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With its innovative studies and its extensive catalogue of texts erroneously attributed to Paracelsus (1493/4-1541), this volume explores largely overlooked aspects of the Paracelsian movement in Renaissance and early modern medicine, science, natural philosophy, theology and religion.
This study explores notions of ornamentation and materiality in 10th and 11th century manuscript illumination. So-called textile pages evoking the weave patterns of Byzantine and Islamic silk, show that ornament has metaphoric meaning and serves distinct functions in religious art. A contextualized reading investigates the ways in which textile pages relate to medieval theological issues, the liturgy, and contribute to medieval book culture.
This book focuses on two personalities, on Tatanka Iyotake (1831-1890), known as Sitting Bull, a political and spiritual leader of the Sioux people of the Great Plains, and on the immigrant Martin Marty (1834-1896), a Swiss abbot of the Benedictine monastery of St. Meinrad, Ind. Their life goals were opposite: Martin Marty not only intended to convert the Sioux to Christianity, but also to eradicate their culture and replace it with Euro-American patterns. Tatanka Iyotake in contrast, imbued with the millennia old traditions of his people, strove to oppose the territorial, political, and spiritual Euro-American conquest. (458pp. illus. index. Swiss American Hist. Soc., 2017.)
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
After decades of detective work, Dan Rottenberg has succeeded in writing the first biography of this exceptionally influential and elusive man.
Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture.
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
For Your Own Good, the contemporary classic exploring the serious if not gravely dangerous consequences parental cruelty can bring to bear on children everywhere, is one of the central works by Alice Miller, the celebrated Swiss psychoanalyst. With her typically lucid, strong, and poetic language, Miller investigates the personal stories and case histories of various self-destructive and/or violent individuals to expand on her theories about the long-term affects of abusive child-rearing. Her conclusions—on what sort of parenting can create a drug addict, or a murderer, or a Hitler—offer much insight, and make a good deal of sense, while also straying far from psychoanalytic dogma about human nature, which Miller vehemently rejects. This important study paints a shocking picture of the violent world—indeed, of the ever-more-violent world—that each generation helps to create when traditional upbringing, with its hidden cruelty, is perpetuated. The book also presents readers with useful solutions in this regard—namely, to resensitize the victimized child who has been trapped within the adult, and to unlock the emotional life that has been frozen in repression.