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Eigse is devoted to the cultivation of a wide range of research in the field of Irish language and literature. Many hitherto unpublished texts in prose and verse ranging from Old Irish down to the modern language and including items from oral narration have appeared in its pages. It regularly includes important contributions on grammar, lexicography, palaeography, metrics, and the history of the Irish language, as well as on a wide variety of Irish literary topics. There is a special emphasis on all aspects of the study of the language and literature of Modern Irish.
Coupling the narratives of twenty-two Irish traditional musicians alongside intensive field research, Becoming an Irish Traditional Musician explores the rich and diverse ways traditional musicians hone their craft. It details the educational benefits and challenges associated with each learning practice, outlining the motivations and obstacles learners experience during musical development. By exploring learning from the point of view of the learners themselves, the author provides new insights into modern Irish traditional music culture and how people begin to embody a musical tradition. This book charts the journey of becoming an Irish traditional musician and explores how musicality is learned, developed, and embodied.
The book offers a comprehensive overview of forms of modern Irish within a general linguistic framework. Starting with information on the sociolinguistics of modern Irish and on the overall sound system of the language, it then proceeds with a tripartite division of the present-day language into northern, western and southern Irish. It gives specific information on the features of each dialect and considers many sub-divisions, using maps and tables to illustrate clearly what is the subject of discussion. There are several innovations in the book, such as a system of lexical sets which facilitate the description and analysis of variation and change in modern Irish. The data for the book stems from recordings of more than 200 speakers and all the statements made about the structure of Irish are based on native speakers' speech samples. These are supplied online with a software interface which allows users to quickly orient themselves among the varieties of Irish via clickable maps. A number of further issues are focused on in the book, such as the possibility of dialect reconstruction and the use of place-name evidence for determining the earlier distribution of Irish. Additional historical and background information is provided so that scholars and students without any previous knowledge of the language can readily grasp the themes and issues discussed.
This book provides a comprehensive overview of Celtic mythology and religion, encompassing numerous aspects of ritual and belief. Topics include the presence of the Celtic Otherworld and its inhabitants, cosmology and sacred cycles, wisdom texts, mythological symbolism, folklore and legends, and an appreciation of the natural world. Evidence is drawn from the archaeology of sacred sites, ethnographic accounts of the ancient Celts and their beliefs, medieval manuscripts, poetic and visionary literature, and early modern accounts of folk healers and seers. New translations of poems, prayers, inscriptions and songs from the early period (Gaulish, Old Irish and Middle Welsh) as well as the folklore tradition (Modern Irish, Scottish Gaelic, Welsh, Cornish, Breton and Manx) complement the text. Information of this kind has never before been collected as a compendium of the indigenous wisdom of the Celtic-speaking peoples, whose traditions have endured in various forms for almost three thousand years.
This comparative overview of modern Irish dialects surveys the phonology, morphology and syntext of the various dialects and contains a wealth of empirical data organized in an accessible way for the nonspecialist.
An investigation of the places in the Irish landscape where open-air Gaelic royal inauguration assemblies were held from the twelfth to the sixteenth centuries.
A mere 150 years ago Scottish Gaelic was the third most widely spoken language in Canada, and Irish was spoken by hundreds of thousands of people in the United States. A new awareness of the large North American Gaelic diaspora, long overlooked by historians, folklorists, and literary scholars, has emerged in recent decades. North American Gaels, representing the first tandem exploration of these related migrant ethnic groups, examines the myriad ways Gaelic-speaking immigrants from marginalized societies have negotiated cultural spaces for themselves in their new homeland. In the macaronic verses of a Newfoundland fisherman, the pointed addresses of an Ontario essayist, the compositions of a Montana miner, and lively exchanges in newspapers from Cape Breton to Boston to New York, these groups proclaim their presence in vibrant traditional modes fluently adapted to suit North American climes. Through careful investigations of this diasporic Gaelic narrative and its context, from the mid-eighteenth century to the twenty-first, the book treats such overarching themes as the sociolinguistics of minority languages, connection with one's former home, and the tension between the desire for modernity and the enduring influence of tradition. Staking a claim for Gaelic studies on this continent, North American Gaels shines new light on the ways Irish and Scottish Gaels have left an enduring mark through speech, story, and song.