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This book is an inspiring biography about an extraordinary Catholic knight chosen by God to save his nation from Islamic aggression. Known by the honorary title of El Cid, Rodrigo Diaz is an epic hero who is relevant to our time. Exiled by his king, insulted and maligned by those who should have supported him, he selflessly fought against seemingly insurmountable odds to save Christian Spain. Commanding the respect even of his enemies, upon his death a Muslim historian acclaimed him a "miracle among the great miracles of the Almighty." The Cid is an example of what can be achieved through devotion to duty, prayer, and trust in God.
Rodrigo Díaz de Vivar—also known to historians as El Cid—was an eleventh century Spanish military commander who led both Christians and Moors into battle. In the pages of Eerie magazine, however, writer Budd Lewis and artist Gonzalo Mayo transform El Cid into a larger-than-life fantasy warrior, battling dragons, trolls, and sirens for his life—and demons for his soul! This deluxe hardcover collects every El Cid adventure that ran in Warren Publishing's Eerie magazine in the mid-1970s, featuring the elaborately detailed artwork of Mayo, plus Eerie's original historical background feature. * Cover painting by Sanjulian, frontispiece by Bernie Wrightson (Frankenstein)!
Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fascinating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes.
The year is A.D. 1565 and the tiny island fortress of Malta, defended by an anachronistic crusading order called the Knights of St. John Hospitallers, is all that stands between the war machine of Sultan Suleiman the Magnificent and the very heart of Christendom. Pitifully outmatched and against impossible odds, the indomitable Grand Master Jean Parisot de La Valette nevertheless inspires his knights to "strike a blow for Christ" and sacrifice their lives to halt the invading Turks at the gates of Europe. Nicholas Prata relates the actual events of the Great Siege in riveting and graphic prose which brings the extreme heroism of the knights and the horror of combat sharply into focus.
Distinguishes between the historical and traditional figure of El Cid, the legendary hero of eleventh century Castille.
This study of El Cid, first published in English in 1934, is by the leading authority on the medieval history and literature of Spain. The Cid occupies a unique position among national heroes. Others such as King Arthur and Roland are but shadowy figures in the historical record, but El Cid is very much better documented. This book also paints a striking picture of eleventh-century Spain, bringing out the importance of the country as a link between Christian and Muslim civilization.
The Greatest Spanish monarch, St. Fernando III, King of Castile and Leon, was born in the year 1199 - exactly 100 years after the death of his illustrious ancestor, El Cid. In him would be combined the soul of a knight dedicated entirely to God, the irresistible power of the Cid, and, due to his royal heritage, the authority to marshal the might of an entire kingdom against the enemies of Christ. Personally leading his armies into battle, he took back more territory from Islam than any other king in history. First cousin to St. Louis IX of France, Fernando died a holy death in 1252. His incorrupt body can still be seen in the Cathedral of Seville and his feast day, May 30th, is traditionally a holy day of obligation in Spain.
Rodrigo Díaz, the legendary warrior-knight of eleventh-century Castile known as El Cid, is still honored in Spain as a national hero for liberating the fatherland from the occupying Moors. Yet, as this book reveals, there are many contradictions between eleventh-century reality and the mythology that developed later. By placing El Cid in a fresh, historical context, Fletcher shows us an adventurous soldier of fortune who was of a type, one of a number of "cids," or "bosses," who flourished in eleventh-century Spain. But the El Cid of legend--the national hero -- was unique in stature even in his lifetime. Before his death El Cid was already celebrated in a poem; posthumously he was immortalized in the great epic Poema de Mío Cid. When he died in Valencia in 1099, he was ruler of an independent principality he had carved for himself in Eastern Spain. Rather than the zealous Christian leader many believe him to have been, Rodrigo emerges in Fletcher's study as a mercenary equally at home in the feudal kingdoms of northern Spain and the exotic Moorish lands of the south, selling his martial skills to Christian and Muslim alike. Indeed, his very title derives from the Arabic word sayyid, meaning 'lord' or 'master.' And as there was little if any sense of Spanish nationhood in the eleventh century, he can hardly be credited for uniting a medieval Spanish nation. This ground-breaking inquiry into the life and times of El Cid disentangles fact from myth to create a striking portrait of an extraordinary man, clearly showing how and why legend transformed him into something he was not during his lifetime.--From publisher description.
El Cid is the best soldier in Castile. When he is unfairly banished from court, the Spanish hero sets off on a campaign against the Moorish invaders of Southern Spain to win back favour. After many battles and conquests, El Cid is forgiven. But he comes home to face one last terrible battle and, ultimately, his death.