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The purpose of the research was to describe, through the portal of the researcher’s mother’s memoir, a personal voice that is ignored by mainstream society and to give witness to the culture of the researcher’s Latino parents, grandparents, and ancestors. The problem addressed is the repression of the personal voices of women from marginalized ethnic/racial and poverty-level socioeconomic backgrounds, whose voices remain silenced in the field of psychology. A social construct approach was used to enter the sociohistorical context of the memoir. Alchemical hermeneutics led the researcher onto the compelling but uncharted path of the study, while heuristic methodology was utilized to hear and then authentically articulate the voice sought in the research. The findings of the research illuminated implied themes of silence. In the memoir, the writer’s identity was expressed in terms of the family, as “We,” a community, rather than “I.” Shared space was found to be a constant phenomenon of poverty in Mexican American communities of laborers in California in the mid-20th century, and time was translated into the intensity required to endure a task. The memoir’s documentation of unexpected events which had no similar prior life experience was prefaced with “one day.” The memoir revealed the writer’s continual seeking to witness and experience aesthetic beauty while living in poverty. The research findings provide insight into the wealth of culturally relevant material that traditionally silenced personal voices can provide to the field of psychology.
Featuring the work of more than fifty poets writing across the last eight decades, Only the Road / Solo el Camino is the most complete bilingual anthology of Cuban poetry available to an English readership. It is distinguished by its stylistic breadth and the diversity of its contributors, who come from throughout Cuba and its diaspora and include luminaries, lesser-known voices, and several Afro-Cuban and LGBTQ poets. Nearly half of the poets in the collection are women. Only the Road paints a full and dynamic picture of modern Cuban life and poetry, highlighting their unique features and idiosyncrasies, the changes across generations, and the ebbs and flows between repression and freedom following the Revolution. Poet Margaret Randall, who translated each poem, contributes extensive biographical notes for each poet and a historical introduction to twentieth-century Cuban poetry.
A collection of 50 bilingual poems intended to help the learning process. This work focuses on improving speaking skills. As a poetry book, it reflects the nature of love, the lack of it; however, it shows the actual view of feelings. The poetic language brings joy or delusion each poem hails love, hope, and wishes. 'Poetry of Belle Letters' takes the reader to discover passion on a personal level. As a textbook, it aids learners in improving their speaking skills. Short poems take the reader to command language features related to orthoepy. It includes a list of words associated with the A1-C2 levels of the Common European Framework. This book increases vocabulary for those intending to sit a language certification. For teachers, it includes an outline to plan lessons using literature. Plus, seven activities to employ poetry during class time.
The author of Drink Cultura gathered this generous bilingual compilation of Latino folk sayings--dichos. Arranged by theme, these dichos express Latino wit and wisdom about subjects from Ability, Adversity, and Advice to Work, Writing, and Youth. José Antonio Burciaga was born in El Paso and taught at Stanford. His previous books include Drink Cultura: Chicanismo, Spilling the Beans: Lotería Chicano , and Undocumented Love . He was a Literature winner of the Hispanic Heritage Awards. He died in 1996 as this book was going to press. "José Antonio Burciaga has done it again! His book of Latino folk sayings is a mesmerizing goldmine of the wisdom and wit of a people who can laugh off any hardships. As a true poet, Burciaga has come out with real jewels. Some can make us laugh; others ca make us cry; all come from the deepest realm of our collective sould and heart."--Francisco X. Alarcón "Our young people need to hear his voice and the older generation needs to remember the causes for our uproar."--Gary Soto
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A Father's Dream: My Family's Journey in Music chronicles the life of a musician, performer, man of God, and successful Mexican American entrepreneur. This is the story of a man who has experienced great joy and even greater pain, but by holding onto the strength embedded in each of us, embracing the love of family, and leaning on his faith in God, he is able to move forward toward the future with a positive disposition. Abraham Quintanilla takes the reader on the journey of his life, a life that reflects the up and down experiences of a self-made success. With a raw emotion and honesty, he shares the twists and turns of a road many readers may have been forced to travel and a few others hope never to traverse. From the sublime joys of fatherhood, to the accomplishment of creating a musical empire and surviving its failures, he shares the unexpected life events that make up each of our lives. Every reader will gain a stronger sense of humanity and a deeper understanding of just how precious and fleeting life can be from reading this memoir. Readers will also be given a close and personal view into the behind-the-scenes intricacies of a successful family business. Share the joy a parent feels for their children's success. And most of all, readers will understand the human need to embrace one's own talents. Finally, anyone who picks up this book and reads it will come to know that unforeseen tragedy can and does happen, but with faith and family as our support system, we are able to pick up the pieces of our broken hearts and walk bravely into the future with our newfound hope lighting the way.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.