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Explore the moving and poignant narrative of ""The Orphan"" by Guy De Maupassant. This touching short story centers on the life of a young orphan and the struggles he faces in a world that often seems indifferent to his plight. Maupassant’s narrative delves into themes of loneliness, resilience, and the search for belonging. De Maupassant skillfully portrays the emotional depth and vulnerability of the orphan, offering a compassionate and insightful look at the challenges faced by those who are alone in the world. The story provides a reflective examination of empathy and the human condition. ""The Orphan"" is ideal for readers who appreciate deeply emotional and character-driven narratives. Perfect for those who value Guy De Maupassant’s ability to explore the complexities of human emotions and social issues.
Este libro contiene 70 cuentos de 10 autores clásicos, premiados y notables. Los cuentos fueron cuidadosamente seleccionados por el crítico August Nemo, en una colección que encantará a los amantes de la literatura. Para lo mejor de la literatura mundial, asegúrese de consultar los otros libros de Tacet Books. Este libro contiene: - Gustavo Adolfo Bécquer:El rayo de luna. La ajorca de oro. La corza blanca. Maese Pérez el organista. Tres fechas. La rosa de pasión. La cruz del Diablo. - Horacio Quiroga:El vampiro. A la deriva. La cámara oscura. La gallina degolada. Nuestro primer cigarro. Tacuara-Mansión. Van-Houten. - Joaquín Díaz Garcés:De pillo a pillo. Director de veraneo. Juan Neira. Incendiario. Rubia... Huevos importados. Los dos pátios. - Joaquín Dicenta:Conjunciones. El cojito. El nido de gorriones. La desdicha de Juan. Todo en nada. Nochebuena. Un idilio en una jaula. - José Martí:El Padre las Casas. Las ruinas índias. Nené traviesa. La exposición de París. Bebé y el señor don Pomposo. La historia del hombre, contada por sus casas. La muñeca negra. - José Ortega Munilla:La capeta en el invierno. La espada y el arado. Cisóforo el mago. Los marineros de Ciérvana. El grumete. Los gritos de la calle. El "botones". - Juan Valera:El Bermejino pré-histórico. El pescadorcito Urashima. El Sr. Nichtverstehen. La reina madre. La cordobesa. El Duende-Beso. Quien no te conozca que te compre. - Julia de Asensi:La casa donde murió. El aeronauta. La fuga. Victoria. Sor María. Cosme y Damián. La vocación. - Leonid Andréiev:Ante el tribunal. Lázaro. ¡No hay perdón! Valía. El mistério. Sobremortal. Un extranjero. - Leopoldo Alas:"Flirtation" legítima. En la droguería. Viaje redondo. Benedictino. Cuento futuro. En el tren. Mi enterro.
Influencias es una novela sobre la muerte de Fidel Castro, desde el momento en que anuncia su retiro como Presidente de Cuba, las acontecimientos propios de su enfermedad y los hechos políticos que se sucedieron, al tiempo que se narra la influencia que tuvo la llegada al poder del comunismo en la isla de Cuba, a comienzos de la década de los sesenta sobre el pueblo de Andes, en el departamento de Antioquia, Colombia. Es una mirada crítica y sociológica sobre cómo se sintió la Guerra Fría en un pueblo de las montañas antioqueñas, el enfrentamiento Kennedy-Castro en la escuela del municipio, el primer guerrillero del pueblo, la oposición del cura, y las luchas de Rodrigo, el panadero, entre pelear por los pobres o defender sus propios intereses económicos.
Quixotic Modernists gives close readings of two novels by two little-studied writers of the early twentieth century in Spain, Felipe Trigo's Las ingenuas (1901) and Maria Martinez Sierra's Tu eres la paz (1906), in relation to the canonical Tristana by Benito Perez Galdos, Spain's greatest nineteenth-century novelist. This study shows the modern message (regarding gender), and modernist qualities of the prose of these works. Included are discussions of Quijote intertexts, proverbial language and tactics, the angel and the mujer-nina, flower, water, and animal imagery, and visual arts in relation to gender definition. Also included are contemporary responses to the novels and material about the authors' lives and Spain's social conditions in the early twentieth century. Quixotic Modernists integrates these themes into a study of the novelization of difficulties in transforming contemporary gender and class roles. In all three authors' works, this process of change in roles for both men and women becomes a quixotic enterprise, in which artists as/and characters search to reconnect with an elusive material, social body.
Don Lazarillo Vizcardi. Sus investigaciones m?sicas con ocasion del concurso ? un magisterio de.
Although Pedro Calderón de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias—118 in all—have remained unknown. Robert ter Horst presents here the first full-length study of these works, a sustained, meditative analysis dealing with more than 80 plays, conveying a sense of the whole of Calderón's secular theater. To approach so vast a body of literature, Mr. ter Horst examines the meaning and function in Calderón of three broad subjects—myth, honor, and history—the warp threads across which the playwright weaves a subtle tapestry of contrasts, dualities, and conflicts: the private person versus the public person, the inner realm versus the outer, masculine against feminine, poet against prince. The Calderón who emerges is a consciously consummate artist whose lifelong study was the passions of the human mind and body. In addition, he is seen as a synthesizer of his Spanish literary heritage and especially as a brilliant adapter of Cervantes' insights to the stage. Robert ter Horst's profound and far-ranging analysis sheds light on many fine works previously neglected and finds new depths in such supreme achievements as No hay cosa como callar, El segundo Escipión, and La vida es suefio.
Explores the impact of early Spanish and English illustrations of the novel Don Quixote, arguing that these visual images presented critical interpretations that both formed and represented the novel's historical reception. Examines several iconographic traditions represented in the illustrations, including the burlesque, the satirical, and the sentimental, and discusses canon formation, visual semiotics, and the impact of visual media on public opinion. Annotation copyrighted by Book News, Inc., Portland, OR