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In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
El arte de amar es una obra con la que Erich Fromm ha ayudado a varias generaciones a reflexionar sobre el amor y a responder a algunas preguntas aparentemente sencillas: �qu� significa amar? �C�mo desprendernos de nosotros mismos para experimentar este sentimiento...? Fromm nos explica que el amor no es s�lo una relaci�n personal, sino un rasgo de madurez que se manifiesta en diversas formas: amor er�tico, amor fraternal, amor filial, amor a uno mismo...Nos dice tambi�n que el amor no es algo pasajero y mec�nico, como a veces nos induce a creer la sociedad de hoy. Muy al contrario, el amor es un arte, el fruto de un aprendizaje. Por ello, si queremos aprender a amar debemos actuar como lo har�amos si quisi�ramos aprender cualquier otro arte, ya sea la m�sica, la pintura, la carpinter�a o el arte de la medicina. O, por lo menos, no dedicar nuestra energ�a a lograr el �xito y el dinero, el prestigio y el poder, sino a cultivar el verdadero arte de amar. "El amor intenta entender, convencer, vivificar. Por este motivo, el que ama se transforma constantemente. Capta m�s, observa m�s, es m�s productivo, es m�s �l mismo."
Exploring marketization, local practices, and protests, this book shows how market-driven subsistence threats can be powerful loci for resistance movements.