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Science and literature have always been strange bedfellows. Like puzzle pieces, they fit because they're different. Some of the greatest works of world literature have been inspired by the marvels of the scientific world. Scientists have written works of the imagination. Even formal scientific writings have been known to employ rhetoric. There is a tendency to think of literature—and the humanities in general—as having little to do with science. Yet scholars have conducted fruitful studies of the history and philosophy of science. With the rise of technology, scholars have also applied scientific analysis to the study of literature and the creative process. The intersection of scientific and humanistic inquiry is finally being mapped. This volume includes more than 650 A-Z entries on topics and themes in science and literature, significant writers, key scientists, seminal works, and important theories and methodologies. This reference defines the rapidly emerging interdisciplinary field of literature and science. An introductory essay traces the history of the field, its growing reputation, and the current state of research. Broad in scope, the volume covers world literature from its beginnings to the present day and illuminates the role of science in literature and literary studies. A wide range of experts contributed entries to this volume, each of which concludes with a brief bibliography. The entire volume closes with a list of works for further reading.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.
"Nonstop action, real history, serious danger. You gotta read these books!" —Alan Gratz, #1 New York Times bestselling author of Refugee 26 April 1986 01:18 Alina & Lev are two siblings living in Pripyat, one of the Soviet Union's proud nuclear cities. Both are asleep in their beds. Their cousin, Yuri, is a custodian at the Chernobyl Nuclear Power Plant, where he's fiercely attacking a spill in the hallway with a mop. Alina's best friend, Sofiya, sleeps just a few doors down. Her father is an engineer at the plant, a fact that has always filled her with pride. In five minutes, Reactor No. 4 will explode in a ball of fire. It will expel radiation across their town for nine days before it's finally contained. For the people of Pripyat, it will be far too late. — Two young siblings flee the Chernobyl disaster with their parents, but the Communist party is on their heels. Meanwhile, the friends and family they were forced to leave behind must contend with a disinformation campaign that's determined to pretend nothing is wrong-even as deadly radiation spills into the air.
The first edition was published in 1996; this new edition includes 326 additional composers, as well as additional information on some that were previously listed (the total number of profiled composes is not stated but seems to be around 1,000.) The alphabetically-arranged entries contain important biographical data; a selective list of stage, choral- symphonic, symphonic, and chamber music, as well as piano pieces and songs; and sources. Edited by Ficher (Settlement Music School), Martha Furman Schleifer (music history, Temple U.), and John M. Furman (Musical Fund Society of Philadelphia). Annotation copyrighted by Book News, Inc., Portland, OR
Gary, un drama humano, que habla del amor que se inicia y del que no floreció, de las tragedias de la guerra y la esperanza que nace. Christian Follonier llega a casa del señor Finnegan y le encuentra colgando. ¿Qué habrá llevado al huraño anciano a intentar suicidarse?