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The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.
Ranging from pre-1930s Europe to contemporary "Bollywood" musicals, this extensive guide to international film covers areas as diverse as New German, Australian, Indian, and South American cinema. A team of international contributors explains the key arguments and debates involved in the study of world cinema and also provides an overview of the avant-garde, the documentary, and recent technological developments. Featuring illustrations throughout, further reading recommendations, and chapter summaries, World Cinema: Critical Approaches serves as an exceptional text for courses in film and media studies.
The Open Invitation explores the relationship between prefigurative politics and activist video. Schiwy analyzes activist videos from the 2006 uprising in Oaxaca, the Zapatista’s Other Campaign, as well as collaborative and community video from the Yucatán. Schiwy argues that transnational activist videos and community videos in indigenous languages reveal collaborations and that their political impact cannot be grasped through the concept of the public sphere. Instead, she places these videos in dialogue with recent efforts to understand the political with communality, a mode of governance articulated in indigenous struggles for autonomy, and with cinematic politics of affect.
Full of “sensual dreams [and] unexplained phenomena,” this "best-known and most-respected" coming-of-age classic from the godfather of Chicano literature follows a young boy growing up in the llano, or plains, of post-World War II New Mexico, and the generous curandera who introduces him to the sacred side of life (New York Times). A PBS Great American Read · Winner of the Premio Quinto Sol Award · Recipient of the National Humanities Medal · With a new Foreword by author, playwright, and stage director Denise Chavez; a new Afterword by award-winning journalist and author Carmela Padilla; and a new essay by Manuel Muñoz, a Macarthur Fellow and winner of the Joyce Carol Oates Prize. “I pulled this baby into the light of life . . . Only I will know his destiny.” Antonio Marez is six years old when the woman who helped usher him into the world comes to stay with his family in New Mexico. Venerated by some as a miracle-worker—and disparaged by others as a bruja—Ultima, a curandera, or healer, opens Tony’s eyes to the spiritual roots of his culture, and introduces him to a magical, if sometimes frightening, new world: a realm in which she operates as a shaman. Suddenly, the ordinary challenges and triumphs of childhood become extraordinary. As Ultima shows Tony how to cure ailments, reverse curses, and restore peace to those who have lost it, he embarks on a singular quest, one in which he probes the family ties that bind and rend him, questions the Catholicism that shaped him, and explores the Spanish, Mexican, and Native American influences that informed not only his heritage, but his very sense of self. And at each life turn there is Ultima, who was there the day he was born . . . and will nurture the birth of his soul. A rich and wondrous story that reveals universal truths about the human condition and celebrates the beauty of Chicano culture. Includes a Reading Group Guide.
The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.
El cine español contemporáneo (1990-2005) dedica mucha atención a la rememoración del pasado (Segunda República, la Guerra Civil, el período franquista,¿) y la realidad social (el paro, la violencia doméstica, inmigración, eutanasia,¿). Directores renombrados como Pedro Almodóvar, Alejandro Amenábar, Fernando León de Aranoa, Icíar Bollaín, o Isabel Coixet, muestran este interés dentro de sus miradas cinematográficas. La gran popularidad de este cine ha estimulado su migración en pantallas ajenas y dentro de contextos universitarios nacionales e internacionales. Este libro reúne unos veinte artículos, de investigadores americanos y europeos, que ilustran las múltiples tradiciones culturales en vigor dentro de los estudios cinematográficos, y que se enfocan al mismo tiempo en el tema central del libro: ¿Cómo se puede leer, la mirada de los autores españoles, sobre el pasado y el presente, dentro del contexto de su cine nacional?
Volume 5 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.