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Resumen:Este proyecto pedagógico mediatizado se llevo a cabo en el programa de Licenciatura en Comunicación e Informática educativa de la Universidad Tecnológica de Pereira. El presente proyecto pedagógico mediatizado tiene como objeto de población el grado sexto A del complejo educativo La Julita, ubicado en la ciudad de Pereira, Risaralda – Colombia, en la asignatura de Ciencias Sociales, en primera instancia se realizó una visita a la institución para hacer un diagnostico con el cual se quería identificar la problemática latente en el grado sexto A para abordarla con estrategias pedagógicas desde nuestro campo de conocimiento. El grado sexto A del complejo educativo La Julita, evidencio una necesidad de relacionar los contenidos de la asignatura con la realidad social de los estudiantes con respecto a la materia de Ciencias Sociales, para atender dicha problemática, se diseñó una secuencia didáctica con un total de 4 sesiones en las que se utilizó el cine como herramienta pedagógica para mejorar el proceso de enseñanza aprendizaje, y se desarrollaron diferentes actividades que complementaron la proyección de las películas elegidas. Esta problemática se abordó desde una metodología compuesta por diferentes autores entre ellos: David Ausubel, Enrique Martinez Salanova, Lev Vygotsky, Jakeline Duarte, Douglas Barnes y el Ministerio de Educación de Colombia con quienes con sus diferentes teorías ayudaron a una intervención pertinente para la atención de la problemática latente.
El espacio curricular de cine en el colegio Qualia es usado como una herramienta pedagógica para desarrollar conceptos y competencias de las asignaturas mediante el análisis de textos audiovisuales. La escogencia de las películas toma un tiempo considerable, los elementos de la metodología de análisis deben ser priorizados según los propósitos particulares de cada clase y el programa de capacitación docente debe ser estructurado como insumo para el plan de nivelación de nuevos profesores. Por esto, se propuso comprender cómo fortalecer el espacio de cine en este colegio mediante una metodología cualitativa que integra una revisión documental, observaciones de clase y grupo focales con el consejo directivo, profesores y estudiantes. El desarrollo de esta investigación buscó contribuir al campo educativo con evidencia sobre el uso del cine como herramienta pedagógica en educación secundaria y media. Para el análisis de la información se planteó una triangulación que contrastó la voz de los participantes, la interpretación del investigador y la teoría. Este análisis se hizo bajo tres categorías que surgieron de la codificación y de la revisión de la literatura: el cine como herramienta pedagógica, metodología de análisis de películas y procesos administrativos del cine. Como resultado se encontró que el cine genera emoción en los estudiantes lo que fortalece los procesos de aprendizaje académico y formativo. El acompañamiento, el trabajo colaborativo entre profesores y la capacitación docente son fundamentales para garantizar una conexión entre la película y los propósitos de la clase y así lograr un proceso de aprendizaje efectivo en los estudiantes. En el caso de Qualia, la integración curricular y la metodología de análisis de las películas están bastante consolidadas pero se debe continuar fortaleciendo el proceso de diseño y aplicación de las actividades de cierre en las cuales los estudiante aplican lo aprendido mediante el cine.
This provocative text considers the state of media and cultural studies today after the demolition of the traditional media paradigm, and engages with the new, active consumer culture. Media Studies, particularly within schools, has until recently been concerned with mass media and the effects of ‘the media’ in society and on people. As new media technology has blurred the boundaries between the audience and the media, the status of this area of education is threatened. Whilst some have called for a drastic re-think (Media Studies 2.0), others have called for caution, arguing that the power dynamics of ownership and gatekeeping are left intact. This book uses cultural and technological change as a context for a more forensic exploration of the traditional dependence on the idea of ‘the media’ as one homogenous unit. It suggests that it would be liberating for students, teachers and academics to depart from such a model and shift the focus to people and how they create culture in this contemporary ‘mediascape’.
At the forefront in its field, this Handbook examines the theoretical, conceptual, pedagogical and methodological development of media literacy education and research around the world. Building on traditional media literacy frameworks in critical analysis, evaluation, and assessment, it incorporates new literacies emerging around connective technologies, mobile platforms, and social networks. A global perspective rather than a Western-centric point of view is explicitly highlighted, with contributors from all continents, to show the empirical research being done at the intersection of media, education, and engagement in daily life. Structured around five themes—Educational Interventions; Safeguarding/Data and Online Privacy; Engagement in Civic Life; Media, Creativity and Production; Digital Media Literacy—the volume as a whole emphasizes the competencies needed to engage in meaningful participation in digital culture.
An exploration of the jucture between media education and educational technology, for communication educators, education administrators
Media is rapidly evolving, from social media to news channels, individuals are being bombarded with headlines, new technologies, and varying opinions. Teaching the next generation of communication professionals how to interact with varying forms of media is paramount as they will be the future distributors of news and information. The Handbook of Research on Media Literacy in Higher Education Environments provides emerging research on the role of journalism and mass communication education in the digital era. While highlighting topics such as community media labs, political cognition, and public engagement, this publication explores the impact of globalization and a changing and diversified world within the realm of higher education. This publication is an important resource for educators, academicians, professionals, and researchers seeking current research on applications and strategies in promoting media and digital studies in higher education.
Media Studies 2.0 offers an exploration of the digital revolution and its consequences for media and communication studies, arguing that the new era requires an upgraded discipline: a media studies 2.0. The book traces the history of mass-media and computing, exploring their merger at the end of the twenty-century and the material, ecological, cultural and personal elements of this digital transformation. It considers the history of media and communication studies, arguing that the academic discipline was a product of the analogue, broadcast-era, emerging in the early twentieth century as a response to the success of newspapers, radio and cinema and reflecting that era back in its organisation, themes and concepts. Digitalisation, however, takes us beyond this analogue era (media studies 1.0) into a new, post-broadcast era. Merrin argues that the digital-era demands an upgraded academic discipline: one reflecting the real media life of its students and teaching the key skills needed by the twenty-first century user. Media 2.0 demand a media studies 2.0 This original and critical overview of contemporary developments within media studies is ideal for general students of media and communication, as well as those specifically studying new and digital media.
Popular media present a vast array of stories about women and men. What impact do these images and ideas have on people’s identities? The new edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender and sexuality. David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men’s and women’s magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities. The book includes: a comparison of gender representations in the past and today, from James Bond to Ugly Betty an introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks a Companion Website with extra articles, interviews and selected links, at: www.theoryhead.com.
On cultural studies
This fifth volume in the Discourse, Power, Resistance series considers how teachers and learners are under relentless pressure to conform their professional identity to a model imposed by policymakers. The book deals with the fundamental question facing teachers and learners worldwide: who are we, what are we supposed to be doing, why. Policymakers offer stultifying answers to these questions, based on a narrow, instrumental view of education that is viewed by teachers and learners with growing anger and dismay. What is to be done? The official view - and the discourse through which that view is articulated - is shown in this book to be weighty and vacuous at the same time - a massively ponderous discursive absurdity. Consequently, this book goes on to offer wide ranging and serious strategies of resistance The book encourages faculty and students in universities and partner institutions involved in teaching, training, and/or carrying out research in all areas of education. It will appeal to staff and students involved in training for compulsory and post-compulsory/vocational education and lifelong learning, and to lecturers in all areas of Higher Education with an interest in issues of policy and identity formation. The contributors are David Selby, Cheryl Hunt, Christina Schwabenland, Eileen Honan, Mhairi Mackie, James Avis, Anne-Marie Bathmaker, Yota Dimitriadi, and Michael Watts.