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Acknowledged as the best book on the subject and an indispensable aid to the serious collector. The photographs are digitally enhanced and the book includes an impressive bibliography.
In 1675 George Ravenscroft invented the lead glass formula which was to transform glass selling in England. Previously table glass was imported from the continent, mostly from Venice, but now an indigenous industry developed rapidly, producing drinking glasses of such quality and fascinating design as to capture the entire home market. This book explores the variety of drinking glasses, from the heavy balusters of before 1700 to the faceted stems of around 1800 which are so sought after by collectors. Superb craftsmanship and ingenuity, typical of all art forms in the eighteenth century, are beautifully encapsulated in the drinking glass, and a large and significant collection can be housed in a couple of display cases. Accompanied with detailed illustrations of the range of glass designs, this is an ideal guide for any collector.
This detailed study of the history of glass drinking vessels offers a wealth of information for collectors and enthusiasts alike. From ancient Roman drinking glasses to ornate 18th-century goblets, the book covers the development of glassware in England through the centuries. Filled with stunning photographs and detailed historical analysis, this is a must-have for anyone interested in the history and craft of glassmaking. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Old English Glasses: An Account of Glass Drinking Vessels in England, From Early Times to the End of the Eighteenth Century; With Introductory Notices, Original Documents, Etc IN the following work, which comprises the history of a subject never before undertaken for England, the author has primarily endeavoured to provide information concerning drinking-glasses and glass-making in this country from Roman times to 1800. Dealing first with objects in vitreous pastes found in Britain, the flaw (mean of Strabo, the aggry beads, - some of them remnants, apparently, of Phoenician commerce, - Roman mosaic beads, and their quasi-imitations the beads of anglo-saxon times, are successively touched upon. The evidences of glass-furnaces in Britain during the Roman domina tion are spoken of; and while the large and varied number of drinking-vessels of anglo-saxon times are discussed historically, 'an endeavour is made for the first time to bring them into order, to classify, and to date them. The imported Oriental glasses a la facon de Damas, a la Moresque - are not overlooked, and the collateral rise and progress of painted glass in England, from the middle of the twelfth century to the time of the English painted windows of the Chapel of King's, of the first quarter of the sixteenth, is shown. Testimonies are adduced indicating the continuation of the manufacture of glass drinking-vessels in England during this long period, and up to the middle of the sixteenth century, illustrated by the evidence of inventories and a few actual vessels. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.