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Ruins and remnants of the past are endowed with life, rather than mere relics handed down from previous generations. Living Ruins explores some of the ways Indigenous people relate to the material remains of human activity and provides an informed and critical stance that nuances and contests institutionalized patrimonialization discourse on vestiges of the past in present landscapes. Ten case studies from the Maya region, Amazonia, and the Andes detail and contextualize narratives, rituals, and a range of practices and attitudes toward different kinds of vestiges. The chapters engage with recently debated issues such as regimes of historicity and knowledge, cultural landscapes, conceptions of personhood and ancestrality, artifacts, and materiality. They focus on Indigenous perspectives rather than mainstream narratives such as those mediated by UNESCO, Hollywood, travel agents, and sometimes even academics. The contributions provide critical analyses alongside a multifaceted account of how people relate to the place/time nexus, expanding our understanding of different ontological conceptualizations of the past and their significance in the present. Living Ruins adds to the lively body of work on the invention of tradition, Indigenous claims on their lands and history, “retrospective ethnogenesis,” and neo-Indianism in a world where tourism, NGOs, and Western essentialism are changing Indigenous attitudes and representations. This book is significant to anyone interested in cultural heritage studies, Amerindian spirituality, and Indigenous engagement with archaeological sites in Latin America. Contributors: Cedric Becquey, Laurence Charlier Zeineddine, Marie Chosson, Pablo Cruz, Philippe Erikson, Antoinette Molinié, Fernando Santos-Granero, Emilie Stoll, Valentina Vapnarsky, Pirjo Kristiina Virtanen
"Muy a menudo creemos que tanto nuestro mundo como el universo son lugares caóticos, pero lo que se necesita mejorar no es el Universo como tal, sino su modo de mirarlo" La insaciable búsqueda de respuestas y el eterno deseo por obtener el conocimiento acerca del funcionamiento de las cosas, saber de dónde venimos, adónde nos dirigimos y por qué hacemos lo que hacemos, en un anhelo por alejarse del caótico espectáculo mundano de lo monótono y lo conocido en busca de nuevas experiencias en todas y cada una de las ciudades de Bolivia; Marú termina por encontrar algo mucho más valioso e inesperado que un simple viaje turístico, termina por encontrar el mejor de los regalos, el regalo de saber quienes somos y de qué estamos hechos en realidad. Cayendo en cuenta de que sumidos en nuestros propios problemas, hemos perdido tanto, pero tanto tiempo preocupándonos por sobrevivir, que nos hemos olvidado totalmente de lo que significa vivir.
Mi nombre es: ernesto kaosel, miembro de la sonda de investigacion al planeta jupiter en el año 2045, la cual perseguia unicamente la apariencia de ser cientifica, pero lo que en realidad descubrì fue algo inusual y quizà, extraordinario, pero esto no podrè contarselos sino comenzando desde el inicio. en estos instantes en que ya hemos salido por primera vez del planeta tierra y enviado a una colonia a dicho planeta mediante una nave construida con patrocinio internacional, que se llama "OMEGA".
Lo femenino contiene el misterio de la creación. Esta verdad simple y primordial a menudo pasa desapercibida. Sin embargo, en estos tiempos de crisis global, que a su vez portan las semillas de una transformación global, es necesario que redespertemos al poder espiritual y al potencial de lo femenino. Las cualidades femeninas forman parte tanto del hombre como de la mujer y nos empujan hacia las profundidades de nuestro ser, hasta los misterios del alma, cuya sabiduría se denomina Sofía. Sin lo femenino nada nuevo puede nacer, nada nuevo puede llegar a la existencia; quedaríamos atrapados en las imágenes materialistas de la vida que están contaminando nuestro planeta y profanando nuestras almas. Tenemos que volver al centro de nuestro ser, al lugar donde lo sagrado se manifiesta en la existencia. Y la feminidad mística contiene la clave para poder llevar a cabo esta labor de redención y de transformación. En las últimas dos décadas Llewellyn Vaughan-Lee ha impartido enseñanzas sobre lo femenino y el anima mundi, el Alma del Mundo, que por primera vez han sido recopiladas en este libro.
How can we talk about World Literature if we do not actually examine the world as a whole? Research on World Literature commonly focuses on the dynamics of a western center and a southern periphery, ignoring the fact that numerous literary relationships exist beyond these established constellations of thinking and reading within the Global South. Re-Mapping World Literature suggests a different approach that aims to investigate new navigational tools that extend beyond the known poles and meridians of current literary maps. Using the example of Latin American literatures, this study provides innovative insights into the literary modeling of shared historical experiences, epistemological crosscurrents, and book market processes within the Global South which thus far have received scant attention. The contributions to this volume, from renowned scholars in the fields of World and Latin American literatures, assess travelling aesthetics and genres, processes of translation and circulation of literary works, as well as the complex epistemological entanglements and shared worldviews between Latin America, Africa and Asia. A timely book that embraces highly innovative perspectives, it will be a must-read for all scholars involved in the field of the global dimensions of literature.
Diferentes aproximaciones a las relaciones entre dos conceptos que aparecen constantemente ligados en nuestra cultura: la serialidad y la representación del cuerpo humano en los medio audiovisuales. Un serie de reflexiones muy pertinentes que inciden en la confirmación de la cultura moderna.
Octavio Paz (México, 1914–1998) was one of the foremost poets and essayists of the twentieth century. Read in translations into many of the world’s languages, Paz received numerous awards and prizes during his lifetime, participated in major artistic and political movements of the twentieth century, served as Mexico’s ambassador in India (1962–1968), and was the editor of Plural and Vuelta, two literary journals of prominent influence in Mexico, Latin America, and Spain. In 1990 Paz was awarded the Nobel Prize in Literature. This book of essays is a commemoration of Octavio Paz on the first centenary of his birth, a celebration undertaken with Paz’s distinguishing legacy: criticism, internationally inclusive, and open to differing viewpoints. The Willow and the Spiral: Essays on Octavio Paz and the Poetic Imagination contains studies in English and in Spanish by top-ranking Paz scholars from various continents and wide-ranging literary traditions, as well as by an emerging generation of critics who approach the work of Octavio Paz from diverse and recent theoretical methods. Specially written for this volume, the fourteen essays are in-depth studies of Paz’s poetry and essays in relation to art, eroticism, literary history, politics, the art of translation, and to Paz’s life-long reflections on world cultures and civilizations as represented by China, France, India, Japan, the United States and, among others, Mesoamerica. The essays range from new critical analyses of Piedra de sol (Sunstone) and Blanco, to studies of Renga, the haiku tradition and, among other topics, Marcel Duchamp and the literary Avant-Garde. This book will be of importance to Paz scholars, teachers, students, and the general reader interested in Octavio Paz and in topics related to artistic, literary, and cultural movements that shaped the twentieth century and that continue to inspire and steer artists and writers in the twenty-first century.
All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.
This text explores the cultural politics of over 60 years of filmmaking in Argentina. The author explores how national culture on film has been shaped, articulated and debated through the lens of state policy and the dynamics of the global film market.