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Esta colección de estudios críticos se ha compilado con el propósito de revalorar al genial comediógrafo del siglo XVII, Luis Vélez de Guevara (1579-1644), y, posiblemente, restablecerlo como figura de importancia en la historia del teatro español.
This is the first reprinting since the eighteenth century--and the first scholarly edition--of Tobias Smollett’s translation of The Devil upon Crutches. First published in France in 1707 as Le Diable boiteux, Alain René Le Sage’s novel relates the picaresque wanderings of Asmodeus, a refined, likable but decrepit devil, and Zambullo, his newfound mortal companion. After Zambullo releases Asmodeus from a bottle, the two embark on a flight above the rooftops of Madrid. Peeking into houses, prisons, palaces, and even tombs, Zambullo witnesses one incident of treachery and self-delusion after another. Smollett’s superior wit and sense of irony suited him well as translator for this novel, with its juxtaposition of realism with romance, satire with sentiment, and sexual intrigue with moral admonition. This authoritative textual edition is based on the 1759 second edition of Smollett’s translation. The extensive introduction covers such topics as the original French edition; the composition, printing, and reception of Smollett’s The Devil upon Crutches; and Smollett’s career as a translator. Also included are a complete textual apparatus and a guide to the now-exotic pharmaceuticals and remedies one encounters in the novel.
This Handbook offers a comprehensive examination of Gabriel García Márquez's life, oeuvre, and legacy, the first such work since his death in 2014. It incorporates ongoing critical approaches such as feminism, ecocriticism, Marxism, and ethnic studies, while elucidating key aspects of his work, such as his Caribbean-Colombian background; his use of magical realism, myth, and folklore; and his left-wing political views. Thirty-two wide-ranging chapters coverthe bulk of the author's writings, giving special attention to the global influence of García Márquez.
This edition presents The Mountain Girl from La Vera (1613) for the first time in English. The extraordinary protagonist, Gila, calls herself a man, takes pride in doing things men do, and falls in love with a queen. Her betrayal by an army captain who she has humiliated leads to tragedy. Gila has been described as feminist, lesbian, queer, and transgender. It is a vibrant, relevant play and a great piece of theatre.
Essays on Iberian views of the age of conquest through literature and cinema