time illuminates contemporary debates around large projects of infrastructure and public space. This extensive study of the building combines texts with a visual survey containing specifically commissioned photographs as well as archive material, plans and construction details.
Eine Einkaufsvision im Wandel: aktuelle Publikation zum Phanomen Shopping Mall
A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, Greece, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house. The building addresses the dramatic complexities of the collection and the site with minimalist simplicity by using three main materials—glass, stainless steel, and concrete. "There’s no way at the beginning of the twenty-first century you can try to imitate even superficially the art of 2,500 years ago," Tschumi says. The "precision of the concept was really what counted." The book provides an in-depth look at the creation of the building, set only 280 meters from the Parthenon, as well as the restoration, preservation, and housing of its exhibits through over 200 photographs, drawings, and texts.
Philosophy and architecture by Bernard Tschumi.
Flash Flaherty, the much-anticipated follow-up volume to The Flaherty: Decades in the Cause of Independent Cinema, offers a people's history of the world-renowned Robert Flaherty Film Seminar, an annual event where participants confront and reimagine the creative process surrounding multiple document/documentary forms and modes of the moving image. This collection, which includes a mosaic of personal recollections from attendees of the Flaherty Seminar over a span of more than 60 years, highlights many facets of the "Flaherty experience." The memories of the seminarians reveal how this independent film and media seminar has created a lively and sometimes cantankerous community within and beyond the institutionalized realm of American media culture. Editors Scott MacDonald and Patricia R. Zimmermann have curated a collective polyphonic account that moves freely between funny anecdotes, poetic impressions, critical considerations, poignant recollections, scholarly observations, and artistic insights. Together, the contributors to Flash Flaherty exemplify how the Flaherty Seminar propels shared insights, challenging debates, and actual change in the world of independent media.
Now back in print, the definitive biography of a seminal figure in film history, whom Orson Welles called “the greatest of all directors.” Jean Renoir’s career almost spans the history years of cinema–from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war. Decades after its release, Renoir’s The Rules of the Game (1939) is the only film to have been included on every top ten list in the Sight & Sound's respected decennial poll since 1952, cementing Renoir’s influence. André Bazin and François Truffaut praised Renoir as the patron saint of the French New Wave. Jean Renoir: Projections of Paradise gives detailed accounts of Renoir’s working methods and captivating appraisals of his films, and his long and fascinating life from his blissful childhood as the son of the great Impressionist painter August Renoir. This is a must-read for students of film and all fans of entertaining, timeless movies.
Now back in print, this acclaimed biography reassesses a titan of early cinema based on new material released after the fall of the Soviet Union. Sergei Eisenstein: A Life in Conflict tells the dramatic story of one of world cinema’s towering geniuses and principal theorists. Ronald Bergan details Eisenstein’s life from his precocious childhood to his explosion onto the avant-garde scene in revolutionary Russia, through his groundbreaking film career, his relationships with authors and artists such as James Joyce and Walt Disney, and his untimely death at age fifty. Eisenstein’s landmark films, including The Battleship Potemkin and Ivan the Terrible, are still watched, admired, and taught throughout the world. Drawing upon material recently released from the Soviet archives after the breakup of the USSR and from Eisenstein’s personal letters, diaries, and sketches, Bergan shines a new light on the influence of Eisenstein’s early life on his work, his homosexuality, and his keen interest in the West. This book is the definitive biography of an influential director who saw film as the synthesis of all the arts and whose work displayed a passionate and profound grasp of art, science, philosophy, and religion.