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Ernst Ludwig Kirchner's remarkable series of paintings known as the Berlin Street Scenes is a highpoint of the artist's work and a milestone of German Expressionism, widely seen as a metaphor for modernity itself through their depiction of life in a major metropolis. Kirchner moved from Dresden to Berlin in 1911, and it was in this teeming city, immersed in its vitality, decadence and underlying sense of danger posed by the imminent World War I, that he created the Street Scenes in a sustained burst of creative energy and ambition between 1913 and 1915. As the most extensive consideration of these paintings in English, this richly illustrated volume examines the creative process undertaken by the artist as he explores his theme through various mediums, and presents the major body of related charcoal drawings, pen-and-ink studies, pastels, etchings, woodcuts and lithographs he created in addition to the paintings. The volume also investigates the significance of the streetwalker as a primary motif, and provides insight on the series in the context of Kirchner's wider oeuvre.
An introduction to the German Expressionist painter, graphic artist and sculptor who, at the turn of the 19th century, was Germany's most influential artist.
"An indispensable anthology that immediately renders its predecessors obsolete. With its gathering of public and private documents, it carries us through the rise and fall of one of the great upheavals of modern art."—Robert Rosenblum, New York University "These essays, including many previously unavailable in English, are rich with startling new insights into the German Expressionist psyche. Elucidating the artists' view of government, the role of women in modern society, and their own ambivalence about the effectiveness of abstract art, this anthology is essential reading for all scholars and students of twentieth-century art."—Joan Marter, author of Alexander Calder
Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists.
Ernst Ludwig Kirchner (1880-1938) is one of the best-known painters and sculptors of German Expressionism. As co-founder of the artists' group the Brücke at the beginning of the twentieth century, he is also one of the most important artists of the avant-garde. His life and work were deeply shaped by his search for the 'exotic' and 'primordial', for foreign lands and cultures. What resulted were brilliantly colourful, imaginative artworks in which he create foreign worlds. This book traces the stages of Kirchner's life and artistic development. It illustrates how, by synthesising a great variety of influences from non-European cultures, the artists achieved an intermingling of art, life and work that manifested itself as 'exotic' Gesamtkunstwerk not only in his work but also in his live-in studios.
Shows the development of Kirchner's art from 1905 until 1938. Stress has been laid upon oil paintings and on such water colors and drawings which were preparatory studies for these paintings.
Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.
The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in Munich, in 1912, and edited by Kandinsky and Marc, The Blaue Reiter Almanac presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the Blaue Reiter in context for contemporary readers.
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
The artists as explorers: the Expressionist artists Kirchner and Nolde studied non-Western lifestyles and incorporated them into their artistic projects. Between "armchair anthropology" practised in the museums and "field-work anthropology", which also took place in the colonies, both artists contributed to the construction of an (imagined) "other", offering an alternative to bourgeois, "civilised" society in Germany. Ernst Ludwig Kirchner and Emil Nolde both spent time between 1910-11 studying objects and materials in ethnographic museums, but before long they expanded their investigations to include travels to colonial regions (Nolde) and the staging of "exotic" studio environments (Kirchner). The publication examines how both approaches evolved through an interplay between art, early German anthropology and colonial enterprise within the German Empire at the beginning of the 20th century. It contains not only paintings, drawings, sculptures, photographs, posters and documents, but also a variety of texts offering a broad overview as well as relating a specific narrative.