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When founded in 1911, Connecticut College for Women was a pioneering women's college that sought to prepare the progressive era's «new woman» to be self-sufficient. Despite a path-breaking emphasis on preparation for work in the new fields opening to women, Connecticut College and its peers have been overlooked by historians of women's higher education. This book makes the case for the significance of Connecticut College's birth and evolution, and contextualizes the college in the history of women's education. «Eighth Sister No More» examines Connecticut College for Women's founding mission and vision, revealing how its grassroots founding to provide educational opportunity for women was altered by coeducation; how the college has been shaped by changes in thinking about women's roles and alterations in curricular emphasis; and the role local community ties played at the college's point of origin and during the recent presidency of Claire Gaudiani, the only alumna to lead the college. Examining Connecticut College's founding in the context of its evolution illustrates how founding mission and vision inform the way colleges describe what they are and do, and whether there are essential elements of founding mission and vision that must be remembered or preserved. Drawing on archival research, oral history interviews, and seminal works on higher education history and women's history, «Eighth Sister No More» provides an illuminating view into the liberal arts segment of American higher education.
"A thriller of espionage, spy games, and treachery in which a former CIA officer in his early sixties is asked to travel undercover to Moscow to locate a Russian assassin only to find things are not as he was led to believe"--
"1788. In the cold, black hold of a sailing ship, a young woman lies dying, tormented that her death will mean nothing. Only the will to find a purpose for her life keeps breath in her tired body. Far away, a mother peers into the night sky, agonizing over the loss of her infant daughter nineteen years before. A haunting vision will not leave her, whispering of a living tie to that baby long ago. Worlds apart and unaware of one another, the mother and daughter fight their lonely battles for survival. Between them-- a man rising to greatness with the new America will bring them together."--Back cover.
Durinda's dangers: One month after their parents' disappearance, the third-grade Huit octuplets deal with a malfunctioning refrigerator and try to win the love of the only boy in their class at Valentine's Day, while Dorinda discovers her special power and gift.
With the arrival of August, Zinnia, the youngest of the Huit octuplets, eagerly anticipates getting her power and gift, both of which hold big surprises that are revealed to the sisters on their eighth birthday.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
A ruined abbey on a beautiful estate in Derbyshire, a murdered peer, and a most unlikely romance make New York Times bestseller Tasha Alexander's new novel Behind the Shattered Glass absolutely irresistible Anglemore Park is the ancestral home of Lady Emily Hargreave's husband Colin. But the stately calm of country life is destroyed when their neighbor, the Marquess of Montagu, bursts through the French doors from the garden and falls down dead in front of the shocked gathering. But who has a motive for murdering the young aristocrat? The lovely cousin who was threatened by his engagement, the Oxford friend he falsely accused of cheating, the scheming vicar's daughter he shamelessly seduced or the relative no one knew existed who appears to claim the Montagu title? Who is the mysterious woman seen walking with him moments before he was brutally attacked? The trail takes readers into the gilded world of a British manor house and below stairs to the servants who know all the secrets. One family's hidden past and a forbidden passion are the clues to a puzzle only Lady Emily can solve.
All Hamlet Kennedy wants is to be a normal eighth grader. But with parents like hers - Shakespearean scholars who actually dress in Elizabethan regalia . . . in public! - it's not that easy. As if they weren't strange enough, her genius seven-year-old sister will be attending her middle school, and is named the new math tutor. Then, when the Shakespeare Project is announced, Hamlet reveals herself to be an amazing actress. Even though she wants to be average, Hamlet can no longer hide from the fact that she- like her family - is anything but ordinary.
The tales included here represent all of Yunnan Province's officially designated ethnic minorities, and include creation myths, romances, historical legends, tales explaining natural phenomena, ghost stories, and festival tales. The tales are peopled by memorable characters, such as the Tibetan mother who, reborn as a cow, comforts and helps her daughter into her harsh life as a slave girl; the two Kucong sisters who marry snakes; and the bodiless Lahu "head-baby" who grows up to win one of the earth-god Poyana's daughters in marriage. Chosen for their representativeness, aesthetic appeal, and variety, the stories provide rich examples of the folk traditions of Southwest China. South of the Clouds includes introductions and an appendix which describe the places and people of Yunnan, analyzethe literary and psychological characteristics of their stories, give the sources of the tales, and explain the methodolgy of collecting folk literature in China.
What manner of man was this, and wherein lay the secret of his strength? Is recourse necessary to a theory of supernatural agency, or is there another and adequate solution? Was Henry's individual will of such miraculous force that he could ride roughshod in insolent pride over public opinion at home and abroad? Or did his personal ends, dictated perhaps by selfish motives and ignoble passions, so far coincide with the interests and prejudices of the politically effective portion of his people, that they were willing to condone a violence and tyranny, the brunt of which fell after all on the few?